NoeFlandre/osm-polygon-wikidata-only huggingface dataset:
Samuel J. Friedman Theatre

Il Samuel J. Friedman Theatre, precedentemente noto come Biltmore Theatre, è un teatro di Broadway sito nel quartiere di Midtown Manhattan a New York. Storia Il teatro, progettato da Herbert J. Krapp per l'impresario Irwin Chanin, fu aperto al pubblico il 7 dicembre 1925 con il nome di Biltmore Theatre. Al momento dell'apertura il teatro contava 903 posti, poi ridotti a 650, e l'edificio fu inaugurato con la commedia Easy Come Easy Go. Negli anni quaranta il teatro ospitò la prima statunitense di A porte chiuse di Jean-Paul Sartre (1946) e il debutto de L'ereditiera. Dal 1952 al 1961 l'edificio fu affittato dalla CBS, che lo adibì a studio televisivo, mentre nel 1963, tornato alla sua funzione originale, il Biltmore Theatre ebbe in cartellone la prima della commedia di Neil Simon A piedi nudi nel parco. Cinque anni più tardi, nel 1968, il debutto a Broadway del rivoluzionario musical Hair avvenne proprio sulle scene del Biltmore, dove rimase fino al 1972 per un totale di oltre 1700 rappresentazioni. Nel 1987 gli interni furono distrutti da un incendio che si rivelò essere doloso e che causò la chiusura del teatro per quattordici anni. Nel 1993 il Nederlander Organization acquistò il Biltmore e, dopo le opportune ristrutturazioni, riaprì il teatro al pubblico nel 2003. Negli anni successivi il Biltmore ospitò sia opere di prosa che musical, come il dramma, premio Pulitzer, La tana del bianconiglio (2006) e LoveMusik (2007). Nel 2008 il teatro fu rinominato Samuel J. Friedman Theatre e, dopo essere stato ribattezzato, ospitò apprezzati allestimenti dei drammi Good People (2011), Master Class (2011), Venere in pelliccia (2011), Wit (2012), Constellations (2015), Il padre (2016), Le piccole volpi (2017), Santa Giovanna (2018), Choir Boy (2019) ed il dramma, premio Pulitzer, How I Learned to Drive (2020). Nel corso della sua storia, le scene del Friedman sono state calcate da importanti star internazionali, come Jake Gyllenhaal, Frances McDormand, Mary-Louise Parker, Cynthia Nixon, Diane Keaton, Ruth Wilson, Tyne Daly, Frank Langella, Jeremy Pope, Laura Linney, Eileen Atkins, Jonathan Pryce e Jonny Lee Miller. Note Altri progetti Wikimedia Commons contiene immagini o altri file su Samuel J. Friedman Theatre Collegamenti esterni Samuel J. Friedman Theatre, su archINFORM. (EN) Scheda sul Samuel J. Friedman Theatre, su Internet Broadway Database, The Broadway League.
Teatro Samuel J. Friedman

Samuel J. Friedman Theatre (ex-Biltmore Theater) é um teatro situado na Broadway, Manhattan, Nova Iorque, localizado no 261 W 47th Street. O teatro tem 650 lugares e é um dos menores da Broadway. Ele foi inaugurado em 7 de dezembro de 1925 com a peça Easy Come Easy Go e durante os anos 30 foi usado como projeto para o Federal Theatre, em decorrência da política do New Deal do presidente Franklin Roosevelt, que substituiu a apresentação de entretenimento pela apresentação de material noticioso. A CBS o alugou para sediar estúdios de rádio e televisão entre 1952 e 1961. Em 1968, ele estreou o musical Hair, que ali ficaria por quatro anos. Em 1987, um incêndio, depois descoberto como sendo criminoso, destruiu o interior do Biltmore. Após isso, o edifício permaneceu vazio por quatorze anos, sofrendo danos estruturais causados por vazamento de água e vandalismo. A propriedade do teatro mudou de mãos várias vezes entre 1987 e 2001, mas todos os planos propostos para seu uso futuro foram negados, já que sua designação como marco da cidade de Nova Iorque impedia sua utilização para qualquer outra atividade que não fosse a de um legítimo teatro da Broadway. Em 2001, sua propriedade foi adquirida pelo Manhattan Theatre Club, uma companhia de teatro nova-iorquina, para sediar permanentemente suas produções. As seções originais sobreviventes do incêndio foram restauradas por um firma de arquitetura ao custo de US$35 milhões e as partes destruídas foram reconstruídas. O novo teatro Biltmore foi então reaberto em 2003 com 622 lugares, dois terços da lotação original, mas agora contando com modernas conveniências para o conforto do público, como elevadores e salas de encontro. Os detalhes arquitetônicos da antiga construção que o fizeram ser classificado como marco da cidade, como a boca de cena do palco, o domo, escadas e uma galeria no segundo andar abobadado, foram refeitas ou copiadas. O teatro foi designado, em 27 de outubro de 2004, um edifício do Registro Nacional de Lugares Históricos. Em setembro de 2008, ele foi renomeado para Samuel J. Friedman Theatre, em homenagem a um publicitário da Broadway. Ver também Registro Nacional de Lugares Históricos em Manhattan da 14th até 59th Streets Referências Ligações externas Samuel J. Friedman Theatre (em inglês) no Internet Broadway Database New York SP Biltmore Theater (em inglês) no National Archives Catalog Biltmore Theater (em inglês) no NPGallery Asset Detail
Hunter Mountain Fire Tower

La Hunter Mountain Fire Tower est une tour de guet du comté de Greene, dans l'État de New York, dans le nord-est des États-Unis. Elle est située à 1 227 mètres d'altitude dans les montagnes Catskill. Protégée dans le parc Catskill, elle est inscrite au Registre national des lieux historiques depuis le 30 juin 1997. Liens externes Ressource relative à l'architecture : Registre national des lieux historiques Ressource relative à la géographie : Geographic Names Information System (en) Hunter Mountain Fire Tower sur Natural Atlas Portail des tours de guet Portail du Registre national des lieux historiques Portail de l’État de New York
Hunter Synagogue

Hunter Synagogue is a historic Jewish congregation and synagogue at 7979 Main Streetin Hunter, Greene County, New York, in the United States. The synagogue was constructed between 1909 and 1914 and is a 2+1⁄2-story, three-by-seven-bay, Queen Anne–inspired building. Also on the property is a shed built about 1910. It was added to the National Register of Historic Places in 1999. References External links Official website "Hunter Synagogue" (moving panoramic image of the interior). Synagogues360. 2024. Retrieved March 3, 2024.
Huntington Harbor Light

Huntington Harbor Light, formerly known as Lloyd Harbor Lighthouse, is a lighthouse in Huntington Bay on Long Island, New York. The lighthouse was established in 1857 and the current tower was first lit in 1912. The light was automated in 1949 and is still operational. The foundation is cast reinforced concrete crib and the lighthouse is made out of cast reinforced concrete. The tower is square "castle" in the Beaux-Arts style. In 1912 a fifth order Fresnel lens was installed. In 1857, a lighthouse was built on the tip of Lloyd's Neck to assist ships in finding shelter in Lloyd Harbor from the wind and waves that often hinder navigation on the Long Island Sound. This first lighthouse, called the Lloyd Harbor Light, was of little help to ships entering the adjoining Huntington Harbor. In 1912, a new lighthouse was built to serve Huntington Harbor. The new structure was a unique lighthouse, in both design and construction. The Beaux Arts style makes the light look like a small castle. The reinforced concrete foundation and structure is unique to the area, as well. The foundation for the light was built nearby on land, then floated to the site and sunk. This Lighthouse was staffed by members of the United States Lighthouse Service from 1912 until 1939, and by the United States Coast Guard since then. In 1949, the light was fully automated. The deterioration of the unoccupied lighthouse started and would continue for almost two decades. As a result of a 1983 survey, the light was deemed unsafe for servicing personnel and too expensive to repair. The Coast Guard considered demolishing the lighthouse and erecting a steel tower. In 1985, a group called Save Huntington's Lighthouse was formed by local citizens to save the lighthouse from demolition. It became the first private group in the country to successfully take over and restore an offshore lighthouse. Now known as the Huntington Lighthouse Preservation Society, the group continues to enlist volunteers and raise funds for ongoing restoration and preservation work. The lighthouse was placed on the National Register of Historic Places in 1988 under the name of Lloyd Harbor Lighthouse with reference number #89000501. References External links Media related to Huntington Harbor Light at Wikimedia Commons "Historic Light Station Information and Photography: New York". United States Coast Guard Historian's Office. Archived from the original on May 1, 2017. Huntington Lighthouse Preservation Society web site Huntington Lighthouse Music Fest - Yearly on Labor Day Weekend! Archived 2009-07-15 at the Wayback Machine National Park Service Historic Lighthouses NPS page on Huntington Bay
Маяк Хантингтон-Харбор

Маяк Хантингтон-Харбор (англ. Huntington Harbor Light), также известный как Маяк Ллойд-Харбор (англ. Lloyd Harbor Lighthouse), — маяк, расположенный в заливе Хантингтон-Бей недалеко от одноимённого города, округ Саффолк, штат Нью-Йорк, США. Построен в 1857 году. Автоматизирован в 1949 году. История Залив Ллойд-Харбор с начала XIX века был популярной якорной стоянкой для кораблей, идущих вдоль острова Лонг-Айленд. Маяк Итонс-Нек обозначает проход в залив Хантингтон-Бей, однако проход дальше в залив Ллойд-Харбор все ещё был небезопасным из-за отмелей. 3 августа 1854 года Конгресс США выделил 4 000$ на строительство маяка на входе в залив Ллойд-Харбор. Строительство было закончено в 1857 году. Маяк представлял собой двухэтажный деревянный дом, построенный на кирпичном фундаменте, примыкающем к квадратной кирпичной башне маяка, в которой была установлена линза Френеля. В ноябре 1870 года маяк был сильно повреждён штормом, после чего был отремонтирован и укреплён. Но к 1900-м годам он пришёл в достаточно ветхое состояние, и 4 марта 1907 года Конгресс выделил 40 000$, однако из-за споров о месте его строительства контракт на сооружения маяка был подписан только в 1910 году. 16 июня 1912 года работы были завершены. Новый маяк представлял собой квадратную башню примыкающую к одноэтажному прямоугольному дому смотрителя, оба строения были выполнены из цемента. Стиль постройки описывали как смесь стилей ар-деко и бозар, по форме она напоминала небольшой замок. В 1949 году Береговая охрана США автоматизировала маяк. К 1983 году маяк пришел в настолько плохое состояние, что обсуждались планы его сноса. Однако усилиями волонтёров маяк был восстановлен в 2003 году, и в 2018 году был открыт для посещения в качестве музея. В 1989 году он был включен в Национальный реестр исторических мест. Примечания
Neue Galerie

La Neue Galerie és una galeria d'art novaiorquesa situada en la 5a avinguda a l'altura del carrer 86, dintre de l'anomenada "Milla dels Museus". Està dedicada a l'art alemany i austríac. L'estiu de 2006 la galeria va adquirir l'aclamat quadre de Gustav Klimt Adele Bloch-Bauer I, una joia espoliada pels nazis l'any 1938.
Neue Galerie

La Neue Galerie es una galería de arte neoyorquina de propiedad privada, situada en la Quinta Avenida a la altura de la calle 86, dentro de la llamada Milla de los Museos. Fue creada en 2001 y está dedicada al arte alemán y austríaco de principios del siglo XX. En el verano de 2006 incorporó el cuadro de Gustav Klimt titulado Retrato de Adele Bloch-Bauer I, una obra expropiada por los nazis en 1938.
Neue Galerie New York

De Neue Galerie is een openbaar kunstmuseum bestaande uit de privé-verzameling van Ronald Lauder op de Fifth Avenue in de Amerikaanse stad New York, in het vroegere kantoor van Cornelius Vanderbilt. Geschiedenis De Neue Galerie werd in 2001 opgericht door Ronald Lauder, een van de schatrijke erfgenamen van cosmeticafabrikant Estée Lauder Companies. Collectie In de Neue Galerie is werk te zien van Duitse en Oostenrijkse kunstenaars uit het begin van de 20e eeuw: o.a. symbolisten, expressionisten, Der Blaue Reiter, Die Brücke, Bauhaus. In 2006 kreeg de Neue Galerie het destijds duurst verkochte schilderij ter wereld in huis, nadat Lauder het Portret van Adele Bloch-Bauer I van Gustav Klimt aankocht voor een bedrag van €107 miljoen. Zie ook Neue Galerie
Neue Galerie New York

Neue Galerie New York (în traducere în română din germană: Galerie Nouă) este un muzeu de artă germană și austriacă de la începutul secolului al XX-lea ce se află în Casa William Starr Miller din Manhattan, New York. Referințe Legături externe Neue Galerie official website Audiointerview with Scott Gutterman, deputy director of the Neue Galerie Arhivat în 10 februarie 2009, la Wayback Machine. Neue Galerie Architecture & History Arhivat în 25 martie 2016, la Wayback Machine.
Новая галерея (Нью-Йорк)

Новая галерея (нем. Die Neue Galerie) — музей немецкого и австрийского модернистского искусства начала XX столетия. Галерея находится на так называемой Музейной миле в Манхэттене, Нью-Йорк, расположенной между 82-й и 105-й улицами вдоль 5-й авеню. Музей был основан торговцем живописью Сержем Сабарски и его близким другом предпринимателем и филантропом Рональдом Лаудером как «Галерея Сержа Сабарски» и располагался сначала на Мэдисон авеню, дом 987. В 1994 году они выкупили здание на углу 86-й стрит и 5-й авеню, где музей находится сегодня. Собрание «Новой галереи» разделено на две части. Первый этаж посвящён австрийскому искусству начала XX века и включает работы Густава Климта, Эгона Шиле, Оскара Кокошки, на втором этаже находятся произведения немецкого экспрессионизма — работы Пауля Клее, Эрнста Людвига Кирхнера, Отто Дикса, Жоржа Гроса, Лионеля Фейнингера, Василия Кандинского. В июне 2006 года Лаудер приобрёл для музея полотно Климта «Портрет Адели Блох Бауэр I» за 135 млн долларов США. В ноябре того же года он выкупил за 38,1 млн долларов полотно Эрнста Людвига Кирхнера «Уличная сцена в Берлине». Примечания Ссылки neuegalerie.org (англ.) — официальный сайт Новая галерея
Paley Park

Paley Park is a pocket park located at 3 East 53rd Street between Madison and Fifth Avenues in Midtown Manhattan, New York City, on the former site of the Stork Club. Designed by the landscape architectural firm of Zion Breen Richardson Associates, it opened May 23, 1967. Paley Park is often cited as one of the finest urban spaces in the United States. Background Establishment of the park A privately owned public space, Paley Park was financed by the William S. Paley Foundation and was named by Paley for his father, Samuel Paley. A plaque near the entrance reads: "This park is set aside in memory of Samuel Paley, 1875–1963, for the enjoyment of the public." The Paley Center for Media was originally located next to Paley Park in the 17 storey office building at One East 53rd Street. Design Measuring 4,200 square feet (390 m2), the park contains airy trees, lightweight furniture and simple spatial organization. A 20-foot (6.1 m) high waterfall, with a capacity of 1,800 US gallons (6,800 L) per minute, spans the rear boundary of the park. The waterfall creates a backdrop of grey noise that masks the sounds of the city. The park is surrounded by walls on three sides and is open to the street (with an ornamental gate) on the fourth side, facing the street. Twelve honey locust trees were planted in the park at 12-foot (3.7 m) intervals and five in the footpath pavement. The green of the ivy−covered side walls ('vertical lawns') of English Ivy and Thorndale Ivy (Hedera helix 'Thorndale') contrast with colorful flowers. Finnish−American architect Eero Saarinen designed the tables and Italian−American sculptor Harry Bertoia designed the wire framed chairs (Bertoia Side Chairs by Knoll in white), which have been used in the park since its first opening. A wheelchair ramp is positioned on either side of the four steps that lead into the park which is elevated from the sidewalk level. The park displays a unique blend of materials, textures, colors and sounds. The wire mesh chairs and marble tables are light, while the ground surfaces are rough-hewn granite pavers which extend across the sidewalk to the street curb. Impact In 1968, Paley Park and the Ford Foundation Building shared an Albert S. Bard Civic Award, distributed to structures that exhibited "excellence in architecture and urban design". Social interaction in the park was analyzed in the 1980 book and film The Social Life of Small Urban Spaces by William H. Whyte. See also Greenacre Park Project for Public Spaces List of privately owned public spaces in New York City References Further reading Kayden, Jerold S. (2000). Privately Owned Public Space: The New York City Experience. John Wiley & Sons. ISBN 9780471362579. Tate, Alan (2001). Great City Parks. London: Spon Press. ISBN 0-419-24420-4.
Paley Park

O Paley Park é um pocket park localizado na rua 53 entre a Madison e a Quinta Avenida em Midtown Manhattan, onde ficava o antigo Stork Club. Foi projetado pela empresa de arquitetura de paisagem de Zion Breen Richardson Associates, e abriu no dia 23 de maio de 1967. O Paley Park é freqüentemente citado como um dos melhores espaços urbanos nos Estados Unidos. Medindo 390 m2 o parque oferece um oásis urbano tranquilo no meio da cidade movimentada pelo uso cuidadoso de água caindo, árvores arejadas, móveis leves e organização simples. A chave para o seu sucesso é uma cachoeira de 6,1 m de altura que atravessa toda a parte de trás do parque. A cachoeira cria um pano de fundo de ruído para abafar os sons da cidade. O parque é cercado por paredes em três lados e está aberto à rua (com um portão ornamental) no quarto lado, de frente para a rua. A plantação de espinheiro-da-Virgínia acrescenta um certo grau de serenidade ao parque. O local é um espaço público de propriedade privada, ele foi financiado pela Fundação William S. Paley e foi nomeado por Paley em homenagem ao seu pai, Samuel Paley. Uma placa perto da entrada diz: "Este parque é reservado em memória de Samuel Paley, 1875-1963, para o proveito do público". Recursos arquitetônicos Uma rampa para cadeira de rodas está posicionada em ambos os lados das quatro entradas que levam ao parque que é elevado acima do nível da calçada. O parque exibe uma mistura única de materiais sintéticos, cores e sons. As cadeiras de malha de arame e as mesas de mármore são leves e não prejudicam os arredores. A superfície do solo do parque não é marmorite ou concreto, mas possui pavimentadoras de granito ásperas que se estendem pelo seu chão até a calçada da rua. O verde das paredes laterais cobertas de hera ("gramados verticais") contrastam com flores coloridas, e a cachoeira branca, em cascata de cerca de 1.800 galões por minuto, abafa o ruído da rua. O Paley Park está localizado a uma quadra e meia do Paley Center for Media, que estava ao lado do parque (como um Museu de Radiodifusão) antes de se mudar para a sua localização atual. Bibliografia Kayden, Jerold S. (2000). Privately Owned Public Space: The New York City Experience. [S.l.]: John Wiley & Sons. ISBN 9780471362579 Tate, Alan (2001). Great City Parks. London: Spon Press. ISBN 0-419-24420-4 Referências Ligações externas Localização do Paley Park (em inglês)
Paley Park

Paley Park är en minipark vid 3 East 53rd Street, Midtown Manhattan, New York, USA, där nattklubben Stork Club tidigare låg. Parken, som är designed av arkitektfirman Zion & Breen och öppnade den 23 maj 1967, räknas till en av de finare urbana miljöerna i USA. En framgångsfaktor för succén är vattenfallet som täcker hela baksidan av parken. Parken i övrigt omges av väggar på tre sidor och är öppen mot gatan på den fjärde sidan. Väggarna är täkta av murgröna. Referenser Externa länkar Foton Foton
Bedford Presbyterian Church (New York)

The Bedford Presbyterian Church is a parish church in Bedford, Westchester County, New York. The current structure was built in 1872 in the Gothic Revival style. It is the fourth building for the congregation on the site. The building is part of the Bedford Village Historic District, and was listed on the National Register of Historic Places in 1973. It also serves as a venue for performances of sacred music. History Bedford Presbyterian Church was founded in 1680. In its first years, the church was either Congregational or Anglican, depending on the minister. The church is the fourth building on the site on the village green in Bedford. The cornerstone was laid and services celebrating the dedication of the then-most-recently-restored building were held in 1872. The first minister, Reverend Thomas Denham, settled in 1684, and a meeting house was built in 1689. When Bedford became part of New York in 1700, this house was transferred to Rye, New York. Bedford was part of the Anglican Church until the Revolution. A second meeting house was burned by order of a British colonel in 1779. A third house was transferred to Westmoreland Sanctuary. The fourth building, the present church, was built in 1872, with a Sunday school in the rear. It was described as an 1872 newcomer, a whitewashed eccentricity with unmatching towers, an unexpected rose window and, within, amen pews flanking the pulpit. It is part of the Bedford Village Historic District, which was added to the National Register of Historic Places in northern Westchester County in 1973. The church, which has excellent acoustics, is often used as a venue for sacred music concerts and recitals. The choir The Master Singers of Westchester performed regular concerts such as Britten's A Ceremony of Carols in 1984, his cantata St. Nicholas in 1986, and Bach's Mass in B minor in March 2003. The Westchester Oratorio Society performed its 20th-anniversary concert there on 6 May 2018, performing Mozart's Requiem, with organist Anthony Newman. In 1998, the congregation contracted with Martin Pasi to design and build a new tracker organ for the church. The organ is a 2-manual organ of 29 stops and is entirely encased in the rear gallery. Bedford Presbyterian is known for its creative worship, outreach ministries, and youth programs. The high school youth program is centered around work trips to Appalachia and Nicaragua. The members of the congregation work with Habitat for Humanity, the Mount Kisco Interfaith Food Pantry, and Midnight Run. Bedford Presbyterian Church helped to co-found the Emergency Shelter Partnership in which local churches and synagogues provide shelter for homeless guests during the winter months. Their present minister is the Rev. Dr. Joseph F. Scrivner. Pastors Thomas Denham, 1684- Carol Howard Merritt, 2020- Joseph F. Scrivner, Jr., 2026- References Sources Reverend Heroy: A Brief History of the Presbyterian Church at Bedford, N.Y. from the Year 1680. 1874. External links Official website Ruth Graham, "For Christmas, Pastors Offer Comfort and Joy in a Somber Season," New York Times.
Hyatt Regency Rochester

The Hyatt Regency Rochester is a hotel in Rochester, New York. Standing at 271 feet (83 meters) tall with 25 floors, it is the seventh tallest building in Rochester. History Ground was broken for the $40 million hotel in 1986, with opening set for late 1987, but construction stalled in early 1987 with just the steel framework complete. Work was restarted in 1990 and the hotel opened in 1992. See also List of tallest buildings in Rochester, New York References External links Rochester Hyatt website Archived 2009-03-07 at the Wayback Machine
Hyde Hall Bridge

Die Hyde Hall Bridge ist eine hölzerne gedeckte Brücke über den Shadow Brook im Glimmerglass State Park am Otsego Lake im Staat New York, USA. Ihr offizieller Name Hyde Hall Covered Bridge unterscheidet sie von der Hyde Hall Stone Arch Bridge in demselben Park. Die wohl 1825 gebaute Brücke ist, mit der ebenfalls 1825 gebauten Hassenplug Bridge in Pennsylvania, eine der beiden ältesten noch existierenden gedeckten Brücken der USA. Die damalige Straßenbrücke gehörte zum weitläufigen Besitz um die Hyde Hall von George Clarke (1768–1835). Das 16,30 m (53 ft 6 in) lange Bauwerk steht auf steinernen Widerlagern und überquert das Flüsschen mit zwei Burr-Trägern und einer Stützweite von 11,89 m (39 ft). Die Fahrbahn im Inneren der Brücke ist 4,11 m breit (13 ft 6 in). Die frühen Burr-Träger haben X-förmige Streben zwischen den Posten, anders als die später verwendeten Träger, die in der Regel nur diagonale Streben hatten. Die Hyde Hall Covered Bridge wurde 1998 im National Register of Historic Places registriert unter Nr. 98001539. Weblinks Einzelnachweise