NoeFlandre/osm-polygon-wikidata-only huggingface dataset:
Sanctuary of the Madonna del Carmine, Riccia

The Sanctuary of the Madonna del Carmine, also called for short Santuario del Carmine is a 19th-century Roman Catholic church located in the town of Riccia, Province of Campobasso in the region of Molise, Italy. History The Carmelite order had established themselves in Riccia by 1238, and remained till this small convent was suppressed by Pope Innocent X in 1653. Medieval frescoes decorated the church that had existed at the site prior the present structure, however, it was rebuilt and refurbished over the centuries, eliminating the early decoration. By the early 1500s, it had become a site for devotion to the Vergine del Carmelo (Our Lady of Mount Carmel). In 1863–1864, the ancient church was razed and rebuilt in an octagonal layout. An inscription on the portal recalls that the church was rebuilt in gratitude to the ebbing of the 1854 cholera epidemic. The interior has a triptych depicting a Madonna and the prophets Elias and Eliseo. Below are saints John the Baptist, Michael, and Albert. The church contains the statue of the Crowned Madonna of the Carmine and Child with Multiple Cherubs in Clouds, which is paraded through town during festivities was replaced by a work of L. Caputo, after the original burned during a fire before 1903. Every mid-July, this statue of the Madonna is paraded through the street and brought back to the church. The church had two altars lateral to the main altar, one dedicated to Santa Filomena, the other to St Gregory. References See also Santissima Annunciata, Riccia Santa Maria Assunta, Riccia Immacolata Concezione, Riccia Santa Maria delle Grazie, Riccia Monument to the Fallen, Riccia
Santa Maria Addolorata, Cento

Santa Maria Addolorata, also called the Chiesa dei Servi is a Renaissance style, Roman Catholic church located on Via Gennari in Cento, Province of Ferrara, region of Emilia-Romagna, Italy. History Construction of the church began in 1590 (1590) commissioned by the Servite order of Ferrara. They remained attached to the church until 1652. For many years, the church was maintained by the Compagnia detta “ del Sacco “ instituted in 1641 by the Capuchin friar Giovanni da Sestola. Five of the altars are decorated with major paintings by Guercino, Cesare Gennari, and other Baroque era artists. Guercino also painted a Sudarium carried by Angels. portato dagli angeli". Denys Calvaert painted the Archangel Michael. Lorenzo Gennari painted a St Francis receives Stigmata. One of the chapels now has a copy of Guercino's "St Carlo Borromeo in prayer". Due to the 2012 Northern Italy earthquakes, the church is closed for restoration. References
Santa Maria Annunziata di Fossolo, Bologna

Santa Maria Annunziata di Fossolo is an ancient Roman Catholic parish church in central Bologna, Italy. Inscriptions in the church document the original consecration of a church at the site was in the year 1122. Tradition holds that the initial entry of Christianity into Bologna occurred near this site, where the now covered Savena canal was located. The church was rebuilt in 1500, after a fire destroyed the roof and cupola. In 1700, a further rebuilding added the present portico. More recent reconstructions occurred between 2007 and 2009, eliminating some of the additions to the original to the ancient church building. The main altarpiece is an 18th-century Annunciation by Giuseppe Varotti. The church has a number of works from the 16th and 17th centuries, including a cycle of the Via Crucis (1600s), a canvas with Saints Elias and Teresa of Avila, a canvas depicting a Crucifixion, and a sculpted wood Crucifix (1500). A chapel (1975) is dedicated to Pope John XXIII. References
Santa Maria Maggiore, Bologna

Santa Maria Maggiore is a former Collegiate, Roman Catholic church, located on Via Galliera #10 in central Bologna, Italy. It is a house over from the Palazzo Aldrovandi. History The church arose on the site in the 5th century but was reconstructed over the centuries. The present church took shape in 1665 under designs of Paolo Canali. The interior has paintings by Orazio Samacchini, Prospero Fontana, Alessandro Tiarini, Vicenzo Spisanelli, Mauro Gandolfi, Pietro Fancelli, Jacopo Alessandro Calvi, and Alessandro Guardassoni. The chapel of the Holy Sacrament was stuccoed by A G Pio. The main altar (1749) is attributed to Alfonso Torreggiani. References 44°29′52.9″N 11°20′31.0″E
Санта-Мария-Маджоре (Болонья)

Церковь Санта-Мария-Маджоре (итал. La chiesa di Santa Maria Maggiore — церковь Святой Марии Главная) — бывшая коллегиальная римско-католическая церковь, расположенная по адресу Виа Галлиера, 10, в центре Болоньи, Эмилия-Романья, Италия. Церковь является резиденцией одноименного прихода в Болонском викариате, центре Болонской архиепархии, и имеет статус малой базилики. История Церковь возникла на этом месте в V веке, но перестраивалась на протяжении многих веков. Она принадлежала монастырю бенедиктинцев и была ориентирована апсидой на восток, но была полностью перестроена к концу XI века. В 1464 году храм подвергся дальнейшим расширениям, которые включали увеличение нефов в сторону улицы Виа Галлиера и создание новой апсиды. Впоследствии были построены новые капеллы, а в середине XVI века возведена главная капелла. В 1665 году церковь подверглась серии реконструкций под руководством архитектора Паоло Канали, в результате которых она приобрела свой нынешний облик: апсида конца XVI века была снесена, и на её месте был возведён новый портик, выходящий на Виа Галлиера. На месте старого фасада был построен пресвитерий, а кессонный потолок XV века был заменён цилиндрическим сводом в соответствии с барочным стилем того времени. В 1712 году капелла Святых Даров была перестроена архитектором Карло Франческо Дотти. Главная капелла, также перестроенная Дотти, была расширена в период с 1748 по 1750 год и украшена новым алтарём, вероятно, созданным в 1749 году Альфонсо Торреджиани. Церковь была лишена статуса приходской во времена Наполеона, но в 1876 году вернула своё положение. Верхняя часть фасада, включая треугольный фронтон, была окончательно завершена в 1955 году. Повреждённый землетрясением 2012 года, храм подвергся масштабной реставрации и вновь был открыт для богослужений в ноябре 2019 года. Архитектура и произведения искусства Фасад церкви оформлен глубокой лоджией с тремя арками. Над антаблементом с выступающим карнизом, разделяющим фасад горизонтально, расположены два ряда окон; треугольный фронтон венчает центральную часть фасада. Колокольня и боковая часть церкви, выполненные из кирпича с лепным карнизом и украшенные висячими арками, выходят на прилегающую улицу Виа Санта Мария Маджоре. Церковь имеет базиликальный план с тремя нефами, разделёнными пилястрами с прикрепленными колоннами и перекрытыми крестовыми сводами. Пресвитерий фланкирован двумя капеллами. В пресвитерии находятся картина «Мадонна с Младенцем, святыми Иаковом Младшим и Антонием Великим» работы Орацио Самаккини, картина «Обрезание Младенца» работы Нозаделлы и картина «Мадонна, поклоняющаяся Младенцу, между святыми Либератой и Онофрио» болонской школы XV века. В интерьере также находятся картины Просперо Фонтана, Алессандро Тиарини, Винченцо Спизанелли, Мауро Гандольфи, Пьетро Фанчелли, Якопо Алессандро Кальви и Алессандро Гуардассони; часовня Святого Причастия украшена лепниной работы Анджело Габриэлло Пио. Капелла Святого Причастия была украшена лепниной А. Г. Пио. Примечания
Tomba dei Demoni Azzurri

Die Tomba dei Demoni Azzurri (italienisch für Grab der blauen Dämonen) ist ein ausgemaltes etruskisches Kammergrab, das im Jahr 1985 in der Monterozzi-Nekropole in Tarquinia gefunden wurde. Sie erhielt ihren Namen durch die Darstellungen großer, zum Teil in beiden Händen schlangenhaltender Dämonen. Das Grab datiert in das vierte Jahrhundert v. Chr. Die Malereien im Grab sind nicht gut erhalten, zeigen aber einige Besonderheiten. Auf der linken Wand sieht man die Reise des Toten in die Unterwelt. Er steht dabei auf einem Wagen und wird von Musikanten und Tänzern begleitet. Auf der rechten Wand sieht man ein Schiff und die Gemahlin des Grabinhabers, wie sie in der Unterwelt ankommt und von ihren Ahnen begrüßt wird. Der Fluss Acheron wird hier durch Charon symbolisiert. Rechts davon finden sich vier blaue Dämonen, die die felsige Landschaft in der Unterwelt besiedeln. Die beiden Längswände des Grabes sind offensichtlich einerseits dem Mann, andererseits der hier bestatteten Frau gewidmet. Die Rückwand der Grabkammer zeigt eine Bankettszene mit auf Klinen liegenden Gästen und danebenstehenden Musikanten. Etruskische Grabmalereien des sechsten bis vierten Jahrhunderts v. Chr. zeigen oft Gelage und Sportler. Im dritten und zweiten Jahrhundert kommen dagegen eher Unterweltszenen vor. Die Tomba dei Demoni Azzurri zeigt beide Themen und scheint chronologisch ein Bindeglied zu sein. Obwohl sich das Grab beraubt fand, konnten noch einige Objekte geborgen werden, die Hinweise auf die einstige Ausstattung liefern. In der Grabkammer fand sich eine Grube mit verbrannten Beigaben. Es fanden sich Eisenteile eines Streitwagens und Fragmente von Panathenäischen Preisamphoren. Die Amphoren und Streitwagen sind älter als die Malereien. Einzelnachweise Weblinks Tomba dei Demoni Azzurri
Tomb of the Blue Demons

The Tomb of the Blue Demons (Italian: Tomba dei Demoni Azzurri) is an Etruscan tomb in the Necropolis of Monterozzi near Tarquinia, Italy. It was discovered in 1985. The tomb is named after the blue and black-skinned demons which appear in an underworld scene on the right wall. The tomb has been dated to the end of the fifth century BC. Description The fresco on the left wall shows the male deceased riding a biga, a two horse chariot. He is accompanied by musicians in a procession moving rightwards. The fresco on the right wall shows the female deceased. On the far left of the scene is a boat steered by Charon (known as Charun by the Etruscans), the Greek ferryman of the dead. A ribbon hangs on the prow of the boat. A woman holding a branch stands on the shore. She has one hand placed on the head of a young boy in front of her. They face and greet another woman towards their right, flanked by two demons. One demon appears to lead her towards the woman and the boy, but the other holds her around her waist, trying to stop her. On the far right of the scene, two larger demons are shown. The blue demon is on the left, seated on a rock with two snakes in his hands. He faces the black demon on the right, who approaches with exposed teeth, claws and intimidating eyes. The rear wall shows a symposium scene with four or five couples reclining on benches. Interpretation The fresco in the right wall is notable for its theme of a dangerous journey to the underworld with threatening demons. This contrasts with the cheerful dancing and symposium scenes in painted tombs of the Etruscan Archaic and Early Classical periods. The Tomb of the Blue Demons provided evidence that Etruscan death demons already existed at the end of the fifth century BC. The fresco of the procession on the left wall signifies the journey to the afterlife. Likewise, the fresco on the right wall has also been interpreted as the journey of a deceased woman to the underworld, where she meets predeceased family members. It depicts an antechamber to the underworld in which demons guide the deceased woman to the ship for her journey. She walks from the rock or cliff on the right, which is the border with the world of the living, towards the boat, which is the boundary with the underworld. It is also possible for the inhabitants of the underworld to enter from the other side, like the women with the boy. The ship of the Etruscan Charun is seaworthy, unlike the skiff of his Greek counterpart. The banquet on the rear wall depicts both the festivities of the living for the funeral and of the deceased in the afterlife. Like many other elements of Etruscan religion, the demons shown on the right wall were probably inspired by the ancient Greek religion. The black-skinned demon bears some similarity to depictions of Thanatos and the blue-skinned demon resembles Eurynomos. References Sources Further reading External links Images of the tomb at The Mysterious Etruscans
Strada statale 16 ter Adriatica

La ex strada statale 16 ter Adriatica (SS 16 ter), ora strada provinciale 161 Adriatica (SP 161) in provincia di Campobasso e strada provinciale 142 Serracapriola - San Paolo Civitate - San Severo (SP 142) in provincia di Foggia, è una strada provinciale italiana di collegamento di alcuni paesi dell'Appenino tra Molise e Puglia, alla principale viabilità Adriatica (SS 16). Storia La strada statale 16 ter Adriatica venne istituita nel 1976 con i seguenti capisaldi di itinerario: "Innesto SS 16 presso Campomarino - Serracapriola - Innesto SS 16 presso San Severo" e una lunghezza di 48,985 chilometri. Nel 1999 il decreto legislativo n. 461 non inserì la strada nella rete di interesse nazionale e pertanto, secondo quanto prescritto dal decreto legislativo 31 marzo 1998, n. 112, essa venne trasferita al demanio delle regioni interessate, ovvero Molise e Puglia, che ne hanno devoluto le competenze alle rispettive provincie di Campobasso e Foggia. La declassificazione venne confermata da un successivo decreto del 2001. Percorso La strada ha origine dalla SS 16 nel territorio comunale di Campomarino, poco prima del ponte sul Biferno. Distaccandosi dalla costa, inizia l'ascesa fino al centro abitato di Campomarino, dirigendosi poi verso sud-est in un paesaggio collinare. Dopo l'attraversamento del torrente Saccione, che segna il confine con la Puglia, il tracciato diventa più tortuoso e accidentato, con continue salite fino a Serracapriola, dove c'è l'innesto della ex SS 376, da cui prosegue con un tratto in discesa fino al fiume Fortore, seguito da un'ulteriore ascesa fino a San Paolo di Civitate. Da qui un lungo rettilineo conduce a San Severo, dove la strada termina innestandosi nuovamente sulla SS 16. Note Altri progetti Wikimedia Commons contiene immagini o altri file su strada statale 16 ter Adriatica
Castello di Caccamo

The Castello di Caccamo (English: Caccamo Castle) is a castle in Caccamo, Sicily. It is among the largest and best preserved Norman castles in Sicily, and one of the largest in Italy. The castle is built on a steep cliff, 521 metres above sea level. It overlooks the surrounding countryside, including the San Leonardo River Valley, and the Rosmarina artificial lake. History The castle as it is today was built by Matthew Bonnellus in the 12th century. It was later modified by the Chiaramontes in the 14th century, and by other rulers until the 17th century. The castle is a large structure built of white stone, having an irregular plan. It has walls with V-shaped battlements, towers, a moat and a courtyard. The interior consists of a maze of rooms and stairways. The most notable room within the castle is the Sala della Congiura, also known as the Conspiracy Hall. In 1160, some Norman barons met in this room to plot against William I of Sicily, but the rebellion failed. Parts of the castle collapsed in an earthquake in 1923. The castle was inhabited by descendants of the Dukes of Caccamo until it was purchased by the Region of Sicily in October 1963. By this time, the castle was in ruins. Restoration work funded by the Region of Sicily began in 1974. Present day Today, the castle is open to the public. A restaurant called A Castellana is located on the ground level of the castle, while other parts of the structure are also used for conferences and meetings. References External links Photo gallery at palermonelmedioevo.com
Stazione di Simaxis

Stazione di Simaxis vasútállomás Olaszországban, Szardínia régióban, Simaxis településen. Vasútvonalak Az állomást az alábbi vasútvonalak érintik: Cagliari–Golfo Aranci Marittima-vasútvonal Kapcsolódó állomások A vasútállomáshoz az alábbi állomások vannak a legközelebb: Stazione di Solarussa Stazione di Oristano Kapcsolódó szócikkek Szardínia vasútállomásainak listája További információk Források
Stazione di Simaxis

La stazione di Simaxis è una fermata ferroviaria in disuso a servizio del comune di Simaxis, posta lungo la linea Cagliari-Golfo Aranci. Storia La fermata nacque nell'ambito dei lavori per la realizzazione della principale linea ferroviaria sarda, la Cagliari-Golfo Aranci, nella seconda metà dell'Ottocento. Tale opera, realizzata dalla Compagnia Reale delle Ferrovie Sarde con un sistema a lotti, porto alla costruzione di una fermata ad ovest dell'abitato di Simaxis, che venne inaugurata il 1º luglio 1880 insieme al tronco ferroviario tra le stazioni di Oristano e Giave, e che iniziò la regolare attività dal giorno successivo. La Compagnia Reale fu anche il primo gestore dell'impianto, e mantenne tale ruolo sino al 1920, quando alle Ferrovie Reali subentrarono le Ferrovie dello Stato. La fermata continuò ad essere utilizzata anche nei decenni successivi al secondo conflitto mondiale, sino al 18 maggio 1978, quando vi cessò il servizio passeggeri. Da allora l'impianto è formalmente attivo come località di servizio. Strutture e impianti Realizzata con caratteristiche di scalo passante, la fermata di Simaxis presenta il solo binario di corsa, a scartamento ordinario (1435 mm). Lo scalo è inoltre dotato di un fabbricato viaggiatori a due piani, a pianta rettangolare con 4 luci di apertura sui lati maggiori, con un corpo aggiunto sul lato nord sul solo piano terra. Un ulteriore piccolo edificio si affianca ad esso, tuttavia tali locali non sono più impiegati per l'attività ferroviaria. Movimento Dal 1978 la fermata non è più attiva per il servizio viaggiatori, in precedenza fu servita dai treni effettuati dalle Ferrovie dello Stato lungo la Dorsale Sarda. Note Bibliografia Edoardo Altara, Binari a Golfo Aranci - Ferrovie e treni in Sardegna dal 1874 ad oggi, Ermanno Albertelli Editore, 1992, ISBN 88-85909-31-0. Elettrio Corda, Le contrastate vaporiere - 1864/1984: 120 anni di vicende delle strade ferrate sarde: dalle reali alle secondarie, dalle complementari alle statali, Chiarella, 1984. Francesco Ogliari, La sospirata rete, Milano, Cavallotti Editori, 1978. Voci correlate Ferrovia Cagliari-Golfo Aranci Simaxis Altri progetti Wikimedia Commons contiene altre immagini della stazione ferroviaria di Simaxis.
Rotonde de Brunelleschi

La rotonde de Brunelleschi est l'église de Sainte-Marie-des-Anges, ancien couvent de Florence, situé sur la via degli Alfani. Depuis 2023, la rotonde, désormais appelée Museo de' Medici, abrite le musée de l'histoire des Médicis. Histoire et architecture Le couvent, fondé en 1295 par Antonio Viva Guittone d'Arezzo, s'inspire des ermitages de l'ordre camaldule. En 1434, l'architecte Brunelleschi réalise une étude d'église s'articulant autour d'un octogone central. C'est le premier bâtiment de la Renaissance à plan centré, à forme octogonale à l'intérieur et seize facettes à l'extérieur. Cette église fut commandée par les héritiers du célèbre Filippo degli Scolari, connu sous le nom de Pippo Spano qui, à sa mort en 1426, laissa 5 000 florins d'or à l'Arte dei Mercatanti de Calimala, afin de construire une église camaldule dédiée à la Vierge et aux douze apôtres. Le célèbre chef florentin avait été enrôlé dans l'armée du roi de Hongrie et de l'empereur Sigismond qui, pour le récompenser de ses faits d'armes contre les Turcs, lui donna honneurs et richesses, avec le titre de comte et celui de Spano - commandant - des armées royales impériales de Sigismond. Comme le Panthéon de Rome, l'église devait comporter un ensemble de chapelles rayonnantes, mais, par manque de fonds, elle resta inachevée. L'édifice fut rénové au XVIIe siècle par Gherardo Silvani et Bartolomeo Ammannati. Bernardino Poccetti peignit les fresques du cloître des Anges. L'ensemble a été remanié au XIXe siècle. Au XXe siècle, l'ensemble des bâtiments du couvent a été affecté à la Faculté de Lettres et de Philosophie de l'Université de Florence, et la rotonde l'était également. Notes et références Bibliographie Divo Savelli, Il Convento di Santa Maria degli Angeli a Firenze, Editoriale Tornatre, Firenze 1983. Divo Savelli, Rita Nencioni, Il Chiostro degli Angeli, Storia dell'antico monastero camaldolese di Santa Maria degli Angeli a Firenze, Edizioni Polistampa Firenze 2008. Liens externes Portail de l’architecture chrétienne Portail du catholicisme Portail de la Renaissance Portail de Florence
Noddule

Noddule ist ein komplexer Kultplatz der Nuraghenkultur in der Nähe von Orune in der Provinz Nuoro auf Sardinien. Lage Noddule liegt 13 km von Nuoro an der Straße 389, die von Nuoro über Orune nach Bitti führt. Bei km 13 beginnt ein 200 m langer Weg mit einem Hinweis auf die Area archeologica. Der Komplex an der Nuraghe besteht aus der stark gestörten Nuraghe, einigen Resten von relativ gut erhaltenen Rundhütten (italienisch capanna circolare) und dem heiligen Brunnen. Beschaffenheit Die teilweise zusammengebrochene Nuraghe liegt an der höchsten Stelle im Gelände und ist von untypischer Form. Sie hat eine ovale zentrale Kammer ohne Nischen, während eine der drei sekundären Tholoi drei ungewöhnlich platzierte, kleine Nischen aufweist. Ein Innenhof und verschiedene Gänge (einer mit Stufen) durchziehen den Komplex. Brunnen Der heilige Brunnen (italienisch Pozzo sacro) wird durch eine Quelle, die noch aktiv ist, mit Wasser versorgt. Er ist in gutem Zustand und ist gekennzeichnet durch eine halbrunde Vorkammer von etwa. 3,2 m Durchmesser und ein abwärts verlaufendes rechteckiges Areal von 3,0 × 1,8 m mit hohen Seitenwänden. Der Bereich, von dem aus die Quelle zugänglich ist, ist mit seitlichen Bänken ausgestattet. In der Wand befindet sich, etwa einen Meter hoch liegend eine kleine Zelle. Hinter der Wand des Wasserbeckens befindet sich der verdeckte Quellraum. Er besteht aus einer kleinen gemauerten Tholos, die etwa einen Meter hinab reicht und oberhalb der Öffnung noch etwa 0,5 m hinauf reicht. Die zwischen der Nuraghen und dem Brunnen gelegene Große Rundhütte ist gut erhalten und die Mauern sind noch etwa einem Meter hoch erhalten. In der Nähe lag das etwa 8,5 m lange abgetragene Gigantengrab von Noddule, dessen Kammer 4,9 m lang und 0,85 m breit war. Siehe auch Liste vor- und frühgeschichtlicher archäologischer Fundplätze auf Sardinien Weblinks Il Complesso Nuragico di Noddule - Nuoro (italienisch und englisch) Grabungsbericht ital. mit Skizzen Bildern (PDF; 2,9 MB) Lage-Karte von Noddule (A)
Chiesa di San Lorenzo (Brazzano)

La chiesa di San Lorenzo è un edificio di culto cattolico situato in via San Giorgio a Brazzano, frazione di Cormons, in provincia ed arcidiocesi di Gorizia. La chiesa è inserita tra le case che indicano la presenza della centa del paese, documentata fin dal 1291. La facciata neoclassica è caratterizzata da quattro lesene slanciate e da un bel portale in pietra, più antico della facciata stessa. Altri progetti Wikimedia Commons contiene immagini o altri file su chiesa di San Lorenzo