NoeFlandre/osm-polygon-wikidata-only huggingface dataset:
Stadio Pasqualino Ferrante

Stadio Comunale Pasqualino Ferrante di Piedimonte Matese, shortened to Stadio Pasqualino Ferrante and known locally as simply Stadio di Sepicciano, is a municipal stadium in Sepicciano, a frazione of Piedimonte Matese, Italy. It has served as the home venue of Tre Pini Matese, F.W.P. Matese and Femminile Reg. Calcio 5 club Tre Pini Matese Femminile. The stadium is now the home ground of F.C. Matese. History The stadium, known today as "Stadio Pasqualino Ferrante", was built sometime during the early 20th century and played host to original tenants Pro Piedimonte (founded in 1928). Murals of past players and staff adorn the exterior walls of the stadium. In addition to championing the club's accomplishments, there is a separate mural dedicated to the country itself, celebrating the nation's footballing achievements at FIFA's 1934 (Italy), 1938 (France), 1982 (Spain), and 2006 (Germany) World Cups. 2012, the Stadio Comunale Pasqualino Ferrante In 2012, Stadio Comunale was renamed 'Stadio Comunale Pasqualino Ferrante di Piedimonte Matese'; to honour the town's municipal councillor, Pasqualino Ferrante. The stadium's occupants from 2012 to 2020 were Tre Pini Matese; and F.W.P. Matese from 2013 to 2020. In addition to the men's team, the stadium hosted women's matches for Tre Pini Matese Femminile side. References External links Città di Piedimonte Matese (in Italian) Ufficio Comunicazioni Sociali Diocesi di Alife-Caiazzo (in Italian) PIEDIMONTE, CASERTANA E TRE PINI INAUGURANO IL NUOVO TAPPETO VERDE DEL FERRANTE (in Italian)
San Giovanni Battista, Lecco

San Giovanni Battista is a Roman Catholic church building located in the frazione of Chiuso of the town of Lecco, region of Lombardy, Italy. It is sometimes referred to as the Chiesa del Beato Serafino. History The present church was built atop the foundations of an earlier 13th century. It underwent several refurbishments in the 17th century. The sacristy was built at this time. The church and town were often damaged by fighting at the frontier between the Duchy of Milan and the Republic of Venice. The present façade, the bell tower and the interior were last updated in the 19th century. The apse has a 15th-century fresco cycle, depicting Christ Pantocrater and the Doctors and prophets of the Church above a Crucifixion, attributed to Giovan Pietro da Cemmo. Near this church is the parish church of Santa Maria Assunta noted by Alessandro Manzoni as the site of the Conversione dell'Innominato (Conversion of the Unnamed) in his novel of The Betrothed. The church of San Giovanni Battista has a small museum dedicated to the Blessed Serafino Morazzone, parish priest (1773–1822) and friend of Manzoni, also once mentioned in his novels. The museum has a fresco depicting the Conversion of the Unnamed by Casimiro Radice. References
Santa Maria Gloriosa, Lecco

The Sanctuary of Santa Maria Gloriosa is a Roman Catholic parish church in the neighborhood of Rancio Superiore in the town limits of Lecco, region of Lombardy, Italy. History A church at the site has been documented since 1455. In 1640, it became the parish church of Rancio. The present church and bell-tower were refurbished with their present layout and architecture in that century. The interior retains some of its late-baroque decorations, including a wooden statue of the Madonna and child, but also a 16th-century crucifix and a 15th-century icon of the Madonna Odigitria. The main altar with a tempietto and gilded angels was designed in 1828 by Giuseppe Bovara. In the 20th century, the walls and ceiling were frescoed, along with the altarpiece depicting the blessed Giovanni Battista Mazzucconi. From the church, there is a striking view of the town. References
Santa Marta, Lecco

Santa Marta is a Roman Catholic church building located in the town of Lecco, region of Lombardy, Italy. A church at the site was present by the 13th century, originally dedicated to St Calimero. In 1386, it housed the flagellant Confraternity of the Disciplini of St Marta, who added a hospice and rededicated the church. The church has been refurbished over the centuries. The facade dates to the 1720s. The interior ceiling has a late 17th-century fresco, depicting the Glory of St Martha, by Giovanni Battista and Carlo Pozzo, and the church houses a 17th-century processional statue on the main altar of the Madonna of the Rosary and Child. The altar has 16th century marble sculpture busts of the apostles; the altar was refurbished in 1816 likely by Giuseppe Bovara. The lateral altars have statues of Santa Marta and San Antonio di Padova. References
Santi Materno e Lucia, Lecco

Santi Materno e Lucia is a Roman Catholic parish church and former Convente of the Cappuccini are located on Piazza San Cristoforo in the neighborhood of Pescarenico in the town of Lecco, region of Lombardy, Italy. The church was originally dedicated to St Francis and commissioned, along with an adjacent Capuchin monastery, in 1576 by Cardinal Carlo Borromeo. It was consecrated in 1600. The monks remained in the monastery until expelled by the Napoleonic government in 1810. In 1824-1834, the church was refurbished by Giuseppe Bovara, and which led to a rededication to the two saints. The interior ceiling was decorated with paintings in the early 19th century by Luigi Tagliaferri. on the right, an altarpiece houses a canvas depicting the Vision of the Holy Trinity before St Francis and St Gregory the Great; this is one of the masterworks by Giovanni Battista Crespi, also called il Cerano. The third chapel on the left has a late-baroque wooden statue of an Addolorata, and 9 wax panels depicting Franciscan Miracles attributed to an unknown Neapolitan artist. The convent has had some reuse in this century by Franciscans. The Franciscan order of Capuchins are now re-established in the church and convent of San Francesco d'Assisi in the outskirts of town. References
San Francesco d'Assisi, Lecco

The parish church of San Francesco d'Assisi and its adjacent Capuchin convent are located in the outskirts of Lecco, region of Lombardy, Italy. History The Franciscan order of Capuchins had previously occupied a convent in the frazione of Pescarinico until expelled by the Napoleonic government, and would not return to this town until 1949, when Cardinal Schuster and the community welcomed them to return. For the new convent, the architect Mino Fiocchi designed and organized the construction in two years, with consecration in 1951. The large church has eight chapels. The two story nave has an octagonal dome. The facade has a palladian window above a portico with columns. References
Santa Maria Assunta, Borsigliana

Santa Maria Assunta is a 12th-century Roman Catholic church building in the frazione of Borsigliana in the town limits of Piazza al Serchio, province of Lucca, region of Tuscany, Italy. History The church was initially documented by 1020, but refurbished along the centuries, including a major reconstruction in the 18th century. Some of the walls are from the original church. The bas relief, depicting a Madonna and Child with saints and a donor, on the lunette of façade portal dates from the 15th century. Inside the church has a late 15th-century triptych depicting the Madonna and Child with Saints, set into an elaborate Gothic or Byzantine frame, attributed to the Maestro di Borsigliana, now known as Pietro da Talada. References
Sanctuary of San Pellegrino in Alpe

The Santuario di San Pellegrino in Alpe or Santi Pellegrino e Bianco is a Roman Catholic church and adjacent hostel-hospital complex on a hilltop within the town limits of Castiglione di Garfagnana, province of Lucca, region of Tuscany, Italy. It lies in a rural site along the Bibulca Way. History The site is documented in a papal bull of Pope Alexander III in 1168, noting the hostel was led not by monks, but by lay workers. By 1200, a church had been erected allowing for the arrival of the relics of Saint Pellegrino. By 1400, the church was refurbished and in 1473, a small sepulchral monument, in form of a tempietto, was constructed by Matteo Civitali. Further refurbishment were pursued in the 17th century, adding the relics of San Bianco. The present church was re-erected in 1908 with the collapse of the former structure. The legend of San Pellegrino, a patron of those travelling to Rome along the pilgrimage routes, led to local veneration. Stories make him out to be the prince of a Scottish King during the late Roman Empire, who sought a hermit existence in a cave in this mountain, and died there until his relics were miraculously discovered. See also San Pellegrino in Alpe References
Santuário de San Pellegrino in Alpe

O Santuário de San Pellegrino in Alpe ou Santi Pellegrino e Bianco é uma igreja católica romana e um complexo de albergue-hospital adjacente no topo de uma colina nos limites da cidade de Castiglione di Garfagnana, província de Lucca, região da Toscana, Itália. Encontra-se em uma área rural ao longo do Caminho da Bibulca. História O local está documentado em uma bula papal do Papa Alexandre III em 1168, observando que o albergue não era dirigido por monges, mas por trabalhadores leigos. Em 1200, uma igreja foi erguida permitindo a chegada das relíquias de São Pellegrino. Por volta de 1400, a igreja foi reformada e, em 1473, um pequeno monumento sepulcral, em forma de tempietto, foi construído por Matteo Civitali. Outras reformas foram realizadas no século XVII, acrescentando as relíquias de San Bianco. A igreja atual foi reerguida em 1908 com o colapso da estrutura anterior. A lenda de San Pellegrino, patrono das viagens a Roma pelas rotas de peregrinação, levou à veneração do local. As histórias mostram que ele era o príncipe de um rei escocês durante o final do Império Romano, que buscou uma existência de eremita em uma caverna nesta montanha, e morreu lá até que suas relíquias fossem milagrosamente descobertas.==Referências==
San Regolo, Vagli Sotto

San Regolo is a Romanesque-style, Roman Catholic church, located in the center of the town of Vagli Sotto in the province of Lucca, Tuscany, Italy. History Documents from 1154, cite a church of Santa Maria in Vagli Sotto, which may correspond to this church. The dedication to San Regolo was derived when a nearby church was dedicated to St Augustine. The building dates to the 12th to 13th centuries, with later enlargements and refurbishments. During a pastoral visit in 1568, the church was dedicated to Santa Maria e San Regolo. The construction is rustic, with incomplete lines of alternating white and dark stone in the facade and flanks. The portal with a rounded marble arch, is minimally decorated, and preceded by a circular staircase. The superior portion of the facade has a round oculus. The interior houses a 15th-century holy water font. It also contains two wooden statues: a 13th-14th century Madonna and child and a 14th-century crucifix attributed to the Maestro del Crocifisso di Camaiore. References
San Martino in Greppo, Borgo a Mozzano

San Martino in Greppo is a small Romanesque-style, Roman Catholic church, located in the Diecimo district outside of the town of Borgo a Mozzano in the province of Lucca, Tuscany, Italy. History The church was located along the ancient road that linked the Lunigiana valley near Lucca with the Po valley; this church was documented by 979, under the pieve of Diecimo. It operated an adjacent hostel for pilgrims. The present church, visible from the banks of the Serchio, was built in the 12th century. The simple stone structure with a single nave and a semicircular apse was restored in 2009. The interiors lack decoration. References
Santa Maria in Viepri

The abbey of Santa Maria di Viepri is a Romanesque, former Benedictine monastery and church in Viepri, a hamlet of the town of Massa Martana, province of Perugia, Umbria, Italy. History The church was erected circa 1150 by the lords of Castelvecchio. It was once associated with an adjacent castle and monastery. Construction might have been aided by nearby stones from the Via Flaminia. The stone façade is made of stone bricks with a small mullioned window. A large bell-tower arises next to the façade. The semicircular apses differ, with the center one being less decorated. The church contains some of the Romanesque sculptural elements embedded in the walls. The interior still has three naves, but the pilasters lack capitals. The church houses a Birth of the Virgin and a Madonna of the Rosary painted by Andrea Polinori. In October 2021, the Polinori paintings were restored, with funding from the Worsnip family, the Pro Loco of Viepri and the Comunanza Agraria. References
San Felice, Massa Martana

San Felice is a Roman Catholic church in the town of Massa Martana, province of Perugia, Umbria, Italy. History The church is dedicated to the town patron saint, Felice, said to have been the bishop and later martyr during the persecutions by Emperors Diocletian and Maximinian. While the church was initially erected by medieval times, the present structure has undergone many re-edifications. The church was damaged during the second world war. The façade with stone blocks has tall pilasters and a baroque belltower rising from the cornice. The interior has a single nave surrounded by large pilasters. The main altarpiece depicts the Madonna with Blessed Ruggero, St Felix, Santa Rita and St Pope Pius V (1723) by Giacinto Boccanera. On the wall to the left of the entrance are two 16th-century frescoes depicting a Crucifixion and an Enthroned Virgin and Child with Saints Roch and Ambrosius. There are also 15th-century frescoes including a Virgin and Child with St Sebastian and St Bernardino da Siena. References
Chiesa di San Felice (Massa Martana)

La chiesa di San Felice è la parrocchiale di Massa Martana in provincia di Perugia. Rientra nella diocesi di Orvieto-Todi e risale al X secolo. Storia e Descrizione L'interno si presenta a navata unica con cappelle laterali, concluso da un grandioso altare maggiore barocco eseguito nel 1660 dall’artigiano tuderte Pietro Paolo Faustini, su commissione della Comunità di Massa e della Confraternita del SS. Sacramento. Al centro è una tela con la Madonna del Carmine, San Felice, San Pio, San Ruggiero e Santa Monaca, di Giacinto Boccanera, del 1723. All'ultimo altare a sinistra è un'altra tela di Giacinto Boccanera con la Madonna con San Giuseppe ed il Bambino e San Francesco d’Assisi, firmata e datata 1733. Note Voci correlate Massa Martana Diocesi di Martana Altri progetti Wikimedia Commons contiene immagini o altri file sulla chiesa di San Felice Collegamenti esterni Chiesa di San Felice <Massa Martana>, su Le chiese delle diocesi italiane, Conferenza Episcopale Italiana. URL consultato il 16 gennaio 2022.
Santa Maria delle Grazie, Montefiascone

The Sanctuary of the Madonna delle Grazie is a Roman Catholic church in Montefiascone, province of Viterbo, Lazio, Italy. It is located near the Basilica church of San Flaviano. History The sanctuary was built in the 14th century, with the first documentation in 1333, when the community erected the adjacent hospital. In 1465 the church was affiliated with the Servite order. The church was rebuilt in 1492. References
Santa Maria del Carmine, Civita Castellana

Santa Maria del Carmine, once known as Santa Maria dell'Arco is a Romanesque-style, Roman Catholic church located at the intersection of the Vi Flaminia with Via Ferretti in the town of Civita Castellana, province of Viterbo, region of Lazio, Italy. History The former church was named because the entrance was reached by passing under an arch. Tradition holds that this church was once used as Cathedral prior to the present Duomo of Civita Castellana. It appears to date from either the 8th or 9th centuries, with a three nave structure reflected in the façade. The columns are derived from spolia, and the bases are now underneath the present brick pavement, with the exception of the first and third columns on the left. The church has undergone numerous refurbishments, including a major reconstruction in the 16th century. The belltower still retains the Romanesque mullioned windows. References
Santa Cristina (Bolsena)

Die Basilika Santa Cristina ist eine römisch-katholische Kirche in Bolsena im Latium, Italien. Die Kirche des Bistums Orvieto-Todi trägt den Titel einer Basilica minor und ist der Märtyrerin Christina von Bolsena gewidmet, die hier auch begraben liegt. Die Kirche wurde im 11. Jahrhundert im Stil der Romanik errichtet und ist als Ort eines eucharistischen Wunders im Jahr 1263 bekannt. Geschichte Die Kirche wurde von Papst Gregor VII. im Jahr 1077 geweiht. Die Renaissancefassade wurde von Papst Leo X. in Auftrag gegeben und in den Jahren 1492 bis 1494 nach Entwürfen von Francesco und Benedetto Buglioni fertiggestellt. Architektur Die beiden Portale haben polychrome Lünetten der Florentiner Künstler im Stil von Della Robbia. Links von der Fassade befindet sich der spätbarocke Außeneingang zur Kapelle des Wunders. Der hohe Glockenturm aus dem 13. Jahrhundert hat romanische Biforienfenster. Innenraum Der Innenraum der dreischiffigen Basilika weist Fresken aus dem 14. bis 16. Jahrhundert auf. Der Hauptaltar hat ein Polyptychon (um 1450) von Sano di Pietro. Auf der rechten Seite des Kirchenschiffs befinden sich zwei Kapellen. Die erste ist die Kapelle des Allerheiligsten Sakraments mit einem Tabernakel von Buglioni. Die zweite Kapelle, die der hl. Lucia gewidmet ist, besitzt Fresken aus dem 15. Jahrhundert von Giovanni Andrea De Ferrari und eine Büste der Heiligen von Benedetto Buglioni. Auf der linken Seite des Kirchenschiffs führt ein Marmorportal in die Kapelle des (eucharistischen) Wunders. Die Kapelle wird heute von einer großen Kapelle im spätbarocken Stil auf der linken Seite der Kirche mit einer zylindrischen Kuppel überdacht, die von Tommaso Mattei 1693 entworfen wurde. Die Fassade wurde 1863 von Virginio Vespignani fertiggestellt. Das Hauptaltarbild stellt das Wunder dar, gemalt von Francesco Trevisani. Unterhalb des Gemäldes, auf dem Altar, wurde ein vergoldeter Rahmen (1940) geschaffen, um den blutbefleckten Stein zu halten, der angeblich eine Reliquie des Wunders ist. Die Eucharistie selbst ist im Dom von Orvieto ausgestellt. Das Ereignis ist Inhalt Der Messe von Bolsena von Raffael in der Stanza di Eliodoro im Apostolischen Palast und eine Auslöser zur Einrichtung des Fronleichnamsfestes. Neben dieser Kapelle befindet sich der Eingang zur Grotte von Santa Cristina, in der sich frühchristliche Gräber befinden. Die Kapelle hat eine Balustrade, die den eigentlichen Altar des Wunders schützt. In der Kapelle befindet sich eine Terrakotta-Ikone der Heiligen, die neben dem Felsen liegt, mit dem Benedetto Buglioni versuchte, ihr Martyrium im Alter von 11 Jahren darzu stellen. Es gibt auch eine Wand, die angeblich die Fußabdrücke der Heiligen von ihrem gescheiterten Ertrinken zeigt. Unter der Buglioni-Statue befindet sich der Sarkophag aus dem 4. Jahrhundert, in dem die Reliquien der Heiligen aufbewahrt wurden. Weblinks Website der Basilika. Abgerufen am 10. Januar 2022 (italienisch). Informationen - PDF-Download - Deutsch. Abgerufen am 10. Januar 2022. Einzelnachweise
Basilica of Santa Cristina, Bolsena

The Basilica of Santa Cristina is a Catholic basilica church in Bolsena, province of Viterbo, region of Lazio, Italy. The church is best known for being the site of a Eucharistic Miracle in 1263, immortalized by The Mass at Bolsena by Raphael in the Vatican palace. It also was the burial site for the martyr and saint Christina of Bolsena. History The church was consecrated by Pope Gregory VII in 1077. The façade was commissioned by Pope Leo X, and completed in 1492 to 1494 with designs by Francesco and Benedetto Buglioni. The two portals have polychrome lunettes by the Florentine artists, in the style of Della Robbia. To the left of the façade is the late-baroque external entrance to the Chapel of the Miracle. The tall 13th-century belltower has Romanesque mullioned windows. Interior The interior has three naves and has frescoes from the 14th through 16th centuries. The main altar has a polyptych (circa 1450) by Sano di Pietro. To the right of the nave are two chapels. The first is the Chapel of the Santissimo Sacramento with a tabernacle by Buglioni. The second chapel, dedicated to St Lucy, has 15th-century frescoes by Giovanni Andrea de Ferrari and a bust of the saint by Buglioni. To the left of the nave, through a marble portal, one can access the Chapel of the (Eucharistic) Miracle. The chapel is now enveloped in a large late-Baroque-style chapel to the left of the church with a cylindrical dome, designed by Tommaso Mattei. The façade was designed in 1693 by Virginio Vespignani. The main altarpiece depicts the miracle, painted by Francesco Trevisani. Below the painting, on the altar, a gilded frame (1940) was created to hold the blood-stained stone, that is supposedly a relic of the miracle. The Eucharist itself is on display in the Orvieto Cathedral. Next to this chapel is the entrance to the Grotto of Santa Cristina, which hold paleochristian burials. The chapel has a balustrade protecting the actual altar of the miracle. The chapel has a terracotta icon of the saint laying alongside the rock used to try to achieve her martyrdom at the age of 11 years, by Benedetto Buglioni. There is also a wall supposedly with the footprints of the saint from her failed drowning. Below the Buglioni statue is the 4th-century sarcophagus which held the relics of the saint. References External links Official site
Basílica de Santa Cristina (Bolsena)

Santa Cristina es una iglesia basílica católica en Bolsena, provincia de Viterbo, región del Lacio, Italia. La iglesia es conocida por ser el sitio de un milagro eucarístico en 1263, inmortalizado por La Misa en Bolsena de Rafael en el palacio del Vaticano. También fue el lugar de entierro de la mártir y santa Cristina de Bolsena. Historia La iglesia fue consagrada por el papa Gregorio VII en 1077. La fachada fue encargada por el papa León X y se completó de 1492 a 1494 con diseños de Francesco y Benedetto Buglioni. Las dos entradas tienen lunetas policromadas de los artistas florentinos, al estilo de Della Robbia. A la izquierda de la fachada se encuentra la entrada exterior del rococó tardío a la Capilla del Milagro. El alto campanario del siglo XIII tiene ventanas de estilo románico. Interior El interior tiene tres naves y tiene frescos de los siglos XIV al XVI. El altar mayor tiene un políptico (de alrededor del 1450) por Sano di Pietro. A la derecha de la nave hay dos capillas. La primera es la Capilla del Santísimo Sacramento con un tabernáculo de Buglioni. La segunda capilla, dedicada a Santa Lucía, tiene frescos del siglo XV de Giovanni Andrea de Ferrari y un busto de la santa de Buglioni. A la izquierda de la nave, se puede acceder a la Capilla del Milagro (Eucarístico) a través de una entrada de mármol. La capilla ahora está englobada en una gran capilla de estilo barroco tardío a la izquierda de la iglesia con una cúpula cilíndrica, diseñada por Tommaso Mattei. La fachada fue diseñada en 1693 por Virginio Vespignani. El retablo mayor representa el milagro, pintado por Francesco Trevisani. Debajo de la pintura, en el altar, se creó un marco dorado (1940) que contiene la piedra manchada de sangre, que supuestamente es una reliquia del milagro. La propia Eucaristía está expuesta en la Catedral de Orvieto. Junto a esta capilla se encuentra la entrada a la Gruta de Santa Cristina, que alberga enterramientos paleocristianos. La capilla tiene una balaustrada que protege el verdadero altar del milagro. La capilla tiene un ícono de terracota del santo que yace junto a la roca usada para tratar de lograr su martirio a la edad de 11 años, de Benedetto Buglioni. También hay un muro con las huellas del fallido ahogamiento de la santa. Debajo de la estatua de Buglioni se encuentra el sarcófago del siglo IV, que contenía las reliquias de la santa.​ Referencias Sitio oficial Archivado el 19 de enero de 2019 en Wayback Machine.