NoeFlandre/osm-polygon-wikidata-only huggingface dataset:
Abbaye de Civate

L'abbaye Saint-Pierre-du-Mont de Civate est un complexe monastique roman du XIe siècle, situé dans la vallée dell'Oro, à Civate, dans la province de Lecco, en Lombardie (Italie). Aujourd'hui désertée par les religieux, l'abbaye de Civate se compose de trois bâtiments : la basilique Saint-Pierre, le baptistère dédié à saint Benoît, et les ruines de l'ancien monastère. Liens externes Notice Horaires de visite Plan Portail de l’architecture chrétienne Portail du monachisme Portail du Moyen Âge Portail de la Lombardie
Abbaye de Monte Senario

L'abbaye de Monte Senario se situe au sommet du Monte Senario, colline de (818 m d'altitude), située à Vaglia, à 16 km de Florence (Toscane) en Italie. Histoire À Florence, le XIIIe siècle était une période marquée par l’effervescence de la vie religieuse, comme en témoigne la Legenda de Origine Ordinis, un document ancien datant de 1317. Sept hommes (Alexis Falconieri, Bonfils, Amadio, Bonagiunta, Manetto, Sostegno et Ugoccio) donnèrent naissance, près de Florence (ce qui est aujourd'hui la Piazza della Santissima Annunziata de Florence) en 1233, à l'ordre des Servites de Marie par le don de l'Esprit Saint. On les appela "les sept saints fondateurs" (de l’ordre des Servites de Marie). Le 12 juin 1241, Giuliano de Bivigliano (Florence), né Ubaldini, famille qui dominait alors le pays du Mugello, offrit, pour le rachat de son âme, à Ardingo, évêque de Florence (1231–1247), le tiers d’un bois situé sur le mont dit Asinario. Ce mont avait reçu plusieurs appellations aux XIIIe et XIVe siècles. Certains l’appelaient Monte Asinario ou Asinaro, car il n’était accessible que par l’âne (asina = âne). D’autres encore l’appelaient Monte Sonorio ou Sonaio, en référence au phénomène acoustique de l’écho. D’autres enfin le désignaient par Monte Senario car il s’élève au-dessus d’un groupe de 6 coteaux (Spicchio, Pian di Messere, Sangianna, Monteronzoli, Poggione, Cantalupo). De toutes ces appellations, c’est le dernier qui a prévalu : Monte Senario. C’est là que les pères fondateurs s'isolèrent vers 1245 sous la protection de l’évêque Ardengo Trotti, loin des centres de batailles politiques et d’éventuelles représailles. En 1600, au cours des travaux de réfection de l’église, les dépouilles mortelles des sept premiers pères ont été retrouvées dans une tombe commune (confirmation de leur présence sur le mont). Leurs restes sont conservées dans une urne funéraire en bronze doré. De nos jours, Monte Senario est un centre de vie monastique pour religieux et religieuses Servites de Marie. Notes et références Voir aussi Articles connexes Ordre des Servites de Marie Liens externes Site officiel Ressource relative à la religion : GCatholic.org Site officiel des Servites de Marie Portail de l’architecture chrétienne Portail du catholicisme Portail du Moyen Âge Portail de la Toscane
Klasztor na Monte Senario

Klasztor Monte Senario, wł. Convento di Monte Senario – jedno z najważniejszych sanktuariów Toskanii położone na wzgórzu o tej samej nazwie, na północ od miasta Vaglia, znajdujące się na obszarze archidiecezji Florencji. Klasztor został zbudowany w 1234 roku przez Siedmiu Świętych Założycieli Zakonu Serwitów Najświętszej Maryi Panny zatwierdzonego przez Stolicę Apostolską w 1304 roku. Byli to florenccy kupcy, którzy porzucili dotychczasowe zajęcia i zaczęli żyć w ubóstwie i pokucie: Aleksy Falconieri, Bartłomiej Amidei, Benedykt Antella, Buonfiglio Monaldi, Gerardino Sostegni, Hugo Lippi-Uguccioni oraz Jan Buonagiunta Monetti. Przypisy Bibliografia Convento di Monte Senario. montesenario.net. [zarchiwizowane z tego adresu (2011-01-09)]. – oficjalna strona (wł.)
Viboldone Abbey

The Abbey of Viboldone is an abbey in Viboldone, a frazione of San Giuliano Milanese, in the province of Milan, northern Italy. History The abbey was founded in 1176 and completed in 1348 by the Humiliati, an order of monks, nuns, and laypeople who worked in the abbey, producing wool cloth and cultivating the nearby fields with innovative techniques. After the suppression of the Humiliati by Pope Pius V (1571), the abbey went to the Olivetan Benedictines, who were forced to leave the abbey in 1773, when Lombardy fell in Austrian hands. After several years of abandonment, the abbey has been home to the Community of Madre Margherita Marchi (Benedictine nuns) since 1941. Architecture The façade (finished in 1348) is hut-shaped, with mullioned windows and visible brickwork with white-stone decorations, and is divided into three sectors by two semi-columns. The entrance portal is in white marble and is surmounted by a lunette with marble sculptures of the "Madonna with Child between the Saints Ambrose and John of Meda". On either side, two Gothic niches house statues of the Sts. Peter and Paul. The door is in dark wood and dates to the 14th century. The bell tower has an appearance similar to that of the façade, with frames in cotto and small arcades at the bases of the double- and triple-mullioned windows. Small circular windows surmount the latter. The interior is rather sober, with few decorations aside from the extensive frescoes of the Giottesque school. It has a rectangular hall plan, with a nave and two aisles, each with five spans (the first in Romanesque style, while the remaining ones are Gothic, with cotto columns and high cross vaults). The arches are ogival. The fresco decoration includes the Madonna in Maestà with Saints and the large Universal Judgement with, in the middle, Jesus and, at his left, the Damned, overseen by Satan. Other frescoes, depicting Renaissance musical instruments, are housed in the Music Hall, located in a building annexed to the church. External links Official website (in Italian)
San Pancrazio, Florence

San Pancrazio is a church in Florence, Italy, in Piazza San Pancrazio, behind Palazzo Rucellai. With the exception of the Rucellai Chapel, it is deconsecrated and is home to the museum dedicated to the sculptor Marino Marini. The Rucellai Chapel contains the Rucellai Sepulchre or Tempietto del Santo Sepolcro. Since February 2013 it has been possible to visit the chapel from within the Marini museum. Early history The church was built in the early Christian age, and is documented from 931; according to the historian Giovanni Villani, it was founded by Charlemagne. The adjoining Vallombrosian monastery was established in 1157. It was suppressed in 1808. The church was restored and enlarged from the 14th century. A new interior burial spaced opened under the vaults in 1456, but it did not attract a significant number of burials until the early 1460s. The cloister houses a fresco by Neri di Bicci. The Rucellai Chapel Giovanni di Paolo Rucellai commissioned Leon Battista Alberti to build him a tomb in the family chapel in the church. Giorgio Vasari wrote of it in 1568: For the same Rucellai family Leon Battista [Alberti] made in the same way [i.e., with architraves supported by columns] in San Pancrazio a chapel supported by large architraves placed on two columns and two pilasters, cutting through the wall of the church, which is difficult, but safe. Thus this work is among the best that this architect did. In the middle of this chapel is a sepulchre of marble, very well made, in shape oval and oblong, and similar, as can be read on it, to the sepulchre of Jesus Christ in Jerusalem. Alberti's work on the Rucellai Chapel and on the sepulchre within it probably began in about 1458; the origins of the chapel date to 1417, when the walls of the nave of San Pancrazio were built. According to the inscription above the door, the sepulchre was completed in 1467. The sepulchre is based on the Holy Sepulchre in the Anastasis in Jerusalem. The exterior is decorated with marble intarsiae; inside are the tombs of Giovanni Rucellai and members of his family, and a fresco by Alesso Baldovinetti. Later history The church was modified in the 18th and 19th centuries. From 1808, it was the seat of the city's lottery, then a tribunal, and then a tobacco factory. Notes References Further reading Toscana Esclusiva XII edizione. Associazione Dimore Storiche Italiane. 2007.
Église Saint-Pancrace de Florence

L'église Saint-Pancrace est une église de Florence, en Italie, sur la place Saint-Pancrace, derrière le Palazzo Rucellai. À l'exception de la chapelle Rucellai, elle est désaffectée et abrite le musée consacré au sculpteur Marino Marini. La chapelle Rucellai contient le Tempietto del Santo Sepolcro (sépulcre Rucellai). Depuis février 2013, il est possible de visiter la chapelle depuis le musée Marini. Histoire L'église a été construite au début de l'âge chrétien et est documentée à partir de 931. Selon l'historien Giovanni Villani, elle a été fondée par Charlemagne. Le monastère attenant a été créé en 1157. L'église a été restaurée et agrandie à partir du XIVe siècle. Le cloître abrite une fresque de Neri di Bicci. L'église a été modifiée aux XVIIIe et XIXe siècles. À partir de 1808, elle est le siège du Loto de la ville, puis un tribunal, une fabrique de tabac, un dépôt militaire et enfin du musée Marini. Chapelle Rucellai Giovanni di Paolo Rucellai a chargé Leon Battista Alberti de lui construire un tombeau dans la chapelle familiale de l'église. Giorgio Vasari a écrit a son sujet en 1568. Le travail d'Alberti sur la chapelle Rucellai et sur le sépulcre qui s'y trouve a probablement commencé vers 1458. Les origines de la chapelle remontent à 1417, lorsque les murs de la nef de l'église ont été construits. Selon l'inscription au-dessus de la porte, le sépulcre a été achevé en 1467. Il est inspiré du Saint-Sépulcre de Jérusalem. L'extérieur est décoré d'Intarsias en marbre. À l'intérieur se trouvent les tombes de Giovanni Rucellai et des membres de sa famille, ainsi qu'une fresque d'Alesso Baldovinetti. Références Bibliographie Toscana Esclusiva XII edizione, Associazione Dimore Storiche Italiane, 2007 Portail de l’architecture chrétienne Portail de Florence Portail du catholicisme
San Pancrazio

A San Pancrazio (Szent Pongrác), egykori firenzei templom, ma Marino Marini neves szobrász múzeumának ad helyet. Története A templom egy ókeresztény bazilika helyén épült. Első említése 931-ből származik. 1157-ben a bencések tulajdonába került, majd a domonkos-rendieké lett, majd pedig 1230-tól 1808-ig az ambroziánusoké. Az épületet az 1300-as években építették újjá. A 15. század közepén új kolostorral bővült. 1467-ben Giovanni Rucellai León Battista Albertit bízta meg az épület felújításával, aki itt a jeruzsálemi Szent Sír idealizált mását kívánta megalkotni. 1754-ben Giuseppe Ruggeri építész vezetésével ismét átalakították, ekkor távoították el több ide temetett nemes síremlékét. A napóleoni háborúk után, 1808-ban Giuseppe Cacialli átalakította neoklasszicista stílusban. Ekkor veszítette el eredeti funkcióját és a lottóhivatal székhelye lett. Később a helyi biróságnak is otthont adott, illetve egy rövid ideig dohánymanufaktúra működött benne. 1976-ban restaurálták és ekkor költözött be a Museo Marino Marini, mely a híres szobrászművész alkotásait mutatja be. Leírása A kis négyszögletes szentély, keleties kupolájával, pilaszterekkel tagozott, fehér- és feketemárvány lapokkal burkolt belső falaival, a quattrocento építészetének egyik legharmonikusabb alkotása. Források Fajth Tibor: Itália, Athenaeum Nyomda, Budapest, 1980 ISBN 963-243-235-5 Mueller von der Haegen, Anne: Tuscany: Art and architecture, Könemann, 2005 ISBN 3-8331-1487-8 Wellner István: Firenze, Panoráma Kiadó, Budapest, 1975 ISBN 963-243-041-7 Wirtz, Rolf: Firenze, Vince Kiadó, Budapest, 2007 ISBN 963-9552-90-9
Igreja de São Pancrácio (Florença)

Igreja de São Pancrácio (Florença) é uma igreja em Florença, Itália, na Praça São Pancrácio, atrás do Palazzo Rucellai. Com exceção da Capela Rucellai, é desconsagrada e abriga o museu dedicado ao escultor Marino Marini. A Capela Rucellai contém o Sepulcro Rucellai ou Templo do Santo Sepulcro. Desde fevereiro de 2013, é possível visitar a capela a partir de dentro do museu Marini. O mártir romano Pancrácio morreu com apenas 14 anos no início do século IV e é considerado o santo da justiça , inimigo dos perjúrios e dos falsos testemunhos. Referências Leitura adicional Toscana Esclusiva XII edizione. [S.l.]: Associazione Dimore Storiche Italiane. 2007
Adranon

Adranon (auch Hadranum, heute Adrano) war eine antike Stadt auf Sizilien. Adranon wurde um 400 v. Chr. von Dionysios I. von Syrakus in der Nähe des sikulischen Heiligtums für den Gott Adranos, der auch der Stadtgott werden sollte, am Fluss Adranos, einem Nebenfluss des Symaithos, am Westhang des Ätna gegründet. In der Nähe Adranons schlug Timoleon im Bund mit den Adranonianern Hiketas von Syrakus. 263 v. Chr. wurde die Stadt von den Römern erobert und erhielt das ius Latii. Noch heute gibt es bedeutende Überreste der antiken Siedlung. In der Nähe der Stadt befand sich das sikulische Zentrum Mendolito. Hier fand man Inschriften, Münzen und prähistorische Töpferware. Die Funde befinden sich heute in der Sikulischen Sammlung im Museum auf der Normannenburg in Adrano. Literatur Edward Herbert Bunbury: Adranum. In: William Smith: Dictionary of Greek and Roman Geography. London 1854. Christian Hülsen: Adranon. In: Paulys Realencyclopädie der classischen Altertumswissenschaft (RE). Band I,1, Stuttgart 1893, Sp. 405. P. Pelagatti: Adranon. In: Richard Stillwell u. a. (Hrsg.): The Princeton Encyclopedia of Classical Sites. Princeton University Press, Princeton NJ 1976, ISBN 0-691-03542-3 (englisch, perseus.tufts.edu).
Palazzo Theodoli-Bianchelli

The Palazzo Theodoli-Bianchelli is a building in Rome, located at 380 via del Corso, between via dell'Impresa and via del Parlamento, north of the Palazzo Verospi and opposite the convent of Santa Maria Maddalena delle Convertite. History It dates to at least the early 16th century and was occupied by the family after which it was named until early in the 20th century. It was restored in 1884 Renovation work on the ground floor has revealed a 1947-48 mural painting by Gino Severini (1883–1966), "Macchina per produrre calze" ("Machine for producing socks), painted when the building was a sportswear shop. It shows a Cubist montage of a machine with tracks, drive shafts and cogs. The building now houses some offices of the Camera dei deputati, including its computer and personnel departments. External links
Palazzo Theodoli-Bianchelli

Il Palazzo Theodoli-Bianchelli è un edificio di Roma, situato tra via del Corso, via dell'Impresa e via del Parlamento, di fronte al convento di Santa Maria Maddalena delle Convertite. Data almeno ai primi decenni del XVI secolo e fu occupato dalla famiglia cui deve il nome fino agli inizi del XX secolo. I lavori di ristrutturazione di alcuni locali, precedentemente adibiti ad attività commerciale, hanno rivelato una pittura murale risalente agli anni 1947-48 di Gino Severini (1883-1966), "Macchina per produrre calze", dipinta quando i locali ospitavano un negozio di abbigliamento sportivo. È un dipinto cubista che mostra una macchina con cingoli, alberi di trasmissione e ruote dentate. L'edificio ospita alcune strutture della Camera dei deputati. In precedenza ospitava la libreria della Camera dei Deputati; al suo posto ci sono ora ambienti destinati a ospitare convegni e altri eventi. Il dipinto di Severini è stato spostato alla nuova aula dei gruppi parlamentari. Note Collegamenti esterni Scheda dell'edificio nel sito della Camera dei Deputati, su storia.camera.it.
Laorca cemetery and church, Lecco

The Cemetery and Chapel of San Giovanni Battista, also known as the Cimitero di Laorca is a Roman Catholic church and cemetery in the neighborhood of Loarca in the town limits of Lecco, region of Lombardy, Italy. The cemetery is located in a grotto under a stone mountainside. History The site originally housed a series of Via Crucis chapels (1765), resembling those found in the Sacro Monti of Lombardy and Piedmont. An ossuary was added in 1649 to house the remains of those killed by the plague; after the first world war, it became a repository and memorial for those fallen in the conflict. The site was refurbished during the 19th and 20th centuries. The painter Luigi Tagliaferri restored the Via Crucis. In 1985–1989, the painter Paolo Gerosa painted modern images for the chapel refurbished in a Neo-Romanesque style on the prior foundations. The grotto houses chapels dedicated to the Madonna of Lourdes and St John the Baptist (latter called Chiesa ai Morti). The latter chapel has a structure dating from 1289 erected to venerate a hermit named Giovanni who dwelt in the grotto in early medieval times. The interior of the main church has frescoes from 1578 and a stucco arch in the apse from 1648. The cemetery has Art Nouveau monuments dedicated to Falck (1922), Redaelli (1903–1908), and Bolis (1914). References
Cimitero di Laorca

Il Cimitero di Laorca, comprendente anche la Cappella di San Giovanni Battista, è un cimitero cattolico romano situato nel rione Laorca, a nord di Lecco. Il cimitero è locato in una grotta sotto il Monte Medale, in contrada Laorca . Essendo di una certa rilevanza storico-paesaggistica, è considerato monumento nazionale, inserito nella Cemeteries Routes of Europe. Storia Il sito originariamente ospitava una serie di cappelle che ricostruiscono ancora oggi la Via Crucis, realizzate nel 1765, simili a quelle trovate presso i vari Sacri Monti del Piemonte e della Lombardia. Già nel 1649 venne realizzato un ossario per ospitare i resti delle vittime della peste portata in Italia dai Lanzichenecchi; dopo la prima guerra mondiale, al sito vennero aggiunti un deposito ed un memoriale per i caduti nel conflitto. Nel 1930, l'ingegner Giosuè Todeschini, realizzò un terrazzamento inferiore per ospitare otto cappelle private. A partire dal 1933, durante gli anni del regime fascista, il cimitero venne dichiarato "Luogo che non dovrebbe esistere": difatti, con la costruzione del nuovo camposanto di Malgrate, ne fu disposta la chiusura e la traslazione delle salme sia a Malgrate che nel cimitero monumentale della città, comportando così la soppressione dei cimiteri locali. Tutta la popolazione locale insorse ed il cimitero di Laorca rimase immutato. Il sito è stato ristrutturato nel corso dei secoli XIX e XX; al pittore Luigi Tagliaferri venne affidato il compito di restaurare la Via Crucis. Nel 1985-1989, il pittore Paolo Gerosa dipinse immagini moderne per la cappella ristrutturata in stile neoromanico, sulle precedenti fondamenta. La grotta ospita cappelle dedicate alla Madonna di Lourdes ed a San Giovanni Battista (chiamata anche Chiesa ai Morti); quest'ultima cappella ha una struttura risalente al 1289, eretta per venerare un eremita di nome Giovanni che abitava nella grotta nel medioevo. L'interno della chiesa principale presenta affreschi del 1578 ed un arco in stucco nell'abside del 1648. Il cimitero ha monumenti in stile Liberty dedicati a Falck (1922), Redaelli (1903-1908) e Bolis (1914). Voci correlate Cimitero monumentale di Lecco Lecco Altri progetti Wikimedia Commons contiene immagini o altri file su cimitero di Laorca Collegamenti esterni Sito ufficiale, su comune.lecco.it.
Palazzo de Felice, Grottaglie

Palazzo de Felice (Italian for Palace of the de Felice) is an 18th-century palace in Grottaglie, Province of Taranto Apulia. It is an ancestral home of the de Felice family. History of the Palazzo de Félice The palace is located in the centre of Grottaglie, in the Piazza Santa Lucia. In the 18th Century there were 18 houses built, the largest of these was the Palazzo de Felice, which was built in 1767. Architecture It is built in the baroque style of the day, boasting an imposing entrance of Corinthian columns, a balcony and a porch. It was acquired by the town in the late 1980s, and now houses an art gallery, which opened in 2006. References
Accademia Ligustica di Belle Arti

The Accademia Ligustica di Belle Arti is a tertiary academy of fine arts located in Genoa, Italy. It also houses a museum (Museo dell'Accademia Ligustica di Belle Arti), which includes works of Giovanni Benedetto Castiglione, Giuseppe Abbati, Anton Raphael Mengs, Perin del Vaga, Luca Cambiaso, Bernardo Strozzi, Giovanni Battista Paggi, Sinibaldo Scorza, Domenico Fiasella, Luciano Borzone, Serafino De Tivoli, and Plinio Nomellini. The academy was founded in 1751. References External links Official website
Accademia ligustica di belle arti

L'Accademia ligustica di belle arti de Gênes en Ligurie, fondée en 1751, résulte de la fusion des écoles de formation artistique et du musée. Elle est hébergée dans un palais construit par Carlo Barabino dans les années 1820 sur l'emplacement d'un couvent dominicain, situé sur la place centrale, la piazza De Ferrari, accolé au théâtre Carlo-Felice. Liens externes Site officiel Portail des musées Portail du néo-classicisme Portail des arts Portail de Gênes
Лигурийская академия изящных искусств

Лигурийская академия изящных искусств (итал. Accademia Ligustica di Belle Arti) — художественная академия, основанная Джованни Франческо Дориа в 1751 году в Генуе (Лигурия, северо-западная Италия). Ранее в собственном Палаццо Дориа коллекционер и меценат Джованни Карло Дориа основал Академию Рисования обнажённой натуры (Accademia del Nudo). Современная академия бъединяет функции художественной школы и музея. В Музее можно увидеть произведения итальянской живописи XIV—XIX веков. Прилагательное «ligustica» происходит от названия региона Лигурии и от прозвания племени лигурийцев в древности (Lygies). Здание академии расположено на центральной площади города Пьяцца-де-Феррари (Рiazza De Ferrari) рядом со знаменитым театром Карло Феличе. Построено на месте снесённого монастыря Сан-Доменико по проекту архитектора Карло Барабино (1826—1831). В Лигурийской академии преподавали известные итальянские художники: Чезаре Виацци, Джаннетто Фиески, Марио Кьянезе, Чезаре Виель, фотограф Фредрик Кларк и художник-неоэкспрессионист Роберто Мерани. Среди самых известных выпускников Академии: Ванесса Бикрофт, Джорджо Маттео Айкарди, архитектор Карло Барабино. В академии есть музей, в экспозиции которого имеются произведения Перино дель Вага, Луки Камбьязо, Франческо д’Оберто, Николо да Вольтри, Донато де Барди, Николо Корсо, Манфредино Босилио, Антонио Семино. Среди художников XVII и XVIII веков представлены: Бернардо Строцци, Джованни Баттиста Паджи, Лучано Борцоне, Джованни Андреа Ансальдо, Доменико Фьязелла, Джоаккино Ассерето, Джованни Андреа Де Феррари, Джованни Бенедетто Кастильоне, Синибальдо Скорца, Орацио Де Феррари, Валерио Кастелло, Доменико Пиола. В разделе искусства XIX века представлены Джиберто Борромео Арезе, Таммар Луксоро, Эрнесто Райпер, Альфредо д’Андраде, Серафин Авендано, Луиджи Бечи, Серафино Де Тиволи, Джузеппе Аббати, Винченцо Кабьянка, Доменико Морелли, Чезаре Виацци, Николо Барабино. В дополнение к картинам имеются скульптуры, слепки, рисунки, гравюры, изделия из керамики. Многие произведения находятся в запасниках музея. Литература Franco Sborgi. Pittura e cultura artistica nell’Accademia Ligustica a Genova 1751—1920. Quaderni (nº 7) dell’Istituto di Storia dell’Arte dell’Università di Genova. Algraphy Genova, 1974 Magnani L. Pittura e decorazione a Genova e in Liguria nel Settecento. Sagep, 2000. ISBN 8870587886 Accademia Ligustica a Genova. — Genova: Presso Gio. Grondona q. Giuseppe, 1846. — P. 141—158. Ссылки accademialigustica.it — официальный сайт Лигурийской академии изящных искусств