NoeFlandre/osm-polygon-wikidata-only huggingface dataset:
Stade Giuseppe-Moccagatta

Le stade Giuseppe-Moccagatta (en italien : Stadio Giuseppe Moccagatta), également connu sous le nom de stade communal Giuseppe-Moccagatta (en italien : Stadio Comunale Giuseppe Moccagatta), est un stade de football italien situé dans la ville d'Alexandrie, dans le Piémont. Le stade, doté de 5 926 places et inauguré en 1929, sert d'enceinte à domicile aux équipes de football de l'Unione Sportiva Alexandrie Calcio 1912, ainsi que pour les équipes de jeunes et féminines de la Juventus. Le stade porte le nom de Giuseppe Moccagatta, homme d’affaires, homme politique et dirigeant sportif italien. Histoire Entre 1927 et 1928, sous la pression des autorités locales et nationales, un projet de stade moderne est présenté prévoyant la mise en place d'un centre conforme aux pratiques du régime fasciste, à savoir une piste d'athlétisme, une piscine et même un monument aux morts. Le stade ouvre ses portes en 1929 sous le nom de terrain del Littorio (en italien : Campo del Littorio). Il est inauguré le 6 octobre 1929 lors d'une victoire 3-1 en Serie A des locaux de l'US Alexandrie sur l'AS Rome (le premier but au stade étant inscrit par Umberto Alessio, joueur d'Alexandrie). Le stade est officiellement inauguré le 28 octobre 1929, à l'occasion du septième anniversaire de la marche sur Rome. En 1946, après la fin du régime fasciste, le stade est renommé en stade Giuseppe-Moccagatta en hommage à Giuseppe Moccagatta, décédé un mois plus tôt. La capacité des tribunes atteint jusqu'à 25 000 places en 1956, puis subit une réduction drastique, notamment à la suite des inondations du Tanaro en 1994, où les tribunes sont largement repensées et les dimensions du terrain fixées à 105 × 68,40 m (selon les diktats du football professionnel). En 2001, à la suite des travaux de rénovation du stade communal de Valenza, le club du Valenzana Mado joue provisoirement ses matchs à domicile au Stade Giuseppe Moccagatta. Entre le second semestre 2009 et janvier 2010, des travaux de maintenance sont entrepris, tels que l'installation d'un nouveau tableau d'affichage électronique et la reconstruction totale du virage nord avec une structure droite adossée au terrain. Événements Galerie Notes et références Portail de l’architecture et de l’urbanisme Portail du football Portail du Piémont
Gallipoli Cognato–Piccole Dolomiti Lucane regionális park

A Gallipoli Cognato-Piccole Dolomiti Lucane Regionális Park egy természetvédelmi terület Olaszország Basilicata régiójában. 1997-ben alapították. A parkfelügyelet székhelye Accettura városában van. Földrajzi jellemzői A park Matera és Potenza megyék határvidékén fekszik, a Basento völgyének felső és középső szakasza mentén. A vidék legmagasabb csúcsai a Lukániai-Appenninek mészkővonulatához tartoznak: Monte Croccia (1149 m), Monte dell’Impiso (1319 m). Geológiai szempontpól a vidéket flis és dolomitrétegek (úgynevezett lukániai dolomitok) alkotják. A park területén számos karsztjelenség figyelhető meg (búvópatakok, dolinák stb.), a folyók pedig meredek szurdokvölgyeket vágtak maguknak. Jelentősebb folyóvizei a Basento mellett a Cavone és Salandrella, valamint a Caperrino. Flóra A park növényvilágának jellegzetes képviselői a vadalma, juhar, gyertyán, közönséges magyal, hársfa valamint vadgesztenye. Fauna A park állatvilágának jellegzetes képviselői a farkas, róka, borz, tarajos sül, vadnyúl, vaddisznó, szarvas, sárgászöld haragossikló, négycsíkos sikló, vörös kánya, vándorsólyom, egerészölyv, vörös vércse, kuvik, macskabagoly. Települései A park a következő községek területére terjed ki: Accettura, Calciano, Castelmezzano, Oliveto Lucano, Pietrapertosa Külső hivatkozások A park honlapja
Santa Maria dei Vergini

Santa Maria dei Vergini is a church in central Naples, Italy, in the Rione of the Sanità. History In 1326, a church and an adjacent hospital and monastery, titled Santa Maria del Borgo de' Vergini, were erected by residents of the Rione of Porta San Gennaro. Assigned to Padri Crucifero, the Cardinal Innico Caracciolo ceded the property to the Congregation of the Mission (Padri della Missione), after it became a parish church. In 1788, the church was rebuilt in its elliptical interior on designs by Luigi Vanvitelli. Before the war, the main altarpiece by Francesco la Mura depicted a Glory of St Vincent de Paul. Among the chapels, was a canvas depicting a Holy Family, St. Jeanne de Chantal with St Vincent de Paul (1758) by Severino Galante. The church also had works by Giovanni Sarnelli. All were destroyed in a bombing in 1943. The marble sculpture of the Immaculate Conception (1858) on the facade was made by Francesco Liberti and Giuseppe Pirotti. References
Santa Maria dei Vergini

Santa Maria dei Vergini je crkva u četvrti Rione Sanità, u Napulju, Italija. Povijest Godine 1326., stanovnici Rione of Porta San Gennaro podigli su crkvu i susjednu bolnicu i samostan pod nazivom Santa Maria del Borgo de' Vergini. Dodijeljen Padri Cruciferu, kardinal Innico Caracciolo ustupio je imanje Kongregaciji misije (Padri della Missione), nakon što je postalo župna crkva. Godine 1788. crkva je pregrađena u eliptičnoj unutrašnjosti prema nacrtima Luigija Vanvitellija. Prije rata, glavna oltarna pala Francesca la Mure prikazivala je slavu svetog Vinka Paulskog. Među kapelicama nalazilo se platno s prikazom Svete obitelji, sv. Jeanne de Chantal sa sv. Vincentom Paulskim (1758.) Severina Galantea. U crkvi su bila i djela Giovannija Sarnellija. Sva su uništeni u bombardiranju 1943. godine. Mramornu skulpturu Bezgrješnog začeća (1858.) na pročelju izradili su Francesco Liberti i Giuseppe Pirotti. Izvori Vanjske poveznice
Santa Maria dei Vergini (Nápoly)

A Santa Maria dei Vergini templom Nápoly egykori városfalaitól északra, a Capodimonte-palotához vezető Via dei Vergini mentén. Története 1326-ban építették a Porta San Gennaro nevű városkapun kívül élő lakók számára. 1334-ben Szent Anaklét Kereszteseinek Rendje vette birtokba, majd 1626-ban a Misszionárius Atyák tulajdonába került. Az évszázadok során elvégzett újjáépítések és restaurálások során az eredeti 14. századi templomból csak kevés maradt fent. Nápolyt a második világháború alatt súlyos bombatámadások érték, a templom is szinte teljesen megsemmisült, csak néhány része maradt sértetlen. Számos értékes műalkotás is megsemmisült. Az 1950-es években épült újjá jelenlegi formájába. Az 1963-as restaurálás során felszínre kerültek az eredeti templom hajójának alapjai, valamint néhány freskó. Források Blanchard, Paul (2007). Southern Italy (angol nyelven). London: Somerset Books Company. ISBN 9781905131181. Dombi József: Nápoly. (hely nélkül): Panoráma Kiadó. 1978. ISBN 963-243-120-0 New Guide to Naples and Surrounding Area, ISBN 88-8180-084-5 http://www.inaples.it További információk A Wikimédia Commons tartalmaz Santa Maria dei Vergini témájú kategóriát.
Chiesa di Santa Maria dei Vergini

La chiesa di Santa Maria dei Vergini è una delle chiese monumentali di Napoli. Storia Il tempio ed il suo convento vennero eretti sul sito dove, nel 1326, gli abitanti di Porta San Gennaro avevano fatto costruire una piccola cappella ed il relativo ospedale intitolati a Santa Maria del Borgo dei Vergini. Il complesso, nel 1334, venne poi ceduto ai frati Crociferi di San Cleto. Successivamente, questa struttura passò ai Padri della Missione sotto il cardinale Caracciolo. Nel XVIII secolo vennero realizzati numerosi interventi di restauro; il primo ordine dell'interno risale agli interventi settecenteschi (una delle uniche parti rimaste dell'edificio settecentesco), mentre la facciata fu innalzata su progetto del noto Giuseppe Astarita, che realizzò un disegno di paraste e colonne determinando un effetto di chiaroscuro con lo stucco che affianca la parte centrale in piperno. Nella seconda guerra mondiale, durante un pesante bombardamento aereo su Napoli, il tempio venne quasi interamente distrutto: rimasero illese solo alcune strutture, mentre le fiamme semidistrussero il resto. La maggior parte degli arredi sacri e delle opere d'arte andarono distrutte. Negli anni cinquanta del XX secolo la struttura è stata ricostruita nelle sue forme attuali, facendo riferimento alla primitiva architettura. Le principali opere scampate dalla demolizione bellica sono: la statua marmorea dell'Immacolata di Francesco Liberti e Giuseppe Pirotti nella nicchia al centro della facciata, il sepolcro marmoreo dell'avvocato Ezechiele Galanti a destra dell'ingresso, il fonte battesimale del XVII secolo (dove fu battezzato Sant'Alfonso Maria de' Liguori) a sinistra del medesimo, l'organo sulla cantoria in controfacciata, un San Giuseppe con il Bambino, gruppo ligneo settecentesco, e infine il Sant'Alfonso di Carmine Toro, situato nella cappella dedicata al celebre santo napoletano; mentre nel dopoguerra vennero apposti le tele dell'Immacolata di Roberto Carignani alle spalle dell'altare maggiore settecentesco, del Cristo Crocifisso di G.Leone (datata 1952) sul primo altare a sinistra e delle scene dipinte a tempera con Episodi della vita di Sant'Alfonso del parroco-pittore don Iginio Pinto (?-1978) nella cappella del santo. Negli anni sessanta del Novecento la chiesa fu al centro di rilevanti scoperte artistiche, specie nel corso dei lavori del 1963, quando emersero frammenti di affreschi del XVI secolo ed i resti della zona absidale e della navata dell'originario tempio trecentesco. Adiacente alla chiesa è l'Oratorio della Confraternita dell'Immacolata ai Vergini. Come la chiesa principale venne gravemente danneggiato dai bombardamenti del 1943 e anch'esso conserva poco del contenuto artistico del passato. Vi si accede da vico Santa Croce ai Miracoli. Voci correlate Chiese di Napoli Altri progetti Wikimedia Commons contiene immagini o altri file su chiesa di Santa Maria dei Vergini Collegamenti esterni Chiesa di Santa Maria dei Vergini, su BeWeB, Ufficio nazionale per i beni culturali ecclesiastici della Conferenza Episcopale Italiana.
Sant'Agostino, Cremona

Sant'Agostino is a gothic-style, Roman Catholic church located in Cremona, region of Lombardy, Italy. History The church we see incorporated a prior church of San Giacomo in Braida, and was erected between 1339 and 1345. It was once attached to a monastery of Augustinian monks. Further refurbishments of the interior occurred from 1553 to 1737. Between 1553 and 1559 the interior of the church was renovated, creating the vaults to cover the three aisles, thus hiding the original timber roof from sight. The church acquired extensive decoration. The main altarpiece is by Andrea Mainardi and depicts The Redeemer gives his blood to the Doctors of the Church (1594). The Cappella della Passione di Cristo is the second chapel on the right, and contains a statuary group depicting the Passion of Christ (1666) by Giovanni Battista Barberini. The third chapel on the right is the Cappella Cavalcabò. In 1447, Giovanni Cavalcabo had the chapel decorated. The work is attributed to Bonifacio Bembo. It includes a fresco from the ducal chapel. In 1460, Bembo was commissioned by Francesco Sforza to paint a portrait of him and his wife. The portraits originally hung on pillars outside of the chapel of SS Daria and Grisante. They were then transferred onto canvas and moved inside the chapel itself where they both hang today. In 1490 Pietro Perugino painted a panel altarpiece Madonna and Child between Saints John Evangelist and Augustine. Giovanni Battista Leonetti was appointed organist at the church in 1617. Notes References
Église Sant'Agostino de Crémone

L'église Sant'Agostino (chiesa di Sant'Agostino) est une église catholique romaine de style gothique située à Crémone en Lombardie en Italie. Elle conserve l'œuvre du Pérugin, La Vierge à l'Enfant entre les saints Jean et Augustin. Histoire L'église qui incorporait une église antérieure dédiée à San Giacomo in Braida et a été érigée entre 1339 et 1345 et était rattachée à un monastère de moines augustins. Des rénovations de l'intérieur ont lieu de 1553 à 1737. Entre 1553 et 1559, l'intérieur de l'église est rénové avec la création de voûtes pour couvrir les trois nefs, masquant le toit en bois d'origine. Intérieur L'église comporte une abondante décoration. Le retable principal d'Andrea Mainardi représente Le Rédempteur donne son sang aux Docteurs de l'Église (1594). La deuxième chapelle à droite, la Cappella della Passione di Cristo, conserve un groupe statuaire représentant la Passion du Christ (1666) de Giovanni Battista Barberini (it). La troisième chapelle à droite, la Cappella Cavalcabò, comporte une décoration de Bonifacio Bembo. En 1460, Bembo est chargé par Francesco Sforza de peindre les portraits de lui et de sa femme ; transférés sur toile, ils sont tous deux accrochés dans la chapelle des saints Daria et Grisante. En 1490, Le Pérugin peint un retable représentant La Vierge à l'Enfant entre les saints Jean et Augustin. Giovanni Battista Leonetti est nommé organiste de l'église en 1617 . Bibliographie (it) Ettore Signori, Cremona, Istituto Italiano di Arti Grafiche, 1928. (it) Carla Bertinelli Spotti e Maria Teresa Mantovani, Cremona, momenti di storia cittadina, Turris editrice, 1996. (it) Mario Monteverdi, La chiesa di sant'Agostino in Cremona, Ente provinciale per il turismo, 1953. Notes et références Liens externes Ressource relative à l'architecture : LombardiaBeniCulturali Portail de l’architecture chrétienne Portail de la Renaissance Portail du XVIIIe siècle Portail de la Lombardie
Igreja de Sant'Agostino em Cremona

Sant'Agostino é uma igreja católica romana de estilo gótico localizada em Cremona, região da Lombardia, na Itália. História A igreja de Sant'Agostino incorporou a igreja de San Giacomo em Braida, sendo erguida entre 1339 e 1345. Outras reformas do interior ocorreram em 1553 e novamente em 1664. Fora anexada a um mosteiro eremítico de monges agostinianos, ocasião em que adquiriu ampla decoração, dentre as quais: Bianca Maria Visconti e Francesco Sforza, Cappella Cavalcabò ou terceira capela à direita, de Bonifacio Bembo (afresco destacado originalmente da capela ducal) Madona e o Menino entronizados entre os Santos João Evangelista e Agostinho (1490), retábulo de Pietro Perugino Cappella della Passione di Cristo, 2ª capela à direita, grupo de estátuas representando a Paixão de Cristo (1666) de Giovanni Battista Barberini Retábulo-mor representando O Redentor doa seu sangue aos Doutores da Igreja (1594) de Andrea Mainardi . Referências
Santa Maria Assunta e San Martino, Chiampo

Santa Maria Assunta e San Martino is a neoclassical-style, Roman Catholic parish church located in Chiampo, province of Vicenza, region of Veneto, Italy. History A chapel at the site, dedicated to San Martino, is documented since the fourth century. Over the years the devotion the Virgin grew. By 1460, it was an arcipretale church with other dependant parishes. The church was rebuilt in the early 19th century, and completed in 1852. The interior has a sculpted late-gothic-style ciborium. References
Sant'Agostino, Mondolfo

Sant'Agostino is a Roman Catholic church, located on Via Cavour in Mondolfo, region of Marche, Italy. History The church and convent was initially built in 13th century, when it was located just inside the town walls, near the Porta Santa Maria, and affiliated with the Augustinian order, likely derived from the Abbey of Piaggiolino. By 1427, Bella, the widow of Allevuccio Mencoli, and her daughter Antonia commissioned Gigliolo da Parma to paint frescoes in a chapel dedicated to St Anthony Abbot, patron of pilgrims. The church was damaged during the various conflicts in the region. In 1466, the comune funded reconstruction the church, using designs submitted by Antonio di Pietro of Vercelli, architect for Sigismondo Pandolfo Malatesta in Senigallia. The convent flourished at the end of the 15th and start of the 16th centuries. The church was refurbished and enlarged starting in 1586 - 1593, and rededicated to the Madonna del Soccorso. Construction lasted till the end of the 18th-century. In 1726 the facade gained three elegant portals; in 1732, the chapel of San Nicola da Tolentino was built; and in 1760, the apse rebuilt. The Chapel of St Nicola has a 17th-century canvas depicting San Nicola by an anonymous local painter and a Miracle of the Procession in time of the Plague with the Madonna and Child with Saints Nicola and Francis by Alessandro Tiarini. In the Church, a canvas depicting the Madonna della Gatta is a copy by his studio of a Federico Barocci painting. The third and fourth altarpieces (after 1621) depict St Anthony Abbot and Paul the Hermit and a Madonna and Child with St John the Baptist and John the Evangelist by Claudio Ridolfi. The fifth altar has an altarpiece depicting the Martyrdom of Saints Simon and Judas (1649) by Giovanni Francesco Guerrieri. The sixth altar on the right has 15 small canvases by an anonymous local 17th-century painter, depicting the Mysteries of the Rosary and an atavistic Byzantine 16th-century icon of the Madonna del Buon Consiglio. The church also has artworks by Girolamo Cialdieri, Giuliano Presutti, and Sebastiano Ceccarini. One of the courtyards has frescoed lunettes (17th century) depicting the Life of St Augustine. In 2015, the convent is used for cultural activities, including a museum. References
Santa Maria Assunta, Calcinate

Santa Maria Assunta, also dedicated to San Vittore, is a baroque-style, Roman Catholic parish church located in the town of Calcinate, province of Bergamo, region of Lombardy, Italy. History The church was designed by Filippo Juvarra and with a convex marble facade by Anton Maria Pirovano. The skyline of the facade and bell-tower is populated by an ebullient crowd of statues. Among the artworks in the church is a Madonna of the Assumption by Francesco Coghetti; and a dome fresco depicting Madonna giving the Scapular of Simon Stock to Pope Honorius III and a Crucifixion with Saints Valentine and Boniface both by Francesco Capella. The elaborate side altar (1762) was completed by Bartolomeo Manni the Younger, with stucco work by the brothers Muzio and Eugenio Camuzio. References
San Michele a Rovezzano

San Michele Arcangelo a Rovezzano is a Roman Catholic parish church located on Via Di S Michele A Rovezzano #4, in Florence, region of Tuscany, Italy. History An earlier church located outside of the walls of Florence was replaced in 1810 by the parish. The portico of the 17th century remains. The door may have been carved by Baccio d'Agnolo. The interior contained an altarpiece depicting an Enthroned Madonna and child, along with an Annunciation. It had a painted crucifix in the adjacent oratory of Sant'Agostino. The façade of the Canon's house, had a tabernacle with a terracotta statue of St Michael Archangel, in the style of Giovanni della Robbia. References
Chiesa di San Michele a Rovezzano

La chiesa di San Michele a Rovezzano è un luogo di culto cattolico che si trova nell'omonima via nel quartiere di Rovezzano, nella periferia est di Firenze. Descrizione e stile Documentata sin dal XII secolo, fu completamente rinnovata nel 1840. Di patronato dei Bartolini-Salimbeni, il cui stemma sul portale in pietra del Cinquecento è attribuito a Baccio d'Agnolo, conserva all'interno a croce latina una duecentesca Maestà o Madonna in trono con Angeli del Maestro della Maddalena sull'altare di sinistra, un San Michele in terracotta policroma, opera della bottega di Giovanni della Robbia (1520 circa) proveniente da un tabernacolo all'esterno della canonica, e all'altare maggiore un Crocifisso dipinto su tavola e sagomato (1400 circa), appartenente all'attigua Compagnia. Sulla volta a botte, stucchi ed affreschi decorativi ottocenteschi raffiguranti San Michele, la Fede, gli Apostoli. Altri progetti Wikibooks contiene testi o manuali sulla disposizione fonica dell'organo a canne Wikimedia Commons contiene immagini o altri file sulla chiesa di San Michele a Rovezzano Collegamenti esterni Fonte: scheda nei "Luoghi della Fede", Regione Toscana, su web.rete.toscana.it.
San Lorenzo di Valsanzibio

San Lorenzo di Valsanzibio is a Roman Catholic parish church in the frazione of Valsanzibio of the comune of Galzignano Terme, province of Padova, region of Veneto, Italy. History The first parish church in Valsanzibio was an ancient church dedicated to St Eusebius, former bishop of Vercelli. Since the pope fought Arian heresy, it is remarkable for a church of this name in former Lombard territory, a tribe known for Arianism. In the 17th-century, under venetian rule, the church was reconstructed. In 1687 under a procurator Barbarigo, the entire church was begun to be rebuilt in an opposite orientation. A neoclassic façade was added. The church in 2016 is deconsecrated and under restoration. References
San Domenico, Oria

San Domenico is a renaissance-style, former Roman Catholic church located in the town of Oria, province of Brindisi, Apulia, Italy. History Dominican friars had been in Oria since the 13th century. This church and convent was erected in 1572 by the Dominican order. The church was restored in 1765-1775 by Saverio Amodio, but by 1806, the convent had been suppressed and the monks expelled. The church remained consecrated but was again refurbished in 1897, this time with a Neoclassical façade. Above the portal is the symbol of the book and cane of the Dominicans In the Chapel of the Presentation at the Temple on the right is a polychrome stone altar (1670) with an altarpiece (1701) by G. Zullo. The Chapel of St Anne has a Birth of the Virgin altarpiece, while the Chapel of the Holy Sacrament has a Last Supper, both 17th-century works by unknown authors. The transept has two altars (circa 1718) attributed to Giuseppe Cino. These have altarpieces depicting San Domenico by Papagiorgio, and a Madonna of the Rosary. The Apse has paintings depicting the Annunciation, Pentecost, and the Heavenly Assumption of Mary in the Chapel of the Sacred heard there is a 17th-century Washing of Feet. The Chapel of St Vincent Ferrer houses a painting of the saint (1734) by D. Bianchi. References
San Giuseppe Sposo di Maria, Fanano

San Giuseppe Sposo di Maria is baroque-style, Roman Catholic parish church located in the town of Fanano in the province of Modena, region of Emilia-Romagna, Italy. History The church was built in 1619, along with the Collegio delle Scuole Pie, by Ottonello Ottonelli. The interiors are richly decorated with polychrome marble. Among the canvases in the interior are a Martyrdom of St Catherine of Alexandria by Guercino, and a Madonna della Ghiara attributed to Ludovico Lana. Other paintings are attributed to Pellegrino da Fanano and Girolamo Vanulli. The nave ceiling was painted by Fermo Forti. From the church there was a corridor accessing the city hall. References
Madonna della Neve, Acqui Terme

The Madonna della Neve or Chiesa della Madonnina is a late-baroque and early-neoclassical-style, Roman Catholic church located on Via Madonnina in Acqui Terme, province of Alessandria, region of Piedmont, Italy. History The church was begun in 1727 and completed in 1766. While the façade is sober, the interior is decorated with rococo richness. References