NoeFlandre/osm-polygon-wikidata-only huggingface dataset:
Villa Pisani, Montagnana

The Villa Pisani is a patrician villa outside the city walls of Montagnana, Veneto, northern Italy. Architecture It was designed by Italian Renaissance architect Andrea Palladio about 1552, for Cardinal Francesco Pisani. Pisani was also a patron of the painters Paolo Veronese and Giambattista Maganza and the sculptor Alessandro Vittoria, who provided sculptures of the Four Seasons for the villa, which is in fact provided with fireplaces to dispel winter chill. Unlike more typical Palladian villas – and their imitations in Britain, Germany and the United States – the Villa Pisani at Montagnana combines an urban front, facing a piazza of the comune, and, on the other side, a rural frontage extending into gardens, with an agricultural setting beyond. Unlike many of Palladio's villas in purely rural settings, it has an upper storey, set apart from more public reception rooms on the main floor; twin suites of apartments are accessed by twin oval staircases that flank the central recess on the garden side. On the exterior, little differentiation between floors is made: there is no obviously visible piano nobile. On the garden front, access to the park is from the central recessed portico only; a balustrade above a deep ditch keeps out informal wanderers. Construction of the villa was under way by September 1553, and it was complete in 1555. The central block is an uncompromising rectangle, with a pedimented tetrastyle portico, Ionic over Doric, that has been sunk into its wall-plane so that the columns are embedded half-columns. On the garden front, the similar structure instead forms a screen across the fronts of a recessed portico surmounted by a loggia, which become in single recessed central feature. The Doric frieze runs uninterrupted round the building, further binding all elements together. There are no surviving autograph drawings related to this project. However, Palladio published a version of the building in his I quattro libri dell'architettura. The woodcut shows an idealized, amplified form of the villa, in which the central block is flanked by arched gateway structures that end in tall, three-storey tower-like pavilions. Conservation In 1996, UNESCO included the Villa Pisani in the World Heritage Site "City of Vicenza and the Palladian Villas of the Veneto". The villa continues to be in private ownership. Influence on other buildings The Hammond-Harwood House in Annapolis, Maryland, Kinlet Hall in the United Kingdom, the old main building of the Ludwigsburg Palace, Drayton Hall in South Carolina, and Wilanów Palace in Warsaw were all inspired by Palladio's designs for the Villa Pisani. See also Palladian Villas of the Veneto Palladian architecture References External links Centro Internazionale di Studi Achitettura Andrea Palladio: Villa Pisani di Montagnana (in English and Italian)
Villa Pisani (Montagnana)

La villa Pisani est une maison patricienne de Montagnana (Vénétie) commandée par le cardinal Francesco Pisani et bâtie sur un projet établi en 1552 par André Palladio. Elle a été inscrite sur la liste du patrimoine mondial de l'UNESCO avec vingt-trois autres villas palladiennes de Vénétie. Les Pisani étaient une puissante et influente famille patricienne de la république de Venise, et François Pisani fut un mécène ami des peintres Paul Véronèse et Giambattista Maganza, du sculpteur Alessandro Vittoria et de Palladio lui-même, ces deux derniers ayant participé à la construction et à la décoration de la villa de Montagnana. Le chantier s'est très probablement étalé de septembre 1553 à 1555, y compris la décoration intérieure. L'édifice est aussi bien un palais urbain qu'une résidence suburbaine, et un exemple intéressant de la type stylistique de Palladio. Dénué de partie dédiée à des fonctions agricoles, d'une beauté abstraite contenue dans un volume à peu près cubique, la villa Pisani reflète bien le goût sophistiqué de son propriétaire. Pour la première fois dans une villa, deux ordres de colonnes engagées sont superposés et surmontés d'un fronton, solution déjà adoptée pour le palais Chiericati. Le bâtiment est ceint d'une élégante frise dorique, qui sépare le rez-de-chaussée du premier étage. Le relief donné au portique et à la loggia supérieure anime la façade sur le jardin. Le matériau utilisé est la brique, même pour les colonnes. Bien qu'il n'existe plus de plan autographe de Palladio relatif à la villa, il est possible d'affirmer que la planche contenant la description de la maison dans les Quatre livres de l'architecture (1570) est le fruit d'un développement a posteriori du projet réalisé. Cas rare dans la production palladienne, la villa est à deux étages, le supérieur pour les appartements privés, l'inférieur pour les salles où se traitaient les affaires et étaient reçus les fermiers, pas uniquement utilisées durant la belle saison comme le prouvent les nombreuses cheminées. Les deux niveaux présentent la même disposition des espaces internes. Par contre, les couvertures sont différentes, les salles du rez-de-chaussée étant voûtées, comme l'extraordinaire salle à colonnes engagées, qui unit le salon à l'entrée, de toute évidence la pièce la plus importante de la villa avec ses sculptures des Quatre saisons dues à Alessandro Vittoria, peu après qu'il eut participé à la décoration du palladien palais Thiene. Les raccords verticaux sont assurés par les escaliers en colimaçon ovales disposés symétriquement de chaque côté de la loggia donnant sur le jardin. Articles connexes Villas de Palladio en Vénétie Sources (it) Cet article est partiellement ou en totalité issu de l’article de Wikipédia en italien intitulé « Villa Pisani (Montagnana) » (voir la liste des auteurs). Liens externes Ressource relative à l'architecture : Liste du patrimoine mondial Portail de l’architecture et de l’urbanisme Portail de la Renaissance Portail du patrimoine mondial Portail de la Vénétie
Вилла Пизани (Монтаньяна)

Вилла Пизани, ныне Плакко (итал. Villa Pisani, ora Placco) — вилла (загородный дом), расположенная в Монтаньяне в провинции Падуя области Венето на севере Италии. Проект виллы создан в 1552 году выдающимся венецианским архитектором Андреа Палладио по заказу Франческо Пизани, кардинала и епископа, сына Джованни Пизани из семьи Пизани Моретта даль Банко. Вилла была построена между 1553 и 1555 годами недалеко от стен Монтаньаны. В 1996 году вилла вместе с другими постройками Палладио включена в список Всемирного наследия ЮНЕСКО «Города Виченца и Палладиевых вилл Венето» (Città di Vicenza e Ville Palladiane del Veneto). История Джованни Пизани, отец заказчика виллы Франческо Пизани, с 1516 года начал скупать участки земли в этой местности, позже Франческо продолжил эти покупки и в 1552 году приобрёл участок на пересечении двух дорог, обозначенный как место строительства нового здания. Проект заказали Палладио, который к тому времени приобрёл известность благодаря сотрудничеству с Даниэле Барбаро. Сам Пизани также был покровителем живописцев Паоло Веронезе и Джамбаттисты Маганцы, а также скульптора Алессандро Витториa, который предоставил для виллы скульптуры «Времена года». Строительство началось в сентябре 1553 года и было завершено в 1555 году. Архитектура В отличие от других типичных палладианских строений усадебный дом Пизани в Монтаньяне сочетает в себе городской фасад, выходящий на Площадь коммуны, и, с противоположной стороны, сельский фасад, обращённый в сады и сельскохозяйственную местность за пределами виллы. В апартаменты, расположенные на втором этаже, можно попасть по двойной овальной лестнице, которая обрамляет центральную нишу со стороны сада. Снаружи этажи практически не различаются: явно заметного «благородного этажа» (piano nobile) на фасаде не видно. Со стороны сада доступ в парк осуществляется только через центральный портик. Центральный корпус, прямоугольный в плане, оформлен по главному фасаду двухъярусным четырёхколонным портиком с треугольным фронтоном. Колонны — трёхчетвертные (слегка утопленные в стену): внизу дорического ордера, выше ионического. Дoрический фриз антаблемента первого яруса проходит вокруг здания, связывая все элементы воедино. Рисунки Палладио с автографами, связанные с этим проектом, не сохранились. Однако Палладио опубликовал проект виллы в своём трактате «Четыре книги об архитектуре» (1570). Гравюра трактата показывает несколько иную версию композиции здания: центральный корпус окружён арочными воротами, которые заканчиваются высокими трёхэтажными башнеобразными павильонами. Оба этажа имеют одинаковую планировку внутренних помещений. Потолки, однако, разные. На первом этаже они сводчатые, начиная с примечательной комнаты с полуколоннами, которая представляет собой нечто среднее между атриумом и залом, очевидно, самой важной комнатой дома со скульптурами «Времена года» Алессандро Витториа. Четыре аллегорические статуи установлены в нишах стен. Из атриума проход ведёт в лоджию с видом на сад. По двум винтовым лестницам можно попасть на второй этаж. Примечания
Villa Pisani, Montagnana

Vila Pisani je patricijska vila zunaj mestnega obzidja Montagnana, Benečija, severna Italija. Arhitektura Zasnoval ga je italijanski renesančni arhitekt Andrea Palladio okoli leta 1552 za kardinala Francesca Pisanija. Pisani je bil tudi pokrovitelj slikarjev Paola Veroneseja in Giambattiste Maganze ter kiparja Alessandra Vittorie, ki je poskrbel za skulpture štirih letnih časov za vilo, ki je v resnici opremljena s kamini, ki preženejo zimski mraz. Za razliko od bolj tipičnih paladijevskih vil – in njihovih imitacij v Veliki Britaniji, Nemčiji in Združenih državah – Vila Pisani v Montagnani združuje urbano pročelje, obrnjeno proti trgu občine in na drugi strani podeželsko pročelje, ki se razteza v vrtove, z kmetijsko okolje zunaj. Za razliko od mnogih Palladijevih vil v čisto podeželskih okoljih ima zgornje nadstropje, ki je ločeno od več javnih sprejemnih sob v glavnem nadstropju; dvojni apartmaji so dostopni po dvojnih ovalnih stopnicah, ki obkrožajo osrednjo nišo na vrtni strani. Na zunanjosti je razlika med nadstropji majhna: ni očitno vidnega piano nobile. Na sprednji strani vrta je dostop do parka samo z osrednjega poglobljenega portika; ograja nad globokim jarkom preprečuje neformalne potepuhe. Gradnja vile je potekala do septembra 1553 in je bila končana leta 1555. Osrednji blok je brezkompromisen pravokotnik s štiristilnim portikom s pedimentom, jonskim nad dorskim, ki je bil potopljen v stensko ravnino, tako da so stebri vdelani polstebri. Na sprednji strani vrta podobna struktura namesto tega tvori zaslon na sprednjih straneh vdolbine, nad katero je loža, ki postane ena sama vdolbina osrednjega elementa. Dorski friz teče neprekinjeno okoli stavbe in dodatno povezuje vse elemente. Ni ohranjenih avtogramskih risb, povezanih s tem projektom. Vendar je Palladio objavil različico stavbe v svoji I quattro libri dell'architettura. Lesorez prikazuje idealizirano, razširjeno obliko vile, v kateri je osrednji blok obdan z obokanimi prehodnimi strukturami, ki se končajo z visokimi, trinadstropnimi stolpom podobnimi paviljoni. Ohranjanje Leta 1996 je Unesco vilo Pisani uvrstil na seznam svetovne dediščine »Mesto Vicenza in paladijeve vile v Venetu«. Vila je še naprej v zasebni lasti. Vpliv na druge zgradbe Hiša Hammond-Harwood v Annapolisu v Marylandu, dvorana Kinlet v Združenem kraljestvu in palača Wilanów v Varšavi so bile navdihnjene s Palladijevim dizajnom za vilo Pisani. Sklici Zunanje povezave Centro Internazionale di Studi Achitettura Andrea Palladio: Villa Pisani di Montagnana
Santissima Trinità, Alcamo

Santissima Trinità ("Holy Trinity") is a Catholic church in Alcamo, in the province of Trapani. History The church was founded in 1552 by Angelo di Poto, a clergyman, on a piece of land given by the municipality, and it was a Parish from 1615 to 1639. The present one was built between 1746 and 1757, in substitution of another Church which stood at the north-eastern corner of the crossing between via Santissimo Salvatore and via Trinità. In 1571 they founded the homonymous Confraternity, which was assigned the Church by the General Vicar; its brethren had to say the Liturgy of the Hours, three times a year, on Christmas, on Easter and Pentecost. It was existing until 1615, when the Church was elected a Parish and its brethren left it. They associated some benefits and revenues (such as the Church of Saint Michael the Archangel, the Church of Saint Catherine and the Church of Our Lady of the Chain) to this Church in order to have a certain financial autonomy. On October 13, 1639, when there was the pastoral Visit of the new bishop of Mazara del Vallo (Don Giovanni Domenico Spinola), and he noticed that the new two parishes of Santissima Trinità and Saint Paul had financial difficulties, suppressed the parish of Santissima Trinità. This choice was due to the fact that the town was expanding along Corso 6 Aprile, towards the Saints Paul and Bartholomew's Church. In the Church only the night Congregation remained, but its members, noticing that their Church was going to ruin as time was passing by, decided to leave it and build a new one on the plain in front of it in 1746. The new Church was consecrated in 1757 and in 1771 it was embellished with stuccoes. Description and works The Church is with a nave, three altars and a small chapel. Inside it there are the following works: The Most Holy Trinity: a painting, probable work of the 17th century, representing the Holy Trinity, on the high altar Mary Help of Christians (Maria Santissima Ausiliatrice) with Saint Giovanni Bosco, a painting made in 1943 by the Franciscan Sisters of Mary in Rome The Holy Heart of Jesus (Sacro Cuore di Gesù), a painting made in 1943 by the Franciscan Sisters of Mary in Rome Our Lady of Sorrows, a statue placed in a small chapel on the left. See also Catholic Church in Italy References Sources Carlo Cataldo, Guida storico-artistica dei beni culturali di Alcamo-Calatafimi-Cstellammare Golfo, p. 33, Sarograf, Alcamo, 1982. Bembina G. B.- Alcamo sacra, con note di Francesco Maria Mirabella, Pietro Maria Rocca; edizioni Accademia di Studi "Cielo D'Alcamo", Alcamo, 1956 External links https://web.archive.org/web/20150123034157/http://www.trapaniplus.it/schedacosedavedere.php?cosadavedere=143 http://www.parrocchie.it/alcamo/sanpaolo/storia.htm http://www.foto-sicilia.it/?StartRow=91&idfotografo=3162&citta=alcamo http://docplayer.it/7400205-Introduzione-comune-di-alcamo.html http://www.diocesi.trapani.it/component/option,com_wrapper/Itemid,225/%7COrari di apertura al pubblico per le Sante Messe
Chiesa della Santissima Trinità (Alcamo)

La chiesa della Santissima Trinità è una chiesa cattolica che si trova ad Alcamo, nella provincia di Trapani. Storia La chiesa venne fondata nel 1552 dal chierico Angelo di Poto su un appezzamento di terreno concesso dal Comune, e fu parrocchia dal 1615 al 1639. L'odierna chiesa fu edificata tra il 1746 e il 1757, in sostituzione di un'altra che sorgeva all'angolo nord-est dell'incrocio di via SS. Salvatore con via Trinità. Nel 1571 vi fu fondata l'omonima confraternita, a cui fu affidata la chiesa dal vicario Generale, e con l'impegno che i suoi confrati recitassero tre volte l'anno la Liturgia delle ore a Natale, Pasqua e Pentecoste. Essa continuò il suo operato fino al 1615, anno in cui la chiesa divenne parrocchia e i confrati lasciarono la chiesa. Le vennero aggregati alcuni benefici e rendite (fra cui le chiese di San Michele Arcangelo, di Santa Caterina, di Santa Maria della Catena) allo scopo di avere una certa autonomia finanziaria. Il 13 ottobre del 1639, in occasione della visita pastorale del nuovo vescovo di Mazara del Vallo (Don Giovanni Domenico Spinola), avendo notato che le due nuove parrocchie della SS. Trinità e di San Paolo avevano problemi di natura economica, soppresse la parrocchia della SS. Trinità. La scelta fu motivata dal fatto che la città si andava espandendo lungo il Corso 6 Aprile verso la chiesa di San Paolo. Nella chiesa della Santissima Trinità rimase solo la congregazione notturna, ma i congregati, notando col passare degli anni che la loro chiesa si andava rovinando, decisero di lasciarla e edificarne una nuova nel piano antistante nel 1746. La nuova chiesa della Trinità fu consacrata nel 1757 e nel 1771 fu adornata con stucchi. Descrizione La chiesa è a navata unica, con 3 altari e una cappelletta All'interno sono contenute le seguenti opere: tela raffigurante la Santissima Trinità, forse del '600, sull'altare maggiore; Maria Santissima Ausiliatrice con San Giovanni Bosco, tela realizzata nel 1943 dalle Suore Francescane di Maria in Roma; Sacro Cuore di Gesù, tela realizzata nel 1943 dalle Suore Francescane di Maria in Roma; statua dell'Addolorata, nella cappelletta a sinistra. Note Bibliografia Carlo Cataldo, Guida storico-artistica dei beni culturali di Alcamo-Calatafimi-Castellammare del Golfo, p. 33, Sarograf, Alcamo, 1982. Bembina G. B.- Alcamo sacra, con note di Francesco Maria Mirabella, Pietro Maria Rocca ; edizioni Accademia di Studi "Cielo D'Alcamo", Alcamo, 1956 Altri progetti Wikimedia Commons contiene immagini o altri file su chiesa della Santissima Trinità Collegamenti esterni https://web.archive.org/web/20150123034157/http://www.trapaniplus.it/schedacosedavedere.php?cosadavedere=143 https://www.parrocchie.it/alcamo/sanpaolo/storia.htm foto-sicilia.it, http://www.foto-sicilia.it/?StartRow=91&idfotografo=3162&citta=alcamo. docplayer.it, http://docplayer.it/7400205-Introduzione-comune-di-alcamo.html. Orari di apertura al pubblico per le Sante Messe, su diocesi.trapani.it.
Santuario della Madonna dei Prati, Roncole Verdi

The Sanctuary of the Madonna dei Prati (Our Lady of the Fields) is a 17th-century, Roman Catholic church, dedicated to Marian devotion, located a few kilometers outside of Busseto, in the frazione of Roncole Verdi, in the province of Parma, region of Emilia-Romagna, Italy. History The Sanctuary was erected in 1690-1696 under the designs of a local architect, Francesco Callegari. It was the site of a parish church till 1926, when it became a sanctuary due to the veneration by pilgrims of an icon of the Virgin, denominated Madonna dei Prati. However the church is likely most memorable for being the parish church near the birthplace of Giuseppe Verdi, and interlaced with some events of his early life. The rector of this church, Don Paolo Costa, was putatively the first mentor for musical training of a seven year old Verdi, who was born nearby. However, the rector Costa died soon after in 1820, and Verdi continued training under maestro Don Piero Baistrocchi. A more dramatic event occurred in 1828, during the local festival honoring the Madonna. Verdi was making his way to the event to sing in boys' choir when a lightning bolt struck the church, killing the two choirboys and four priests. Verdi had been late to arrive due to the storm. Some tellings of the events, say that one of the dead choirboys had bullied Verdi, and he had decreed a curse on him. This telling is not found on the official version. The interior of the church is otherwise of no great artistic interest, but the story can be read in many ways either as a warning to Verdi, who for many years was seen as anti-clerical, or as a sign of god's protection of the artist. The connection of the lightning strike to Verdi is not emphasized in the Diocese entry on the church. References
Chiesa di San Defendente (Esino Lario)

La chiesa di San Defendente è un piccolo edificio religioso situato ad Agueglio, località del comune di Esino Lario, in provincia di Lecco. Appartiene alla parrocchia di San Vittore. Dedicata a San Defendente, la chiesa si trova in un passo di montagna (passo di Agueglio) tra il Sasso di San Defendente (1326 m slm, a ovest) e il Sasso Mattolino e la Cima di Dasio (1508 e 1510 m slm, a est). È collocata lungo la strada provinciale 65 che collega Esino Lario ai comuni di Perledo, Parlasco e Cortenova. Altri progetti Wikimedia Commons contiene immagini o altri file su chiesetta di San Defendente Collegamenti esterni Chiesa di San Defendente, su BeWeB, Ufficio nazionale per i beni culturali ecclesiastici della Conferenza Episcopale Italiana.
Sint-Defendenskerk (Agueglio)

De Sint-Defendenskerk (Italiaans: Chiesetta di San Defendente) is een klein kerkgebouw in Agueglio in de gemeente Esino Lario in de Italiaanse provincie Lecco (regio Lombardije). De kerk bevindt zich in de parochie van San Vittore Martire en ligt bijna in het uiterste noorden van de gemeente Esino Lario en noorden van Agueglio. De kerk bevindt zich in een bergpas tussen de berg Sasso di San Defendente in het westen (gelegen aan het Comomeer) en in het oosten de Sasso Mattolino en de Cima di Dasio. Vanaf de pas heeft men in noordwestelijke uitzicht over het Comomeer. Over deze bergpas loopt de Strado Provinciale 65 di Esino van Esino Lario richting Parlasco, een van de twee wegen het dorp uit voor gemotoriseerd verkeer. Terwijl het grootste deel van deze route bebost is, bevinden zich rondom het kerkje open velden. Het gebouw is gewijd aan Sint-Defendens.
Oratorio di San Nicolao (Esino Lario)

L'oratorio di San Nicolao è una piccola chiesa, diventata nel 1979 sacrario dei caduti della prima e seconda guerra mondiale, che sorge a Esino Lario, in via don Giovanni Battista Rocca, all'inizio della Via Crucis dello scultore Michele Vedani. La chiesa, facente parte della parrocchia di San Vittore, è intitolata a San Nicola di Flüe, eremita patrono della Svizzera che, secondo la tradizione, portò la fede cristiana in queste terre. Al suo interno riposano le salme di alcuni esinesi caduti durante i due conflitti mondiali e la salma del generale di corpo d'armata Alfredo Mino, esinese, comandante generale dell'arma dei Carabinieri. Alle spalle dell'edificio sorge un piccolo parco al cui interno si trovano una statua raffigurante papa Pio IX e una lapide commemorativa a Michele Vedani. Altri progetti Wikimedia Commons contiene immagini o altri file su oratorio di San Nicolao Collegamenti esterni Oratorio di San Nicolao, su BeWeB, Ufficio nazionale per i beni culturali ecclesiastici della Conferenza Episcopale Italiana. Esino Lario. La Perla delle Grigne (PDF), Comune di Esino Lario. URL consultato il 27 maggio 2017.
Sint-Nicolaaskerk (Esino Lario)

De Sint-Nicolaaskerk (Italiaans: Chiesa di San Nicolao of Oratorio di San Nicolao e Sacrario dei caduti) is een kerkgebouw in Esino Lario in de Italiaanse provincie Lecco (regio Lombardije). De kerk bevindt zich in de parochie van San Vittore Martire en ligt aan de westzijde van het dorp een bergrug. Deze bergrug verbindt het dorp met de Sint-Victorkerk die westelijk van het dorp op een rotspunt is gebouwd. De kerk ligt op de splitsing van de rugweg (Via Parrocchiale Don Giovanni Battista Rocca) en de Via San Nicolao. Vanuit de kerk loopt er een weg richting de Sint-Victorkerk waarlangs kruiswegstaties geplaatst zijn. Het gebouw is gewijd aan Nicolaas van Flüe. Geschiedenis In 1979 werd de kerk omgevormd tot een militaire gedenkplaats. Opbouw Het gebouw is een zaalkerk met een halfronde apsis. Aan de zuidzijde van het gebouw is er een kleine klokkentoren vastgebouwd. Google Maps