NoeFlandre/osm-polygon-wikidata-only huggingface dataset:
Santi Gervasio e Protasio, Budrio

Santi Gervasio e Protasio is a Roman Catholic church located on Via Pieve #2, just outside of Budrio, province of Bologna, region of Emilia Romagna, Italy. History A church at the site was present since the 5th to 8th centuries, but many subsequent reconstructions have occurred, and the present church dates mostly to the 18th-century refurbishment. Documents from 1106 mention its designation by the bishop Vittore II as pieve or parish church for the community. The church acquired the privilege to perform a baptisms in 1406. In the lower areas of the apse, some of the original church can be glimpsed. The church is notable for housing an early Lombard Romanesque marble cross (dated 848), originally from a nearby oratory. The cross is engraved with intricate interlace designs and latin script dating it to the rule of Emperor Ludwig's son, Lothair I. The church has a baptismal font carved from the spolia of a late-Roman capital, as well as works by the Gandolfi family and the School of Guido Reni. The main altarpiece depicts the Martyrdom of Saints Gervasio e Protasio (1727-1732) painted by Giuseppe Marchesi (il Sansone). Gervasio was martyred by flagellation, while Protasio was decapitated. References
San Bartolomeo Apostolo, Fiumalbo

San Bartolomeo Apostolo is Roman Catholic parish church located in the town of Fiumalbo, province of Modena, in the region of Emilia-Romagna, Italy. History A Romanesque church at the site has been documented since 1220. The church was reconstructed and reoriented from 1589 to 1592, with further work in 1630 and 1826. The apse remains of the earlier church. The main portal (1594) is made from carved stone. The interior has a nave and two aisles. The wooden ceiling is baroque. The walls contain sculpted spolia from the earlier church, including behind the main altar a relief depicting a lady on horseback with a warrior, which is said to depict Matilde di Canossa and the count Guido Guerra I, at the Battle of Sorbara. The church has a Madonna and Child, Young John the Baptist and Saints by Camillo Gavasseti. In the choir is a depiction of a Martyrdom of St Bartholemew by Adeodato Malatesta. The nearby Oratory of St Roch has paintings by maestro Savallino da Carpi, eseguiti nel 1535. On August 23–24 for the Feast of Saint Bartholomew, the festival of the saint includes a candlelight procession through the town to this church. References
Chiesa di San Bartolomeo Apostolo (Fiumalbo)

La chiesa di San Bartolomeo Apostolo è la parrocchiale di Fiumalbo, in provincia di Modena ed arcidiocesi di Modena-Nonantola; fa parte del vicariato del Cimone. Storia La prima citazione di una cappella a Fiumalbo risale al 1197 ed è da ricercarsi in un documento in cui si attesta che gli abitanti del paese ed il curato giurarono che sarebbero rimasti fedeli alla città di Modena. Questa chiesetta fu riedificata nel 1220. Non si hanno notizie riguardo alla chiesa di Fiumalbo sino al Cinquecento. La nuova chiesa venne costruita perpendicolarmente a quella precedente tra il 1588 e il 1592.L'edificio fu poi ampliato nel 1631 e nel XVIII secolo si realizzò il soffitto a cassettoni. Nel 1826 vennero innalzate otto cappelle laterali e furono ingranditi il presbiterio, il coro e parte della navata. Il sisma del 7 settembre 1920 danneggiò l'edificio, che nel 1926 venne ristrutturato. Descrizione Esterni I resti dell'abside sono quelli della chiesa precedente. Il portale principale (1594) è in pietra scolpita. Interni L'interno è a tre navate. Il soffitto ligneo è barocco. Le pareti conservano tracce scolpite della chiesa precedente, tra cui dietro l'altare maggiore un altorilievo raffigurante una dama a cavallo con un guerriero, che si dice raffiguri Matilde di Canossa e il margravio di Toscana Guido Guerra, nella battaglia di Sorbara. Qui sono conservate diverse opere di pregio, tra le quali una croce astile in argento di bottega romana realizzata nel 1747, una pala seicentesca raffigurante la Madonna col Bambino, San Giovannino e santi, eseguita dal modenese Camillo Gavasetti, la tela con soggetto il Martirio di San Bartolomeo, dipinto da Adeodato Malatesta nell'anno 1837, il quadro di un'anonima bottega toscana del Cinquecento con il Redentore, la croce astile in lamina di argento con raffigurazioni degli Evangelisti, del Crocifisso e del Padre Eterno, realizzata da Jacopo e da Antonio da Porto nel 1494 e la statua argentea della Madonna, scolpita da Paolo Borroni. Note Voci correlate Fiumalbo Arcidiocesi di Modena-Nonantola Parrocchie dell'arcidiocesi di Modena-Nonantola Appennino tosco-emiliano Pievepelago Riolunato Pieve di Santa Maria Assunta (Pievepelago) Altri progetti Wikimedia Commons contiene immagini o altri file sulla chiesa di San Bartolomeo Apostolo Collegamenti esterni Parrocchia di S. BARTOLOMEO APOSTOLO, su parrocchiemap.it. URL consultato l'11 settembre 2020. Chiesa di S. Bartolomeo, su catalogo.beniculturali.it. URL consultato il 2 agosto 2022.
Chiesa del Cristo, Venafro

The Chiesa del Cristo is a Renaissance-style church located on the center square of Venafro, province of Isernia, region of Molise, Italy. History The church was erected in 1545 by the Confraternity of the Eucharist for the ill, a group that sponsored a local hospice. Hoping to avoid the disease, they had abandoned the Venafro Cathedral during the plague to this then more rural location in the parish of San Giovanni De Graecis, In 1650, the building was refurbished and enlarged, and the old church became merely the presbytery and sacristy. The entrance and facade were given a scenic entrance with stairs and balustrade. The church was reconsecrated in 1790 and once held the silver reliquary with the head of San Nicandro. The interiors have a single nave, decorated in Baroque style. References
Sant’Andrea Apostolo (Subiaco)

Die Basilika Sant’Andrea Apostolo ist eine römisch-katholische Kirche im Subiaco in der Metropolitanstadt Rom, Italien. Die Pfarrkirche des Bistums Tivoli trägt den Titel einer Basilica minor. Sie wurde im späten 18. Jahrhundert im Stil des Klassizismus erbaut und bis 1952 nach den Kriegsschäden rekonstruiert. Geschichte Im Juni 1773 erhielt Kardinal Giovanni Angelo Braschi die Territorialabtei Subiaco als Kommendatarabt, nach einigen Jahren wurde er 1775 zum Papst mit dem Namen Pius VI. gewählt. Anstelle einer bestehenden Kirche ließ er im Jahr 1776 den Bau der neuen Kirche Sant’Andrea beginnen, die er 1789 weihte. Die Fassade wurde 1795 ergänzt. Von 1892 bis 2002 diente die Kirche als Konkathedrale der Territorialabtei Subiaco. In dieser Zeit wurde sie 1944 bei Bombardierungen im Zweiten Weltkrieg wesentlich zerstört und bis 1952 von den Grundmauern aus rekonstruiert, die Ausgestaltung erfolgte nach vorhandenen Plänen und Zeichnungen. Dazu verlieh ihr durch Papst Pius XII. im Jahr der Wiederfertigstellung den Titel einer Basilica minor. Architektur Die klassizistische Fassade stammt aus dem Jahr 1795 und besteht aus zwei übereinanderliegenden Ebenen, die in einem dreieckigen Tympanon enden. Die untere Ebene besteht aus sechs Säulen und drei Portalen, durch die man die Kirche betritt. Auf der zweiten Ebene befindet sich die Segensloggia. Die obere Ordnung besteht aus vier Säulen und einer Balustrade mit einer Segensloggia in der Mitte, von dieser Loggia aus segneten die Päpste Pius VI., Gregor XVI. und Pius IX. die Bevölkerung von Subiaco. Oben befindet sich ein Tympanon mit dem Wappen von Papst Pius VI. in der Mitte. An den Seiten erheben sich zwei Glockentürme, von denen einer die große Glocke von 1760 trägt. Die Saalkirche mit Querhaus erhielt einen kreuzförmigen Grundriss mit Seitenkapellen. Das Innere besteht aus einem einzigen Kirchenschiff. Der Chor mit Apsis ist vom Kirchenschiff durch ein Querschiff getrennt, das von einer Vierungskuppel ohne Tambour überragt wird. Die Kirche ist von einem Tonnengewölbe bedeckt. Ausstattung In der Apsis steht der imposante päpstliche Thron aus Edelholz, rechts die große Orgel mit etwa 5000 Pfeifen, die in zwei Komplexen an den Seiten des Chors verteilt sind. Die Kirche ist reich an Kunstwerken verschiedener Künstler wie Sebastiano Conca (1698–1765), Bernardo Cavallino (1622–1649), Cristoforo Unterperger (1732–1798) und Carlo Dolci (1616–1686). Diese wurden nach den Kriegsschäden von Benedetto Tozzi renoviert. Die Glocke in dem einen der beiden Türme wurde bereits 1760 für St. Scholastika gegossen. Weblinks Einzelnachweise
Basilica of Sant'Andrea, Subiaco

The Basilica di Sant’Andrea Apostolo is an 18th-century, Neoclassical-style, Roman Catholic co-cathedral in the town of Subiaco, region of Lazio, Italy. The church replaced an earlier church dedicated to Saint Abundius, and was consecrated by Pope Pius VI in 1789. The pope's coat of arms is depicted in the tympanum above the main portal. The frescoes in the prior church, completed by Manente and Caracci, were not preserved. The church was nearly destroyed during World War II, and rebuilt as before in the 1950s. References
Santa Maria Assunta, Polinago

Santa Maria Assunta is Roman Catholic parish church located in the frazione of Cinghianello, outside of the town of Polinago in the region of Emilia-Romagna, Italy. History A church at this panoramic site is documented since 1073, patronized likely by Matilda of Canossa; but the present structure dates from 1510, as recalled in an inscription on the main portal. The present facade, with three orders and a central oculus, was erected only in 1842. It underwent a major restoration in 1891, with the erection of a new bell-tower at the site of a prior campanile. The adjacent oratory, dedicated to Santa Maria Bambina, was being decorated in August 1896 by professor Luigi Manzini from the Academy of Modena, when the painter died in a fall from a scaffold. This Manzini is likely a descendant of Luigi Manzini (died 1866) or his brother, Ferdinand Manzini, both painters from Modena. The oratory was designed by Carlo Barbieri and completed in 1898. The frescoes were ultimately completed by Battista Cortelloni. The external bas reliefs (1845) depict the Garden of Eden, the Curse of the Serpent, the image of Mary as a child on a golden throne. The images tie in with the cult of the Immaculate Conception. The church underwent a major refurbishment in the 18th century, In 1799 it acquired an organ (1500) built by Baldassarre Malamini. References
Chiesa di Santa Maria Assunta (Polinago)

La chiesa di Santa Maria Assunta, nota anche come chiesa della Beata Vergine Assunta, è la parrocchiale di Polinago, in provincia di Modena ed arcidiocesi di Modena-Nonantola; fa parte del vicariato di Pavullo nel Frignano. Storia La prima citazione della pieve di Polinago, che era stata costruita probabilmente nel XII secolo, risale al 1305; allora, le sue filiali erano le chiese di Mocogno, Cinghianello, Casale e Cadignano. L'attuale parrocchiale venne edificata all'inizio del XVI secolo e modificata nel Seicento. Il 14 luglio 1811 un terremoto danneggiò sia la chiesa che il campanile, i quali subirono, pertanto, un restauro. Nel XIX secolo l'edificio venne ristrutturato ed ampliato su iniziativa del parroco don Casolari; nel 1891 fu eretto il nuovo campanile. Nel 1957 venne rifatto il tetto della navata centrale e, nel 1975, fu restaurato il vecchio campaniletto. Note Voci correlate Polinago Arcidiocesi di Modena-Nonantola Regione ecclesiastica Emilia-Romagna Parrocchie dell'arcidiocesi di Modena-Nonantola Collegamenti esterni Parrocchia di SANTA MARIA ASSUNTA, su parrocchiemap.it.
Santa Maria della Manna d'Oro, Spoleto

Santa Maria della Manna d'Oro is a renaissance-style, former sanctuary-church located in the center of Spoleto, Province of Perugia, region of Umbria, Italy. The church faces the piazza del Duomo. A sanctuary dedicated to the Vergine della Misericordia existed at the site, but because it was dilapidated and because the city had escaped sacking by the Imperial troops in 1527, the merchants in the commune decided to refurbish the church. It is also said that Spoleto merchants profited from trading with the imperial forces, hence the surname manna of gold. It was built with an octagonal dome above a plain square base, and the interior space reflects the octagonal layout. Construction began in 1527, but was not complete until the early 17th century. The interior is now used for exhibition space and houses an elaborate baptismal font originally from the cathedral, and some canvases by Sebastiano Conca. AA.VV., References
Sanctuary of the Madonna de' Piternis, Cervaro

The Sanctuary of the Madonna de' Piternis is a Roman Catholic church just outside of the town of Cervaro, near the base of Monte Aquilone, province of Frosinone, region of Lazio, Italy. History A chapel at the site was present before the year 1000, at a site were a shepherdess received a Marian apparition. A church was built in 1399, and consecrated in 1408, to shelter the aedicule with an image of the Madonna. The title of the Madonna is somewhat mysterious. The church has undergone a number of refurbishments, the last in 1692. The interior contains frescoes from the 15th and 16th centuries. The apse has a fresco of Christ Pantocrator surrounded by apostles and saints. By the entrance is a fresco of the Madonna del Latte, while the left wall has a 15th-century Madonna appearing to a peasant girl. References
San Marco Evangelista, Osimo

San Marco Evangelista is a Roman Catholic church in the town of Osimo, region of Marche, Italy. History A church at the site, dedicated to Saint Mark the Evangelist, was erected in the 14th century by the Augustinian order adjacent to their convent, later becoming a hospital for the poor. The church underwent restoration after the church passed in the 15th century to the care of the Dominican order, who officiated in the church from 1428 to 1920. The interiors are now baroque in style The interior conserves a number of artworks, including a 15th-century fresco in a lateral altar depicting the Enthroned Madonna with Child and Saints Dominic and Peter Martyr attributed by some to Arcangelo di Cola of Camerino or Pietro di Domenico of Montepulciano. In the choir is an altarpiece depicting the Madonna of the Rosary with St Dominic and Catherine of Siena (1642) by Guercino. References
San Pietro in Valle, Fano

San Pietro in Valle is a baroque-style church located on Via Nolfi/Via San Francesco in the town of Fano, province of Pesaro and Urbino in the Marche region of Italy. History A more ancient church dedicated to St Peter had been located at this spot, in the incline (ad vallum) between the old Roman town and the coast. The location gave the church an original name that changed into in valle. The present church was erected by the Oratorians, who called on Giovanni Battista Cavagna from Naples to design the church just after 1608 until his death in 1613. The church was consecrated in 1617. The facade remain incomplete, although the interior is rich in decoration. The dome was built (1696) atop an octagonal tiburium by Girolamo Caccia, and decorated on the interior by Lauro Buonaguardia in 1699-1700. The stucco-work (1619) was completed by Pietro Solari, while the frescoes were painted (1618-1620) by Antonio Viviani of Urbino, who painted Meeting of St Peter and Paul, Crucifixion of St Peter, Glory of St Peter, St Peter lies about Jesus, Fall of Simon Magus, Christ walks on Water, Quo Vadis, and Embarcation of St Paul in Malta. Some of the sculptural main altar decoration (1710) is by Giorgio Ferretti. Most of the original altarpieces of the church have mainly been moved to the Pinacoteca Civica. Viviani also painted an Annunciation in the presbytery and two canvases in the chapel of St Paul (Fall and Decapitation of St Paul). The third chape on the left has a canvas depicting St Paul resuscitates Eutichius by Lorenzo Garbieri. The first chapel on the left, has an Annunciation (1621) by Guido Reni. The first chapel on the right has an altarpiece depicting the Virgin appears to St Phillip Neri (1699) by Luigi Garzi. The third chapel on the right has two canvases depicting a Crucifixion and Deposition by Alessandro Vitali, placed adjacent to a wooden Crucifix by Pietro Liberi. The Second chapel on the right has a Birth and Decapitation of St John the Baptist by Gian Giacomo Pandolfi. At one time, this chapel also held a St John the Baptist by Guercino, looted by Napoleonic forces. It now has a Birth of the Baptist by Sebastiano Ceccarini. The same painter also painted a Sermon of St John the Baptist (1782) now in the sacristy as a companion piece. The first chapel on the left has a Flight from Egypt from Francesco Gabuzio; and a Dream of St Joseph (1631) by Giovanni Francesco Guerrieri. Gabuzio also painted for the second chapel on the left, the canvases depicting the Vision of St Carlo Borromeo, St Charles received by the Petrucci dressed as beggars, and St Charles heals the blind child. The original main altarpiece by Guido Reni, depicting the Consignment to St Peter of the Keys (1626) was also looted by the French. It is now replaced by a copy by Carlo Magini. Other canvases that were also present were St Peter heals the Deaf by Simone Cantarini and St Peter resuscitates Tabitha by Matteo Loves. They are now in the Pinacoteca Civica di Fano or the Pinacoteca San Domenico. The church has a 16th-century bronze bust of St Peter. References
San Biagio, Castelraimondo

San Biagio is a Roman Catholic church located in Castelraimondo, province of Macerata, in the region of Marche, Italy. Details on the foundation of the church are slim. It was likely erected at the site of a former church inside the castle walls. The church utilizes the castle guard tower as one of its bell-towers. The church is mentioned in documents by 1330. The earthquake of 1799 caused damage, and the church underwent a major reconstruction commissioned in 1802 by Cardinal Giuseppe Doria Pamphili, and with recommendations by the architect Giacomo Cansoni. A fire in 1906, led to further reconstruction and modifications. The façade is in brick and stucco, while the flanks are in stone. References
Santa Lucia, Gallicano

Santa Lucia is a Roman Catholic church in the town of Gallicano, region of Tuscany, Italy. The church is documented in the 12th century as being under the control of the Abbey of Frassinoro. It was located near the castle and close to the ancient parish church of Santi Giovanni e Cassiano. An earthquake in 1721 compelled reconstruction. The interior has a 16th-century wooden icon of St Lucy. References
San Vittore, Calcio

San Vittore is a neoclassical-style Roman Catholic parish church in the town of Calcio, province of Bergamo, region of Lombardy, Italy. History Construction of the church began in 1770, but was interrupted in 1792, and not restarted until 1833. The designs of an architect Bianconi were not complete until 1880. The facade was finished with an accumulation of pilasters; the roofline has statues by Belcaro. The elaborate interiors were completed in the late 19th and early twentieth century. The spandrels were originally painted by Trecourt and then refurbished in 1876 by Antonio Guadagnini. The stucco statues of the apostles were completed by Gerolamo Count Oldofredi Tadini of Calcio. Many of the altarpieces derive from suppressed or razed churches in the region, and include works by Enea Salmeggia and a Mystical Marriage of St Catherine by Marco Antonio Mainardi. The ceiling and apse frescoes (1934) were completed by Umberto Marigliani. References
Kathedrale von Ragusa

Die Kathedrale San Giovanni Battista in Ragusa ist die Kathedrale des Bistums Ragusa, einer Diözese in der Kirchenprovinz Syrakus der Kirchenregion Sizilien der Römisch-katholischen Kirche. Nach dem Erdbeben von 1693 wurde die Oberstadt neu angelegt und von 1706 an die großzügig geplante Pfarrkirche errichtet, die 1760 vollendet wurde. Die gedrungen wirkende Kirche ist im Inneren durch ihre glatten Säulen charakterisiert. Die Ausstattung stammt aus dem 19. und 20. Jahrhundert. Seit 1950 ist die Kirche Kathedralkirche des Bistums. Literatur Giuseppe Bellafiore: La civiltà artistica della Sicilia dalla preistoria ad oggi. Le Monnier, Firenze 1963, S. 234. Weblinks
Ragusa Cathedral

Ragusa Cathedral (Italian: Duomo di Ragusa, Cattedrale di San Giovanni Battista) is a Roman Catholic cathedral in Ragusa, Sicily, dedicated to Saint John the Baptist. The present church dates from the early 18th century. It has been the seat of the Bishops of Ragusa since the establishment of the diocese in 1950. History A church of San Giovanni Battista stood before the 1693 Sicily earthquake in the west of the old town of Ragusa (Ragusa Ibla) under the walls of a medieval castle, where there now stands the church of St. Agnes. Severely damaged by the earthquake, it was rebuilt at the center of the new upper town of Ragusa in the district of "Patro". On 15 April 1694 the foundation stone was laid. The church was finished after just four months, so that on 16 August the same year it was opened for worship in a solemn ceremony which was attended by all the elders of the county. The short time it took for the building indicates that it was a small church, inadequate to the needs of the new district. In 1718, therefore, the construction on the site of a larger church began. Two master builders of Acireale, Giuseppe Recupero and Giovanni Arcidiacono, oversaw the project, and some architectural details of the church of San Giovanni are typical of the Baroque monuments of Acireale and Catania, such as the monumental Baroque main entrance with rusticated columns, which has significant similarities with the marble door of Acireale Cathedral. The interior dates from the 19th and 20th centuries. In 1950 the church became the cathedral of the newly created Diocese of Ragusa. References External links Catholic Hierarchy: Diocese of Ragusa
Catedral de San Juan Bautista (Ragusa)

La catedral de San Juan Bautista​ o simplemente catedral de Ragusa​ (en italiano: Cattedrale di S. Giovanni Battista)​ es una catedral católica en Ragusa, Sicilia, en Italia​ que está dedicada a San Juan Bautista. La iglesia actual data de principios del siglo XVIII. Ha sido la sede de los obispos de Ragusa desde el establecimiento de la diócesis en 1950. Una iglesia de San Giovanni Battista se levantó antes del terremoto de Sicilia de 1693 en el oeste del casco antiguo de Ragusa (Ragusa Ibla) bajo las paredes de un castillo medieval, donde ahora se levanta la iglesia de Santa Inés. Severamente dañada por un terremoto, fue reconstruida en el centro de la nueva ciudad alta de Ragusa en el distrito de "Patro". El 15 de abril de 1694 se colocó la primera piedra. La iglesia fue terminada después de solo cuatro meses, de modo que el 16 de agosto del mismo año se abrió para el culto en una ceremonia solemne a la que asistieron todos los ancianos del Condado. El interior del templo actual data de los siglos XIX y XX. En 1950 la iglesia se convirtió en la catedral de la entonces recientemente creada diócesis de Ragusa. Véase también Iglesia católica Catedral de San Juan Bautista Referencias