NoeFlandre/osm-polygon-wikidata-only huggingface dataset:
Palestra, Olimpija

Palestra v Olimpiji je antična zgradba v Olimpiji, v Grčiji, v okviru gimnazije v svetišču. Je šestinšestdeset metrska kvadratna zgradba, ki datira v konec 3. oziroma začetek 2. stoletja pred našim štetjem. Palestra je bila v antični Grčiji namenjena usposabljanju rokoborcev in drugih športnikov. Arhitektura Palestra je natančno orientirana na kardinalne točke in je zelo simetrična v tlorisu. Kot vse palestre, je palestra pri Olimpiji osredotočen na veliko dvorišče, posuto s peskom za uporabo površina za boks ali rokoborbo. Ob vseh štirih straneh palestre so sobe odprte v portik. V zgradbo se vstopa na južni strani preko dveh ločenih vhodov, vsak s korintskimi stebri distyle in antis, torej takoj vzpostavljena simetrija v okviru tlorisa strukture. Vhod je odprt v s klopmi opremljeno preddverje, ki vodi do predsob, ki se odpirajo neposredno na južni portik. Med dvema predsobama je dolga, plitva dvorana obložena s klopmi in jonskimi stebri. Ta dvorana je opredeljena kot apodyterion ali garderoba, prostor, ki mora biti blizu glavnega vhoda in prostor za športnike in srečevanje prijateljev. Neposredno nasproti apodyteriona, vzdolž severne strani palestre, je ephebion ali klubska soba. Ta velika kolonadna dvorana je globlja od apodyteriona vendar ne teče po celotni dolžini dvorišča. Celotna severna stran palestre ima poglobljene sobe, katerih funkcija, po Vitruviju, je ponuditi zavetje pred soncem. Tudi na severni strani objekta je vhod, ki vodi neposredno v preostali dele sosednje gimnazije. Prostor, v severovzhodnem kotu palestre naj bi bila kopalnica. Prostor obložen z opeko, kvadrat s stranico 4 m in 1,38 metra globok, je rezervoar datiran v rimsko obdobje. Nenavadna značilnost palestre je 24,20 x 5,44 metra dolg betonski tlak na severni strani dvorišča, ki je oblikovan z izmeničnimi pasovi rebrastih in gladkih ploščic, ki urejene ustvarjajo neprekinjene grebene. To je bilo verjetno nekakšno kegljišče, kot je podoben tlak znan iz Pomejev, za igranje s težkimi kamnitimi kroglami. Nemogoče je reči, čemu so služili drugi prostori s portiki. Ker Olimpija ni imela stalnega prebivalstva, palestra in gimnazija nista imeli prostorov za predavanja ali intelektualni diskurz in so bili ti uporabljeni predvsem tekmovalce tempeljskih iger. V šestih sobah najdemo kamnite klopi, ki so jih zagotovo uporabljali športniki in gledalci in ne intelektualci. Med neznane sobe v palestri so prostori, podobni elaiothesion ali oljarna, konisterion ali opraševalna soba, prostor za shranjevanje športnih rekvizitov in nekaj sphairisteria, sobe ali odprta igrišča za igro z žogo. Zunanje povezave Perseus Digital Library, Olympia
Въздвижение на Светия кръст (Сокол)

„Въздвижение на Светия кръст“ (на гръцки: Ιερός Ναός Τιμίου Σταυρού) е православна църква в сярското село Сокол (Сикия), Егейска Македония, Гърция, енорийски храм на Сярската и Нигритска епархия на Вселенската патриаршия. История Църквата е построена в центъра селото в 1955 година с дарения на енориашите. В архитектурно отношение е малка еднокорабна базилика. Всички вътрешни повърхности са изписани със стенописи. Към енорията принадлежи и храмът „Света Атанасий“, разположен извън селото. Бележки
Свети Антоний (Орляк)

„Свети Антоний“ (на гръцки: Ιερός Ναός Αγίου Αντωνίου) е православна църква в сярското село Орляк (Стримонико), Егейска Македония, Гърция, енорийски храм на Сярската и Нигритска епархия на Вселенската патриаршия. История Църквата е построена в центъра на селото в 1703 година. Църквата е унищожена от пожар, възникнал на 12 февруари 1982 година. Възстановена е като кръстокуполна базилика. Към енорията принадлежи и храмът „Св. св. Кирил и Методий“, „Свети Илия“, „Света Неделя“, „Света Варвара“ и „Свети Харалампий“. Бележки
Church of the Pantanassa, Athens

The Church of the Pantanassa (Greek: Εκκλησία της Παντανάσσης), also known as the Dormition of the Theotokos (Ιερός Ναός Κοιμήσεως της Θεοτόκου), is the 10th-century katholikon of a now-vanished monastery in Monastiraki Square, between Athinas and Mitropoleos streets, facing the Monastiraki station, in central Athens, Greece. The church was known as the Great Monastery, and then later as monastiraki ("little monastery"), which eventually became the name of the whole area. See also List of Eastern Orthodox church buildings in Greece Tsisdarakis Mosque References External links Media related to Panagia Pantanassa (Athens) at Wikimedia Commons Pantanassa - Athens24 Guide Monastiraki Photo Guide
Nafpaktiakos Asteras F.C.

Nafpaktiakos Asteras (Greek: Π.Α.Σ. Ναυπακτιακός Αστέρας) is a Greek football club based in the town of Nafpaktos, Greece. History It was formed by the conjunction of two former clubs of the city: Nafpaktiakos and Asteras Nafpaktou, in 1958. The club's (full name: "Papacharalambeios Athlitikos Syllogos Nafpaktiakos Asteras"), as well as the team's home stadium (Papacharalabeio Ethniko Stadio), are named in the honour of Dimitrios Papacharalambous, a benefactor of the city. Playing matches in local leagues until 1981, the club was promoted to the National Amateur Division - one below Beta Ethniki at that time - where it remained for a period of 3 years, only to be relegated again into local leagues, where in its turn remained for 10 years. In 1991, Nafpaktiakos Asteras gained promotion to Delta Ethniki. After 6 years, it gained promotion to Gamma Ethniki. Following 3 years in that division, the club reached Beta Ethniki, but only to remain there for a year. Then, in the 2002–03 season, it was relegated to Delta Ethniki. In the 2006–07 season it competed in Gamma Ethniki, but it was relegated finishing 16th. In the summer of 2011, Nafpaktiakos Asteras merged with Akadimia Nafpaktou and the new club competed in the local A1 league for 2011–12 season. In the 2016–17 season, it went out third in a group to rise to Greece's third category. Most of its footballers not only originate from Naupactus, which offers them an extra motive to play, but also are of a young age, offering the club continuity and bright future.
Papadiamantis-Museum

Das Papadiamantis-Museum (griechisch Μουσείο Παπαδιαμάντη, Mousio Papadiamanti) ist ein historisches Haus in der Hafenstadt Skiathos auf der gleichnamigen Sporadeninsel in Griechenland. Das Haus ist als Museum eingerichtet und zeigt das Wohnhaus von Alexandros Papadiamantis (1851–1911). Nach seinem Tod wurde das Haus zum Museum umgewandelt. Das Geburtshaus wurde abgerissen und der Vater, Adamantios Papadiamantis, errichtete 1860 das zweistöckige Gebäude, das noch heute zu sehen ist. Das Haus ist ein typisches Inselhaus im Stil der damaligen Zeit und Region. Im unteren Stockwerk befindet sich ein einfacher Raum mit einem Brunnen, im oberen Stock befinden sich drei Zimmer und eine „Sommerküche“ mit einem separaten Zugang von Außen. Im „Winterzimmer“, in dem Papadiamantis auch verstorben ist, steht der historische Kamin. Aus dem Hausrat des Dichters sind noch einige Stücke Geschirr vorhanden. Stühle sind nicht vorhanden, da seinerzeit im Schneidersitz gegessen und gearbeitet wurde. In den übrigen Räumen des Hauses wird eine Ausstellung zu den Werken des Dichters präsentiert. Literatur Dirk Schönrock: Nördliche Sporaden. Michael Müller Verlag, Erlangen 2015. ISBN 9783899539417, S. 49. Ortwin Widmann: Skiathos. Wandern im Paradies der Ägäis. Alles über Skiathos. Skiathos, 2015. Sotiris Paraskevas (hg.): Discover Skiathos. Touristenmagazin 2016. Volos 2016. Weblinks Museumsführer (griechisch). Touristeninformation. Greekhotel.com.
Papadiamantis House Museum

Papadiamantis House Museum is a museum in Skiathos in the Sporades, Greece, dedicated to the Greek writer Alexandros Papadiamantis (1851–1911). Following his death, his house was transformed into a modern museum with displays related to his life and attracts many visitors. Papadiamantis was actually born in a previous house on the site but grew up in the present two-story house which his father built in 1860. At the left side of the entrance is the living room with the fireplace and original furniture (including his bed and the long narrow divan), where Papadiamantis spent the last moments of his life in the winter of 1911 and at the right a small room where the author's father, who was a priest, kept his books and religious vestments. Other rooms used by the family for storage house a display dedicated to the author's life and work. References Greekhotel.com External links Tourist information
Parnassos Ski Centre

Parnassos Ski Centre is an alpine ski centre in Greece, located at Mount Parnassus near Delphi. It has two main areas, Kelaria and Fterrolakas, and consists of 19 ski runs with a total length of 36 km (22 mi), the longest at 4 km (2.5 mi). Northwest of Athens, its highest elevation is 2,250 m (7,380 ft) and the base is at 1,600 m (5,250 ft). The ski resort is 180 km (110 mi) from Athens and 205 km (127 mi) from the airport. Together with Kalavryta Ski Centre, it is the ski centre that is closest to Athens. The centre does not provide accommodation facilities; the nearest places to stay are Kalyvia, Arachova, Lilaia (or Kato Agoriani), Eptalofos (or Agoriani), and Amfikleia, which are 20 to 45 minutes away by vehicle. The centre provides equipment hire facilities as well as several restaurants and bars. References External links Parnassos Ski Centre SkiMap.org – Parnassos
Patras Municipal and Regional Theatre

The Patras Municipal and Regional Theatre is located in Patras, Greece was founded in June 1988 as Patras Municipal Theatre and is the largest theatre organisation in southwest Greece. Its main stage is the landmark Apollon Theatre. History The first play was "Madame de Sade" by Yukio Mishima, directed by Maya Liberopoulou. On June 29, 1989 the theatre took its present name Patras Municipal and Regional Theatre (DIPETHE) and its first artistic directors were Maya Liberopoulou and Viktor Arditis. The first, but also critically acclaimed play of the DIPETHE was Tennessee Williams's Glass Menagerie, followed by Maxim Gorky's "Petit-Bourgeois", and Carlo Goldoni's trilogy of Holidays. Subsequent artistic directors were Nikos Armaos, Giorgos Kimoulis, Themis Moumoulidis (1999–2007). Its current artistic director is the actress and director Lydia Koniordou. The theatre is regularly subsidized by the Municipality of Patras and the Ministry of Culture. A local demand which is yet to be materialised has been the transformation of the theatre into a National Theatre of Southern Greece. Nonetheless the theatre faces long-term economic problems, in part due to the non granting of agreed subsidies from the Ministry of Culture, while its second stage the "Epikentro" was demolished in view of the Patras 2006 Cultural Capital of Europe, without being replaced by a new theatre. Bibliography External links Dipethepatras.gr (in Greek)
Pavlos Vrellis Greek History Museum

The Pavlos Vrellis Greek History Museum (Greek: Μουσείο Ελληνικής Ιστορίας Παύλου Βρέλλη) also known as Pavlos Vrellis Museum of Wax Effigies is a privately owned wax museum in Ioannina regional unit, Greece. It was set up by the sculptor Pavlos Vrellis in February 1983, and is the best known wax museum in Greece. The museum hosts 150 wax models in 37 themes, inspired by various events from Greek history. Location and history The Museum's main building is located 14 km (9 mi) south of the city of Ioannina, Epirus, in Bizani municipality, on the Ioannina – Athens national road. It was owned by local sculptor Pavlos Vrellis, who founded the museum in February 1983. The museum facility covers an area of 2,500 m2 (2,990 sq yd) and is built according to the traditional, local, fortress-type architectural style of 18th-century, according to Vrellis' own design. A small annex with free access is located at Ioannina, 15 Karamanli street. Exhibits The wax effigies of the museum are displayed in life size, included in a faithful representation of the environment of their age and revive forms of the local history. Without storeys but on a variety of distinct parallel and connecting levels. The visitor moves along mountains, houses, caves, churches, and alleys, following a non-circular but endless course, ingeniously devised and arranged. They cover twenty four centuries of Greek history (from 500 BC), with an emphasis on the modern history of Epirus. The museum hosts 37 themes and 150 wax models which represent various historical events. There are three thematic units in the Museum: pre 1821 history, Greek War of Independence (1821-1830) and themes from World War II: Secret Greek School during Ottoman rule. Foundation of Filiki Eteria Torture of Dionysius the Philosopher Klephts Death of Ali Pasha Theodoros Kolokotronis Women of Pindus (during the Battle of Pindus) Moreover, specific themes are inspired from Jewish history, like images from The Holocaust References External links Official site www.ioannina-portal.gr
Пелина

39.576023, 21.928024 Пелина (на латински: Pelinna, Pelinnaeum), познат още от римските източници като Пелинеум е древен град в Антична Тесалия. Няма древногръцко съответствие на името си, а и се е намирал в Северна Тесалия на левия бряг на Пеней. Известен е със своя прочут храм на Зевс в Антична Тесалия. Руините му са между Трика и Фаркадон, днес Фаркадона. Градът е много прочут през IV век пр. Хр. заради съюза си с Филип II Македонски. Унищожен е от земетресението в 426 г. пр.н.е. Източници
Pelinna

Pelinna (en llatí Pelinna, i també Pelinnaeum, en grec antic Πέλιννα o Πελινναῖον) era una ciutat de Tessàlia al districte d'Hestieòtide una mica per sobre de la riba esquerra del riu Peneios, segons diu Estrabó. Sembla que era un lloc de certa importància i ja en parla Píndar. Alexandre el Gran hi va passar en el seu camí entre Il·líria i Beòcia, diu Flavi Arrià. A la mort d'Alexandre no es va revoltar contra Macedònia com altres ciutats de Tessàlia. En la guerra entre Roma i Antíoc III el Gran va ser ocupada pels athamans dirigits per Filip de Megalòpolis l'any 191 aC, però els romans, comandats per Mani Acili Glabrió la van recuperar poc temps després, diu Titus Livi. Correspon a la moderna Gardikhi, on es conserven nombroses restes. Referències
Pelinna

Pelinna (Greek: Πέλιννα) or Pelinnaeum (Greek: Πελινναῖον or Πεληναῖον) was an ancient Greek polis (city-state) of Ancient Thessaly, in the district Histiaeotis, a little above the left bank of the Peneius. The city had a celebrated temple of Zeus Pelinnaeus. Pelinna was situated between Tricca and Pharcadon, near modern Palaiogardiki (Trikala regional unit). The city gained particular prominence in the fourth century BCE through its alliance with Philip II of Macedon. Among other archaeological evidence of the religious significance of Pelinna are two Orphic gold tablets (lamellae) found in 1985 on the site of Petroporos, dating to the late fourth century BCE. It seems to have been a place of some importance even in the time of Pindar. Alexander the Great passed through the town in his rapid march from Illyria to Boeotia. It did not revolt from the Macedonians together with the other Thessalians after the death of Alexander the Great. In the war between Antiochus III the Great and the Romans, 191 BCE, Pelinna was occupied by the Athamanians, but was soon afterwards recovered by the Romans. The location of Pelinna is at Palaiogardíki (Petroporos), where there are considerable remains of the ancient town. William Martin Leake, describing the situation in the 19th century, stated that "the city occupied the face of a rocky height, together with a large quadrangular space at the foot of it on the south. The southern wall is more than half a mile in length, and the whole circumference near three miles." Joseph Hilarius Eckhel writes that the coins of this town bore the inscription Πεληναῖον. The nearby modern town of Pelinnaioi reflects the ancient name. References This article incorporates text from a publication now in the public domain: Smith, William, ed. (1854–1857). "Pelinna". Dictionary of Greek and Roman Geography. London: John Murray. External links Coinage of Pelinna
Pelineo

Pelineo (Πελινναῖον) o Pelina (Πέλιννα) - en latín, Pelinna y generalmente Pelinnaeum - fue una ciudad de Tesalia situada en el distrito de Histeótide a la izquierda del río Peneo.​ Se localiza en Paleogardiki (Παλαιογαρδίκι), a 3 kilómetros al oeste de la población de Petróporos (Πετρόπορος).​ Alejandro Magno pasó por allí en su camino entre Iliria y Beocia. A la muerte de Alejandro, Pelineo permaneció leal y no se rebeló como otras ciudades de Tesalia. En la guerra entre Roma y Antíoco III el Grande, en el año 191 a. C., Pelineo fue ocupada por los atamanes, pero poco después, estando defendida además por un ejército de 500 infantes y 40 jinetes bajo el mando de Filipo de Megalópolis, fue asediada y tomada por tropas romanas.​ Referencias Enlaces externos Página de Pelineo en un sitio del Ministerio de Cultura de Grecia; en griego.
Pelopion

The Pelopion was a structure at the ancient site of Olympia, Greece. It was the alleged tomb of Pelops, a figure in Greek mythology. It was a monument surrounded by a pentagonal structure. The tomb became an altar for animal sacrifices in Archaic Greece and continued to serve as an altar into the Roman era, until it fell into disuse with the advent of Christianity. It consisted of a mound of ashes and compacted earth, at the peak of which the sacrifice would take place – a black ram was sacrificed here every year in honor of Pelops. In order to get to the top of the altar, priests would carve steps into the mound. This packed earth form of altar was a particularly ancient one, quite unlike the more modern stone altars such as those evidenced at Delphi and the Acropolis of Athens. References External links Media related to Pelopion at Wikimedia Commons
Pelopio

El Pelopio era una estructura cerca del antiguo sitio de Olimpia, la presunta tumba de Pélope, un héroe de la mitología griega. Era un monumento rodeado de una estructura pentagonal. Fue construido al noreste del Altis y al sur del templo de Hera. Su entrada se hallaba al Este.​ La tumba disponía de un altar para los sacrificios de animales en el periodo de la Grecia arcaica y continuó sirviendo como altar en época romana, hasta que cayó en desuso con la advenimiento del cristianismo. Era un montón de cenizas y tierra batida, sobre el cual se realizaban los sacrificios. Un carnero negro era sacrificado aquí cada año en honor de Pélope.​ Para llegar a la cima del altar, los sacerdotes tuvieron que excavar pasos en el montículo. Esta forma de altar de tierra era particularmente antigua, a diferencia de los altares más modernos de piedra, como los existentes en Delfos y en la Acrópolis de Atenas. Las investigaciones arqueológicas han desvelado dos fases constructivas del Pelopio, ya que el túmulo con la evolución histórica del santuario de Olimpia tuvo notorias reformas. El Pelopio I consistía en una elevación del terreno cercado por un círculo de piedras con un diámetro de 31 x 34 metros. Los cimientos originarios se hallan puestos sobre una de las casas absidiales levantadas durante la Edad del Bronce, por lo que se ha deducido que fue construido en el periodo postmicénico, datable a finales del segundo milenio a. C.​ El Pelopio II se ha fechado en el siglo VI a. C. Fue edificado encima del primero. El recinto tenía forma hexagonal, construido con piedra porosa y dotado de un propileo, que fue ampliado y remozado por los romanos.​ Referencias Bibliografía Durantez, Conrado (1975). Olimpia y los juegos olímpicos antiguos I. Pamplona: Delegación Nacional de Educación Física y Deportes. Comité Olímpico Español. ISBN 84-400-9015-3. Enlaces externos «El Pelopio en la página del Ministerio de cultura griego». odysseus.culture.gr (en inglés y en griego). Consultado el 20 de agosto de 2016.
Pelopion

Il Pelopion era una struttura presso l'antico sito di Olimpia, la presunta tomba di Pelope una figura della mitologia greca, dal quale è stato coniato il nome di Peloponneso. L'edificio Era un tumulo a collinetta circondato da una struttura pentagonale con ingresso a sud-ovest. Aveva un diametro di 27 m nel 2500 a.C. ed era circondato da pietre circolari. Vi sono tracce anche di edifici circolari sulla parte superiore del 2300-2000 a.C. oggi non più visibili. La tomba divenne un altare per i sacrifici di animali nel periodo della Grecia arcaica e continuò a servire come altare in epoca romana, fino a che cadde in disuso con l'avvento del cristianesimo romano. Si trattava di un cumulo di cenere e terra battuta, al culmine della quale avveniva il sacrificio - un ariete nero veniva sacrificato qui ogni anno in onore di Pelope. Al fine di raggiungere la cima all'altare, i sacerdoti dovevano scavarsi dei passi nel tumulo. Questa forma di altare in terra battuta era particolarmente antica, a differenza dei più moderni altari di pietra, come quelli esistenti a Delfi e sull'acropoli di Atene. Note Altri progetti Wikimedia Commons contiene immagini o altri file su Pelopion
Pelopejon

Pelopejon – temenos z symbolicznym grobem legendarnego Pelopsa na terenie starożytnej Olimpii. Pelopejon znajduje się na terenie stanowiska archeologicznego w Olimpii, które w 1989 roku zostało wpisane na listę światowego dziedzictwa UNESCO. Architektura Pelopejon znajduje się na południe od Herajonu. W VI w. p.n.e. był wzniesieniem o wysokości ok. 2 m . W następnym stuleciu został ogrodzony pięciokątnym peribolosem, a wejściem na południowym zachodzie zostało później ozdobione doryckim propylonem. Wewnątrz znajdował się ołtarz herosa Pelopsa oraz posągi i topole . Według greckiego geografa Pauzaniasza raz w roku składano na ołtarzu czarnego barana ku czci herosa, a ten, kto zjadł mięso z ofiary, nie miał wstępu do świątyni Zeusa . Historia Pelopejon – temenos z symbolicznym grobem legendarnego Pelopsa – datowany jest na ok. 600-500 p.n.e. Według Pauzaniasza powstał z inicjatywy Heraklesa, potomka Pelopsa . Znajduje się tu prehistoryczny kurhan (o średnicy 27 m) i peribolos z ok. 2500 roku p.n.e. – najstarsza część Altisu . Prawdopodobnie, zanim na kurhanie powstał Pelopejon, czczono tu wcześniej bóstwa płodności. Znaleziono tu liczne obiekty ceramiczne i terakotowe, a także figurki brązowe zwierząt i ludzi . Współcześnie pozostałości Pelopejonu znajdują się na terenie stanowiska archeologicznego w Olimpii, które w 1989 roku zostało wpisane na listę światowego dziedzictwa UNESCO . Przypisy Bibliografia Perseus Digital Library Project: Olympia, Pelopeion (Building). [dostęp 2019-04-25]. (ang.). Olympia Vikatou: Olympia: The Archeological Site and the Museums. Ekdotike Athenon S.A., 2006. ISBN 978-960-213-418-4. (ang.). Olympia Vickatou: Pelopion. [w:] Ministry of Culture and Sports of Greece: Odysseus Portal [on-line]. [dostęp 2019-04-25]. (ang.). UNESCO: Archaeological Site of Olympia. [dostęp 2019-04-25]. (ang.).
Petani

Petani (griechisch Πετανοί) ist ein Strand auf der Halbinsel Paliki um Lixouri im Westen der griechischen Insel Kefalonia, die zu den Ionischen Inseln gehört. Geografie Petani liegt im Gemeindebezirk Lixouri, etwa 35 Kilometer westlich der Inselhauptstadt Argostoli und ist über eine Serpentinenstraße erreichbar, die von der Ortschaft Vovikes hinabführt. Der 850 m lange Strand befindet sich in einer tief eingeschnittenen Bucht mit steilen, grün bewachsenen Kalksteinklippen. Beschreibung Der Strand besteht aus einer Mischung aus grobem Sand und kleinen weißen Kieseln. Das Meer fällt relativ schnell ab. Je nach Wetterlage können starke Wellen auftreten. Mit dem Begriff „επηετανοί“ (epi etanoi) wird der Strand bereits in der Odyssee erwähnt und bedeutet in etwa „jährig“ und verweist auf den Zustrom von Wasser durch unterirdische Flüsse. Aufgrund zahlreicher Quellen in der Nähe und Zuströme wurden in Volksmärchen und Mythen Nymphen vermutet. Infrastruktur In den Sommermonaten gibt es Sonnenliegen und Sonnenschirme, zwei Tavernen mit regionaler Küche sowie begrenzte Parkmöglichkeiten in Strandnähe. Rettungsschwimmer sind in der Hochsaison meist vor Ort. Aufgrund seiner abgeschiedenen Lage ist der Strand außerhalb der Saison deutlich ruhiger. Einzelnachweise Weblinks