NoeFlandre/osm-polygon-wikidata-only huggingface dataset:
Мельница Святого Мартина (Кентербери)

Мельница Святого Мартина ― бывшая ветряная мельница в городе Кентербери, Кент, Англия. На сегодняшний день является жилым домом. История Мельница Святого Мартина была построена в 1817 году Джоном Адамсом. Она работала вплоть до 1890 года и в 1920 году была переоборудована в жилой дом господином Кузенсом. В апреле 1958 года муниципальные власти выступили с инициативой о сносе бывшей мельнице, однако Министерство жилищного строительства и местного самоуправления Великобритании издало приказ о её сохранении. Описание Мельница Святого Мартина представляет собой четырехэтажное кирпичное башенное строение, облицованное цементом. Раньше она имела выпуклую крышу, характерную для кентской архитектуры, и четыре лопасти, которые приводились в движение ветром. На уровне первого этажа находилось производственное помещение. Детали механизма были выполнены из чугуна: некоторые из них сохранились и до наших дней. Жерновами в мельнице служили три пары камней. Мельники За долгие годы работы мельницы в ней сменилось множество мельников: Сэмюэль Биард (1839),Томас Марш (1839, 1849), Уильям Кэннон (1845), М. Гудерсон (1859 - 1862), Д. Люрант (1862), Ричардсон, Брэдли, Робинсон, Бакс, Коакс, Рэкхем и Лоренс. Примечания Ссылки Windmill World page
St Martin's School, Brentwood

St Martin's School is a coeducational secondary school and sixth form with academy status, located in the Hutton area of Brentwood, Essex, England. Background The school used to separate boys and girls school, but these were combined in the 1970s to make one co-educational school on the same site. The school converted to academy status on 1 July 2011. Notable former pupils Nicola Juniper, professional cyclist Stephen Moyer, actor Jess Folley, singer, songwriter, actor See also List of secondary schools in Essex References External links Official Website
St Martin's Theatre

St Martin's Theatre is a West End theatre which has staged the production of The Mousetrap since March 1974, making it the longest continuous run of any show in the world. The theatre is located in West Street, near Shaftesbury Avenue, in the West End of London. It was designed by W. G. R. Sprague as one of a pair of theatres, along with the Ambassadors Theatre, also in West Street. Richard Verney, 19th Baron Willoughby de Broke, together with B. A. (Bertie) Meyer, commissioned Sprague to design the theatre buildings. Although the Ambassadors opened in 1913, construction of the St Martin's was delayed by the outbreak of the First World War. The theatre is still owned by the present Lord Willoughby de Broke and his family. The first production at the St Martin's was the spectacular Edwardian musical comedy Houp La!, starring Gertie Millar, which opened on 23 November 1916. The producer was the impresario Charles B. Cochran, who took a 21-year lease on the new theatre. Many famous British actors passed through the St Martin's. In April 1923 Basil Rathbone played Harry Domain in R.U.R. and in June 1927 Henry Daniell appeared there as Gregory Brown in Meet the Wife. Successes at the theatre included Hugh Williams's play (later a film) The Grass is Greener, John Mortimer's The Wrong Side of the Park, and in 1970 the thriller Sleuth which starred Marius Goring for a long run as Andrew Wyke. After Cochran, Bertie Meyer ran the theatre intermittently until 1967, when his son R. A. (Ricky) Meyer became administrator for the next two decades. The St Martin's has been listed Grade II on the National Heritage List for England since March 1973. In March 1974 Agatha Christie's The Mousetrap transferred from the Ambassadors to the St Martin's, where it continued its run until 16 March 2020 when the show had to be suspended due to the COVID-19 pandemic in the United Kingdom, holding the record for the longest continuously running show in the world. On 17 May 2021, the show was the first West End show to re-open and as of February 2024 has exceeded 29,500 performances at the St Martin's. References Notes Sources Guide to British Theatres 1750–1950, John Earl and Michael Sell pp. 138–9 (Theatres Trust, 2000) ISBN 0-7136-5688-3 Who's Who in the Theatre, edited by John Parker, tenth edition, revised, London, 1947, pps: 477–478 and 1184. External links Theatre description at "The Mousetrap" website Theatre History
St Martin's Theatre

St Martin's Theatre es un Teatro del West End que ha escenificado la producción de La ratonera (The Mousetrap en inglés) desde marzo de 1974, convirtiéndolo en el show de funcionamiento continuo más largo del mundo. El teatro está localizado en West Street, cerca de Shaftesbury Avenue, en West End de Londres. Fue diseñado por W. G. R. Sprague como uno de un par de teatros, junto con el Ambassadors Theatre, también en West Street. Richard Verney, 19º Barón Willoughby de Broke, junto a B. A. (Bertie) Meyer, encargó a Sprague diseñar los teatros. Pese a que el Ambassadors Theatre se abrió en 1913, la construcción del St Martin's fue retrasada por el comienzo de la Primera Guerra Mundial. El teatro es todavía, en parte, propiedad de Lord Willoughby de Broke, con Stephen Waley-Cohen. La primera producción en el St Martin's fue la espectacular "comedia musical eduardiana" Houp La!, protagonizada por Gertie Millar, que se inauguró el 23 de noviembre de 1916. El productor fue el empresario Charles B. Cochran, quien tuvo un contrato de 21 años en el nuevo teatro. Muchos actores famosos han pasado a través del St Martin's. En abril de 1923, Basil Rathbone interpretó Harry Domain en R.U.R. y en junio de 1927, Henry Daniell apareció allí como Gregory Brown en Meet the Wife. Los éxitos en el teatro incluyeron la obra de Hugh Williams The Grass is Greener (más tarde una película), The Wrong Side of the Park de John Mortimer y en 1970, el thriller Sleuth. Después de Cochran, Bertie Meyer dirigió el teatro intermitentemente hasta 1967, cuando su hijo R. A. (Ricky) Meyer se convirtió en administrador para las dos siguientes décadas. El St Martin's fue clasificado como Grado II por English Heritage en marzo de 1973. En marzo de 1974, La ratonera de Agatha Christie fue transferido del Ambassadors Theatre al St Martin's, donde continúa la obra, manteniendo el récord por el más largo show de funcionamiento continuo en el mundo. Ha excedido las 25.000 actuaciones en el St Martin's. Enlaces externos
St Martin's Theatre

Il St Martin's Theatre è un teatro situato nella Città di Westminster, nel West End londinese. Storia Il teatro fu progettato dall'architetto W. G. R. Sprague come metà di una coppia di teatri composta dal St Martin's e dall'Ambassadors Theatre. L'Ambassadors fu completato nel 1913, mentre la costruzione del St Martin's fu ritardata dallo scoppio della prima guerra mondiale. Il teatro fu aperto al pubblico il 23 novembre 1916. Nel 1973 il teatro fu registrato come monumento classificato di secondo grado dall'English Heritage. Dal marzo 1974 la pièce di Agatha Christie Trappola per topi è rimasta in cartellone ininterrottamente per oltre ventiseimila rappresentazioni, diventando così la più longeva messa in scena di un'opera teatrale al mondo. Note Altri progetti Wikimedia Commons contiene immagini o altri file su St Martin's Theatre Collegamenti esterni Sito ufficiale, su the-mousetrap.co.uk.
St Martin, Ludgate

St Martin, Ludgate ist ein anglikanisches Kirchengebäude im Londoner Innenstadtbezirk City of London. Die erstmals 1174 erwähnte, dem heiligen Martin von Tours geweihte Kirche nahe dem 1760 abgerissenen Stadttor Ludgate, war 1437 neuerrichtet worden, ihr Turm wurde 1561 durch Blitzschlag zerstört. 1666 wurde sie beim Großen Brand von London zerstört und anschließend von 1677 bis 1684 durch Christopher Wren als eine der 51 Wren-Kirchen wiederaufgebaut. Wie zuvor bei St Anne and St Agnes ist die Kirche über quadratischem Grundriss mit vier eingestellten Säulen errichtet, durch die sich ein kreuzförmiger Innenraum mit quadratischem, kreuzgratgewölbtem Mitteljoch und tonnengewölbten Kreuzarmen ergibt. Der Turm ist leicht vorgezogen und mit der Fassade seitlich durch Voluten verbunden, sein achtseitiger Aufsatz schließt mit einer offenen Laterne mit Galerie und einem Obelisken. Der kelchförmige Taufstein von 1673 weist als Inschrift das griechische ΝΙΨΟΝ ΑΝΟΜΗΜΑΤΑ ΜΗ ΜΟΝΑΝ ΟΨΙΝ („Wasche die Sünden, nicht nur das Gesicht“) auf, ein Palindrom. Literatur Nikolaus Pevsner: The Buildings of London. Bd. 1: The Cities of London and Westminster (The Buildings of England). Penguin Books, Harmondsworth 1973, S. 165f., ISBN 0-14-071011-6 Weblinks
St Martin-on-the-Hill, Scarborough

St Martin-on-the-Hill is a parish church in Scarborough, North Yorkshire in the Church of England. History The church was built between 1862 and 1863 to designs by the architect George Frederick Bodley. It comprises a north tower, saddleback roof, nave with clerestory, aisle and chancel. The west end contains a rose window. Much of the decoration and stained glass was completed by Morris & Co., some of the earliest work completed by this firm. The ceiling decoration of the chancel is by William Morris and Philip Webb. The altar wall displays the Adoration of the Magi by Edward Burne-Jones. The reredos and rood-screen date from 1889, a later addition by George Frederick Bodley; the artist was Charles Edgar Buckeridge. The paintings on the Bodley organ case were done by John Roddam Spencer Stanhope. On 16 December 1914, the church was one of many buildings in Scarborough which were damaged during the German bombardment of the town. The raid took place just as the 8.00 a.m. communion service was commencing. Despite the noise and damage, Rev Charles Mackarness continued with the service. Later that day, the wedding of Richard Horsley and Winnifred Duphoit continued as planned. In June 1973 the church was listed as Grade I. Pulpit The pulpit has 10 painted panels by Dante Gabriel Rossetti, Ford Madox Brown and William Morris. Notable incumbents Robert Henning Parr: 1863–1888 Charles Coleridge Mackarness: 1889–1917 Morris Maddocks: 1961–1971 Christopher Armstrong: 1991–2001 Organ An organ was installed in 1875 by the builders Harrison and Harrison. This was later transferred to Holy Trinity Church, Sunningdale, Berkshire. The organ was installed in 1890 by the notable London firm of Henry Willis. A specification of the organ can be found on the National Pipe Organ Register. Organists Dr William Creser 1875 – 1880 Charles Hylton Stewart 1908 – 1914 Cyril Francis Musgrove 1914 – 1915, 1918 – 1919 A.Claude Keeton 1919 – 1939 See also Grade I listed buildings in North Yorkshire (district) Listed buildings in Scarborough (Ramshill Ward) References
St Martin-on-the-Hill

St Martin-on-the-Hill est une église paroissiale de l'Église d'Angleterre (anglo-catholicisme) située à Scarborough dans le comté du Yorkshire du Nord. Architecture L'église est construite entre 1862 et le 11 juillet 1863 sur les plans de l'architecte néogothique George Frederick Bodley. Elle est constituée d'une façade à double pente, d'un clocher-tour commandant l'entrée au nord, d'une nef à claire-voie et collatéraux et d'un chœur. Le pignon ouest est orné d'une rosace. Le 16 décembre 1914, l'église est l'un des nombreux bâtiments de Scarborough endommagés lors du bombardement allemand de la ville (en). Le raid a eu lieu juste au moment où le service de communion de 8 heures commençait. Malgré le bruit et les dégâts, le révérend Charles Mackarness (en) a poursuivi l'office. Plus tard ce jour-là, le mariage de Richard Horsley et Winnifred Duphoit s'est déroulé comme prévu. Mobilier Une grande partie de la décoration et des vitraux est créée par l'entreprise Morris & Co. (en) qui a réalisé les premiers travaux. La décoration du plafond du chœur est de William Morris et Philip Webb. La chaire est décorée de dix panneaux peints par les préraphaélites Dante Gabriel Rossetti, Ford Madox Brown et William Morris. Le mur à l'arrière de l'autel présente l'Adoration des Mages d'Edward Burne-Jones. Le jubé et les panneaux du retable, ajout ultérieur de George Frederick Bodley, datent de 1889. Ils sont peints par Charles Edgar Buckeridge (en). Orgue Un orgue est installé en 1875 par les constructeurs Harrison and Harrison (en). Il est par la suite transféré à l'église de la Sainte Trinité à Sunningdale dans le Berkshire. L'orgue actuel conçu par Bodley est installé par la firme londonienne d'Henry Willis (en). Les peintures sur le soubassement du buffet sont réalisées par John Roddam Spencer Stanhope Organistes 1875–1880 : Dr William Creser 1908–1914 : Charles Hylton Stewart (en) 1914–1915, 1918–1919 : Cyril Francis Musgrove 1919–1939 : A.Claude Keeton Conservation du patrimoine En juin 1973 l'glise est inscrite au Grade I sur la liste des monuments classés du Royaume-Uni. Titulaires 1863–1888 : Robert Henning Parr 1889–1917 : Charles Coleridge Mackarness 1961–1971 : Morris Maddocks 1991–2001 : Christopher Armstrong Notes et références (en) Cet article est partiellement ou en totalité issu de l’article de Wikipédia en anglais intitulé « St Martin-on-the-Hill, Scarborough » (voir la liste des auteurs). Liens externes (en) « Site Web de St Martin-in-the-Fields », sur stmartin-in-the-fields.org (en) « Occupation romaine du site », sur news.bbc.co.uk Portail de l’architecture chrétienne Portail de l'anglicanisme Portail de l’Angleterre Portail des monuments classés au Royaume-Uni
St Martin in the Bull Ring

Die zur Church of England gehörige Pfarrkirche St Martin in the Bull Ring in der mittelenglischen Millionenstadt Birmingham steht unter dem Patrozinium des hl. Martin von Tours; der neugotische Kirchenbau ist als Grade-II*-Bauwerk eingestuft und ist Mitglied des Major Churches Network. Der Name bezieht sich auf die bis ins frühe 19. Jahrhundert in unmittelbarer Nähe stattfindenden Kämpfe zwischen Stieren und Hunden (bull baiting). Lage Die ehemalige Industriemetropole Birmingham liegt etwa 180 km (Fahrtstrecke) nordwestlich von London in einer Höhe von ca. 125 m. Die Kirche liegt inmitten der von Neubauten geprägten Innenstadt. Geschichte Erstmals wird im Jahr 1263 eine Kirche an gleicher Stelle erwähnt; diese wurde im Lauf der Zeit immer wieder vergrößert. Im Jahr 1873 wurde die alte Kirche bis – mit Ausnahme des Glockenturms und seinem Spitzhelm – abgerissen. Der Architekt J. A. Chatwin erhielt den Auftrag zum Neubau im neugotischen Stil. Im Zweiten Weltkrieg wurde die Kirche durch deutsche Fliegerbomben beschädigt; alle Fenster wurden zerstört. Architektur Der im Lauf seines Bestehens mehrfach veränderte Spitzhelm hat eine Höhe von 61 m. Der ca. 47 m lange, 32 m breite und im Innern maximal 18 m hohe Kirchenraum ist dreischiffig und basilikal angelegt; überdies hat die Kirche ein Querhaus. Alle Teile haben Holzdecken. Langhaus und Chorbereich sind optisch durch einen Triumphbogen voneinander getrennt. Literatur John Thackray Bunce: History of Old St. Martin’s, Birmingham. Illustrated by Allen Edward Everitt. Cornish Brothers 1875 Philip Crowe: St. Martin’s in the Bull Ring. A Story of Seven Centuries. D. G. Rowney 1975 Weblinks St Martin in the Bullring – Website (englisch) St Martin in the Bullring – Fotos + Infos (englisch)
St Martin of Tours Church, Detling

St Martin of Tours is a parish church in Detling, Kent. Dedicated to Martin of Tours, the building was constructed in the 12th century with 13th and 15th-century additions and restoration carried out in the late 19th century. It is a Grade I listed building. The nave and chancel are of early Norman construction and built of flint with a plain tiled roof. The aisle to the north of the nave is Early English and is constructed of flint and local rag-stone. It was enlarged in the 1880s. The adjacent chapel on the north side of the chancel and the porch on the south side of the nave are Perpendicular Gothic. The tower is built in two stages of galletted rag-stone with diagonal corner buttresses. The timber-shingled broach spire was added in 1861 by R. C. Hussey. The roof structure to the chapel is original, but the rest of the roof was replaced in the 19th century. The church windows are of varying sizes and periods although mostly perpendicular in style. Over the doorway on the west side of the tower is a large rectangular three-lighted perpendicular window added in the 19th century. The windows to the nave, aisle and chapel are mainly two-lighted in design. Those to the south-east and east of the chancel and three-lighted. Internally, the nave and aisle are separated by a pair of wide plain arches and the chancel and chapel by a single arch. The large twelve-sided font is early and plain and stands on a 20th-century base, having once been built into the wall of the tower. An ornately carved four-sided oak lectern dates from 1340–50. It probably came from Boxley Abbey and has been described as "the finest medieval fitting in any parish church in the county". The church's pipe organ dates from the 1850s and was brought from the Congregational Church in Maidstone in 1973, and was installed and to a large part funded by long time organist, Colin Savage, from East Court, Detling. The churchyard contains a headstone and a table tomb that are Grade II listed. See also Grade I listed buildings in Maidstone References
St Mary's, Stretton

St Mary's is the Church of England parish church for the village of Stretton, East Staffordshire, north of Burton upon Trent. It is part of the Diocese of Lichfield. St Mary's church was paid for by John Gretton (1836-99) of Bladon House in Winshill, a native of Stretton and a director of the Burton brewers Bass, Ratcliff, and Gretton. The work was supervised by his son, John Gretton MP. The Victorian church replaced an earlier building in the village. The church was designed by the eminent architects, Somers Clarke, Surveyor to St Paul's Cathedral and, (when he retired due to ill health), John Thomas Micklethwaite, Surveyor of the Fabric of Westminster Abbey. (...) on an aisled, cruciform plan with a massive crossing tower. Built externally of Stanton stone and internally of Runcorn stone, it has a short chancel, a four-bayed nave, and north and south aisles, each with a porch at the west end. There is a chapel at the east end of the south aisle and two vestries along the north side of the chancel, one of them used in 1999 as a parish office and the other as a meeting room. The nave arcades and chancel arch are chamfered with moulded capitals on polygonal piers, and the nave and chancel ceilings have painted wooden panels. The church retains most of its original decorations and fittings: wooden rood screen and choir stalls carved in a mixed Arts and Crafts-Perpendicular style by J. E. Knox of Kennington; chancel floor inlaid with black and white marble; stone side-chapel arch carved by Robert Bridgeman of Lichfield; octagonal font of Frosterley Marble with elaborate wooden canopy, also carved by Knox; stained glass by Sir William Richmond in the east window of the chancel and in the south window of the side chapel; and altar fittings by William Morris. Most of the early 20th-century memorial windows in the aisles come from the Whitefriars studio in London. A bell was taken from the 1838 church for use as a call bell, and a further three bells installed in 1897 were recast as six in 1960. A chronogram in the sanctuary gives the year of the consecration of the church - 1897. References External links www.stmarys-stretton.org.uk
St Mary's, Studley Royal

The Church of St Mary, Studley Royal, is a Victorian Gothic Revival church built in the Early English style by William Burges. It is located in the grounds of Studley Royal Park at Fountains Abbey, in North Yorkshire, England. Burges was commissioned by the 1st Marquess of Ripon to build the church as a memorial church to Frederick Grantham Vyner, his brother-in-law. It is one of two such churches, the other being the Church of Christ the Consoler at Skelton-on-Ure. History Frederick Vyner had been murdered by Greek bandits in 1870 in an event known as the Dilessi massacre. A significant ransom had been demanded, and in part collected, before his death. His mother, Lady Mary Vyner, and his sister, Lady Ripon, used the unspent ransom to build the two churches in his memory. Burges' appointment as architect was most likely due to the connection between his greatest patron, John Crichton-Stuart, 3rd Marquess of Bute, and Vyner, who had been friends at Oxford. St Mary's, was commissioned in 1870 and work began in 1871. The church was consecrated in 1878. The chestnut tree near by may be the remnant of a medieval tree-planting scheme. Architecture and description As at Skelton, Burges's design demonstrates a move from his favoured Early-French, to an English style. Pevsner writes of "a Victorian shrine, a dream of Early English glory". The interior is spectacular, exceeding Skelton in richness and majesty. The stained-glass windows are particularly fine quality. Burges used many members of his usual architectural team: the sculpture is by Thomas Nicholls, the glass was designed by Frederick Weekes and constructed by Saunders & Co. St Mary's is Burges' "ecclesiastical masterpiece". The church is a Grade I Listed Building. See also Grade I listed buildings in North Yorkshire (district) List of churches preserved by the Churches Conservation Trust in Northern England Listed buildings in Lindrick with Studley Royal and Fountains Notes References Crook, J. Mordaunt (2013). William Burges and the High Victorian Dream. Frances Lincoln Ltd. ISBN 978-0-7112-3349-2. OCLC 788236063. Pevsner, Nikolaus (1967). Yorkshire: The West Riding. The Buildings of England. London: Penguin Books.
Iglesia de Santa María (Studley)

La iglesia de Santa María en Studley Royal (en inglés: St Mary's, Studley Royal), es una iglesia victoriana neogótica inspirada en el estilo gótico inglés por William Burges.​ Está ubicada en los terrenos del Parque de Studley Royal, lugar declarado Patrimonio de la Humanidad y próxima a la abadía de Fountains en Yorkshire del Norte, Inglaterra. Su construcción fue encargada por George Robinson, marqués de Ripon en recuerdo de su cuñado Frederick Grantham Vyner. Es una de los dos iglesias, junto a la iglesia del Cristo del Consuelo, que ese encuentran en Skelton-on-Ure. Historia Frederick Vyner había sido raptado por bandidos griegos en 1870. Se pidió un importante rescate por su liberación pero fue asesinado antes de que se hubiera podido reunir el dinero. Su madre, lady Mary Vyner y su hermana, lady Ripon, usaron entonces ese dinero para construir las dos iglesias en su memoria. La elección de Burges como arquitecto fue debida principalmente a la amistad que existía entre su principal empleador, John Crichton-Stuart, 3.º Marqués de Bute y Vyner, íntimos amigos desde Oxford. La iglesia fue encargada en 1870, los trabajos comenzaron en 1871​ y fue finalmente consagrada en 1878.​ Arquitectura y descripción El diseño de Burges muestra una evolución desde su hasta entonces preferido estilo francés a un estilo más inglés. Nikolaus Pevsner escribiría sobre la iglesia: "...un santuario victoriano, un sueño glorioso de gótico inglés".​ El interior es espectacular, superando en riqueza y majestuosidad al de Skelton y las vidrieras destacan por su gran calidad. La iglesia de Santa María diseñada por Burges es una "obra maestra eclesiástica".​ Para su ejecución, Burges contó con la colaboración de su equipo habitual. La escultura corrió a cargo de Thomas Nicholls, las vidrieras fueron diseñadas por Frederick Weekes y la construcción fue llevada a cabo por la Saunders & Co.​ La iglesia está incluida en la lista de edificios de especial arquitectura del Reino Unido.​ Referencias Bibliografía Crook, J. Mordaunt (2013). William Burges and the high Victorian dream (en inglés). ISBN 978-0-7112-3349-2. OCLC 788236063. Pevsner, Nikolaus. The West Riding. The Buildings of England. BE 17. 1967. Enlaces externos