chance passenger got very rare for who wants to go into the city after six o clock t as for the knife board i was all alone there like a bachelor in the bed of ware and when i heard the door at street i thought we lights and shadows had lost all our this however was far from being the case i � ay cried the conductor taking a cotton handkerchief out of his hat and wiping his forehead � here s a go sir if there ever was one i what s the matter inquired i at the same time that he would hold on to the and let his forehead alone till he got down i can t help it returned he � i never was so taken in my life did you see them ere two who just got out i saw the top of their hats said i and they were very bad ones and so they ought to be observed my friend with indignation nothing but the poverty can excuse what they have been and done why what have they done inquired i well they ve been and got in returned the conductor we re to street and from street to the city and beyond those distances says our table of of london life inside we re sixpence now if these � no wouldn t behave so shabby � if these haven t got out and paid their and now got in again in order to pay their by which means they will save a penny apiece by the transaction now don t that beat all to nothing it is very ingenious said i and shows great of mind but i am not sufficiently acquainted with the details respecting to offer an opinion what have you not heard about the as is at say bill here my friend endeavoured to draw the driver s attention to the humorous fact of any person such as myself not being aware of all the circumstances connected with the animal in question but fortunately the noise of the traffic drowned his cries it is unnecessary my good friend observed i that two people should tell me this story your testimony will be quite sufficient pray begin at lights and shadows the beginning i know nothing about it and indeed i was not even aware that was the name of a horse at all no more it t bless ye it s a mare she fi a now at s and a drawing her thousands and yet would you believe it she used to be a and never more than her eighteen at a time if so many talk about why how do you think they starts the desert born � that s what they calls it � on her wild career i they crack a whip at the wing i suppose said i remembering how m s mare in the kin s butterfly is to action of the kind sir observed the conductor triumphantly they a door and calls out right just as we do and then the moves on accordingly the excitement of the here rose to such a pitch that he shook his head in the negative at two old ladies him to stop and take them in � over there s a or a of london life or of that in the piece which upon this ere and how do you think they makes her stop why by out i t which is the place she used to run to when in harness oh ain t it a pretty game here the conductor once more had resort to his hat for his pocket handkerchief and wiped his eyes with amazing vigour but when is this to be seen my good friend inquired i as i descended at the in order to walk quietly down street and so to the club house why it s to be seen every night � to night if you like now do you go sir and after dinner during which i the above incident amid marked applause i did go accordingly and more than one guest fellow went with me everybody knows that s is a very different place from what it used to be in the days of and saw dust indeed it is now per lights am shadows the most comfortable theatre in all london but during the performance of there was one charming circumstance which vividly brought back the old times to my mind and seemed almost to renew my youth i allude to that overpowering of � i know not what � which hangs like an atmosphere about all and them only with the single exception of shows it can t be got in a mere stable it is a subtle perfume made up of a combination of various in which nothing although saw dust d gas and orange have all their proper places in it and the whole my intelligent to whom i was indebted for this theatrical experience was mistaken i perceived in one particular it was not the horse who played but a maiden called in the bills miss whose graceful and classical acting combined with power genius and courage threw a new light upon lord s d this of london life was true and especially the last part of it next to the extraordinary peculiarity of a horse as suggested acting i should think may be placed the fact of a female that part it is generally it seems played by a for said the notice in this drama miss as the fearful on horseback and fights her which has hitherto been done by the literature of our drama is said to be in the hands of the french but let us be thankful that that of our is still english there were expressions in that one at s which never could have entered into the mind of a foreigner and with 