Bach to Brahms : essays on musical design and structure /
Beach, David,1938-editor.
Goldenberg, Yosef,1967-editor.
Includes bibliographical references and index.
Strolling through a Haydn Divertimento with two Heinrichs / L. Poundie Burstein -- Ritornelli or soli : what did Mozart write first in the opening movement of his Violin concerto, K. 207? / Naphtali Wagner -- Outer form, inner form, and other musical narratives in Beethoven's opus 14, no. 2 / Joel Lester -- Temporal poise and oblique dynamic in the first movement of Beethoven's "Archduke" trio / Frank Samarotto -- Chopin as an interpreter of Mozart : the Variations, opus 2 and Don Giovanni / Eytan Agmon -- The first movement of Brahms's fourth symphony revisited : a study of the fanfare and the "cloud of mystery" / Yosef Goldenberg -- "Capricious play" : veiled cyclic relations in Brahms's Ballades, op. 10 and Fantasies, op. 116 / William Kinderman -- Chopin's study in syncopation / John Rink -- AÄ practice, A natural alternative : the transition into the recapitulation in the first movement of Beethoven's "Hammerklavier" sonata / Eric Wen -- Ernst Oster's vision of hidden repetitions and motivic enlargements in J.S. Bach's short keyboard works / Channan Willner -- The "pseudo-Einsatz" in two Handel fugues : Heinrich Schenker's analytic work with Reinhard Oppel / Timothy Jackson -- Formal fusion and its effect on voice-leading structure : the first movement of Beethoven's opus 132 revisited / Boyd Pomeroy -- Indistinct formal functions and conflicting temporal processes in the second movement of Brahms's third symphony / Lauri Suurpèaèa -- The interaction of structure and design in the opening movements of Schubert's piano trios in B-flat major (D. 898) and E-flat major (D. 929) / David Beach -- The suspenseful structure of Brahms's C-major Capriccio, op. 76, no. 8 : a Schenkerian hearing / Charles Burkhart.
Musical analysis.
Music
Music