Whose Spain? : negotiating "Spanish music" in Paris, 1908-1929
Llano, SamuelAuthor
New York : Oxford University Press,
2013.
In this book, Llano analyzes the socio-political discourses underpinning critical and musicological descriptions of 'Spanish music' at the beginning of the 19th century and the discourse's connection with French politics and culture of the era. Llano studies operas and other musical works for the stage as privileged sites for the production of Spanish musical identities, and ultimately demonstrates that definitions of 'French' and 'Spanish' music during this period were to some extent interdependent.
Bibliographic Level Mode of Issuance: Monograph
In this book, Llano analyzes the socio-political discourses underpinning critical and musicological descriptions of 'Spanish music' at the beginning of the 19th century and the discourse's connection with French politics and culture of the era. Llano studies operas and other musical works for the stage as privileged sites for the production of Spanish musical identities, and ultimately demonstrates that definitions of 'French' and 'Spanish' music during this period were to some extent interdependent.
Description based on online resource; title from home page (viewed on Dec. 14, 2012).
Includes bibliographical references and index.
Music
Music
Music
Nationalism in music
Music
Music, Dance, Drama & Film
Music History & Criticism, General