Knowledge and mortality : anagnorisis in Genesis and narrative fiction / [electronic resource]
Mleynek, Sherryll S.,1942-
New York : P. Lang,
c1999.
"Aristotle identifies "the transformation from ignorance to knowledge," or anagnorisis, as crucial to dramatic tension. Using the Biblical "garden" as the locus classicus of anagnorisis in Western narrative fiction, this study establishes the connection between knowledge and mortality in Genesis, and analyzes anagnorisis and mortality in three nineteenth-century British novels, Middlemarch, Tess of the d'Urbervilles, and Pride and Prejudice, and in the "post-modern" novel Possession.
Ultimately, it is a proof that the suffusing literary motif of "knowledge and mortality" is inescapable: it transcends fictional genre and period because the "knowledge of mortality" is humanity's most ontologically disturbing burden."--Jacket.
Includes bibliographical references (p. [129]-133) and index.

"Aristotle identifies "the transformation from ignorance to knowledge," or anagnorisis, as crucial to dramatic tension. Using the Biblical "garden" as the locus classicus of anagnorisis in Western narrative fiction, this study establishes the connection between knowledge and mortality in Genesis, and analyzes anagnorisis and mortality in three nineteenth-century British novels, Middlemarch, Tess of the d'Urbervilles, and Pride and Prejudice, and in the "post-modern" novel Possession.
Ultimately, it is a proof that the suffusing literary motif of "knowledge and mortality" is inescapable: it transcends fictional genre and period because the "knowledge of mortality" is humanity's most ontologically disturbing burden."--Jacket.
Bibliographic Level Mode of Issuance: Monograph
Fiction
Knowledge, Theory of, in literature.
Recognition in literature.
Mortality in literature.
Fiction
Knowledge, Theory of, in literature
Recognition in literature
Mortality in literature
Languages & Literatures
Literature - General