Sounding the gallery : video and the rise of art-music
Rogers, HollyAuthor
This title argues that early video art is an audiovisual genre. The new video technology not only enabled artists to sound their visual work and composers to visualise their music during the 1960s: it also initiated a spatial form of engagement that encouraged new relationships between art / music practices and their audiences.
Bibliographic Level Mode of Issuance: Monograph
Includes bibliographical references and index.
This title argues that early video art is an audiovisual genre. The new video technology not only enabled artists to sound their visual work and composers to visualise their music during the 1960s: it also initiated a spatial form of engagement that encouraged new relationships between art / music practices and their audiences.
Description based on print version record.
Music
Video art
Music
Music, Dance, Drama & Film
Music History & Criticism, General