Phenomenology and the Future of Film [electronic resource] : Rethinking Subjectivity Beyond French Cinema /
Chamarette, J.author.
Using hybrid phenomenological approaches to film, this book focuses on how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Its close engagements with films and installations by four contemporary French filmmakers explore the limits and possibilities of 'cinematic' subjectivity.
Description based upon print version of record.
Includes bibliographical references and index.
Includes filmography.
Introduction -- Time and matter: temporality, embodied subjectivity and film phenomenology -- Knowing and nothing: Chris Marker, subjective temporalities and vocalic bodies in the future tense -- Agnès Varda's Trinket box: subjective relationality, affect and temporalised space -- Burlesque gestures and bodily attention: phenomenologies of the ephemeral in Chantal Akerman -- Threatened corporealities: thinking with the films of Philippe Grandrieux -- Conclusion: rethinking cinematic subjectivity and beyond.
Using hybrid phenomenological approaches to film, this book focuses on how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Its close engagements with films and installations by four contemporary French filmmakers explore the limits and possibilities of 'cinematic' subjectivity.
Motion pictures-History.
Motion pictures and television.
Philosophy.
Aesthetics.
Motion pictures-Production and direction.
Phenomenology .
Film History.
Screen Studies.
Philosophy, general.
Aesthetics.
Directing.
Phenomenology.