Film/music analysis [electronic resource] : a film studies approach /
Audissino, Emilio,author.
This book offers an approach to film music in which music and visuals are seen as equal players in the game. The field of Film-Music Studies has been increasingly dominated by musicologists and this book  brings the discipline back squarely into the domain of of Film Studies. Blending Neoformalism with Gestalt Psychology and Leonard B. Meyer's musicology, this study treats music as a cinematic element and offers scholars and students of both music and film a set of tools to help them analyse the wide ranging impact that music has in films.
Includes bibliographical references, filmography and index.
1. Introduction: Who Is Entitled To Study Film Music? -- 2. PART I: Pars Destruens - Chapter 2. The Not-So-Fantastical Gap between Music Studies and Film Studies -- 3. Recent Attempts to Bridge the Gap and Overcome a Separatism Conception -- 4. PART II: Pars Construens - Chapter 4. The Neoformalist Proposal -- 5. Film/Music Analysis I: Music, Gestalt, and Audiovisual Isomorphism -- 6. Film/Music Analysis II: Functions and Motivations of Music -- 7. PART III: Pars Demonstrans - Chapter 7. Five Illustrations of Film/Music Analysis -- 8. Close Encounters of the Third Kind and E.T. The Extraterrestrial. The Bonding Power of Music.- 9. Recapitulation and Final Thoughts.
This book offers an approach to film music in which music and visuals are seen as equal players in the game. The field of Film-Music Studies has been increasingly dominated by musicologists and this book  brings the discipline back squarely into the domain of of Film Studies. Blending Neoformalism with Gestalt Psychology and Leonard B. Meyer's musicology, this study treats music as a cinematic element and offers scholars and students of both music and film a set of tools to help them analyse the wide ranging impact that music has in films.
Motion picture music
Motion picture music
Motion picture music