Performing Animality [electronic resource] : Animals in Performance Practices /
Parker-Starbuck, Jennifer.author.
Orozco, L.editor.
Performing Animality provides theoretical and creative interventions into the presence of the animal and ideas of animality in performance. Animals have always played a part in human performance practices. Maintaining a crucial role in many communities' cultural traditions, animal-human encounters have been key in the development of performance. Similarly, performance including both living animals and/or representations of animals provides the context for encounters in which issues of power, human subjectivity and otherness are explored. Crucially, however, the inclusion of animals in performance also offers an opportunity to investigate ethical and moral assumptions about human and non-human animals. This book offers a historical and theoretical exploration of animal presence in performance by looking at the concept of animality and how it has developed in theatre and performance practices from the eighteenth century to today. Furthermore, it points to shifts in political, cultural, and ethical animal-human relations emerging within the context of animality and performance.
Cover; Contents; List of Figures; Notes on Contributors; Acknowledgements; Introduction; Part I: Setting the Stage; 1 From Homo Performans to Interspecies Collaboration: Expanding the Concept of Performance to Include Animals; Part II: Bulls, Dogs, Pigs, Bears and Horses: Animals in Performance; 2 The Art of Fierceness: The Performance of the Spanish Fighting Bull; 3 'Genus Porcus Sophisticus': The Learned Pig and the Theatrics of National Identity in Late Eighteenth-Century London; 4 'A Very Good Act for an Unimportant Place': Animals, Ambivalence and Abuse in Big-Time Vaudeville
5 Acrobatic Circus Horses: Military Training to Natural WildnessPart III: 'Performing' Animals and 'Theatres of Species'; 6 Massive Bodies in Mortal Performance: War Horse and the Staging of Anglo-American Equine Experience in Combat; 7 Embattled Animals in a Theatre of Species; 8 Animal Pasts and Presents: Taxidermied Time Travellers; 9 Effacing the Human: Rachel Rosenthal, Rats and Shared Creative Agency; Part IV: Looking at/Loving with animals; 10 There and Not There: Looking at Animals in Contemporary Theatre; 11 It's Hard to Spot the Queerness in this Image; Index
Includes index.
Performing Animality provides theoretical and creative interventions into the presence of the animal and ideas of animality in performance. Animals have always played a part in human performance practices. Maintaining a crucial role in many communities' cultural traditions, animal-human encounters have been key in the development of performance. Similarly, performance including both living animals and/or representations of animals provides the context for encounters in which issues of power, human subjectivity and otherness are explored. Crucially, however, the inclusion of animals in performance also offers an opportunity to investigate ethical and moral assumptions about human and non-human animals. This book offers a historical and theoretical exploration of animal presence in performance by looking at the concept of animality and how it has developed in theatre and performance practices from the eighteenth century to today. Furthermore, it points to shifts in political, cultural, and ethical animal-human relations emerging within the context of animality and performance.
Theater—History.
Performing arts.
Theater.
Arts.
Theatre History.
Performing Arts.
Theatre and Performance Studies.
Arts.