Writing Islam from a South Asian Muslim Perspective [electronic resource] : Rushdie, Hamid, Aslam, Shamsie /
Clements, Madeline.author.
This book explores whether the post-9/11 novels of Rushdie, Hamid, Aslam and Shamsie can be read as part of an attempt to revise modern ‘knowledge’ of the Islamic world, using globally-distributed English-language literature to reframe Muslims’ potential to connect with others. Focussing on novels including Shalimar the Clown, The Reluctant Fundamentalist, The Wasted Vigil, and Burnt Shadows, the author combines aesthetic, historical, political and spiritual considerations with analyses of the popular discourses and critical discussions surrounding the novels; and scrutinises how the writers have been appropriated as authentic spokespeople by dominant political and cultural forces. Finally, she explores how, as writers of Indian and Pakistani origin, Rushdie, Hamid, Aslam and Shamsie negotiate their identities, and the tensions of being seen to act as Muslim representatives, in relation to the complex international and geopolitical context in which they write. .
Description based upon print version of record.
Includes bibliographical references and index.
Machine generated contents note: Writing Islam from a Contemporary South Asian Perspective -- Enchanted Realms, Sceptical Perspectives: Salman Rushdie after 9/11 -- 'A Devilishly Difficult Ball': Mohsin Hamid's The Reluctant Fundamentalist -- Re-culturing Islam: Nadeem Aslam's Mausoleum Fiction -- Stranger Intimacies: The Novels of Kamila Shamsie -- Writing Contemporary Islam: An Ambiguous Project.
This book explores whether the post-9/11 novels of Rushdie, Hamid, Aslam and Shamsie can be read as part of an attempt to revise modern ‘knowledge’ of the Islamic world, using globally-distributed English-language literature to reframe Muslims’ potential to connect with others. Focussing on novels including Shalimar the Clown, The Reluctant Fundamentalist, The Wasted Vigil, and Burnt Shadows, the author combines aesthetic, historical, political and spiritual considerations with analyses of the popular discourses and critical discussions surrounding the novels; and scrutinises how the writers have been appropriated as authentic spokespeople by dominant political and cultural forces. Finally, she explores how, as writers of Indian and Pakistani origin, Rushdie, Hamid, Aslam and Shamsie negotiate their identities, and the tensions of being seen to act as Muslim representatives, in relation to the complex international and geopolitical context in which they write. .
Literature   .
British literature.
Literature—Philosophy.
Culture—Study and teaching.
Literature, Modern—20th century.
Oriental literature.
Postcolonial/World Literature.
British and Irish Literature.
Literary Theory.
Cultural Theory.
Twentieth-Century Literature.
Asian Literature.