Performer's voices across centuries and cultures : selected proceedings of the 2009 Performer's Voice International Symposium, Yong Siew Toh Conservatory of Music, National University of Singapore, 29 Oct-2 Nov 2009 /
Performer's Voice International Symposium.
Marshman, Anne.
National University of Singapore.Yong Siew Toh Conservatory of Music.
London : Imperial College Press,
c2012.
Includes bibliographical references and index.
1. where things stand now / Richard Taruskin -- 2. The performer's voice and  'His dualistic soul': Hindemith recomsidered -- 3. What underwrites the performer's voice? : A Bakhtinian perspective / Anthony Gritten -- The port de voix in Louis Couperin's unmeasured preludes: a study of types, functions and interpretation / David Chung -- 5. Explorations around bass parts and key schemes: recording the cantatas of Alessandro Scarlatti -- 6. Marimba plays early music: an approach informed by historical performance practice -- 7. A philosophy of the performer's voice and its performance in works by Mozart and Stravinsky / Ann Marshman -- 8. The literary song recital with special reference to Maud / Michael Halliwell -- 9. On the string in the peasant style: performance style in early recordings of Béla Bartók's Romanian folk dances / Joshua Walden -- 10. The lowly voice: the Singapore bassist voice / Greg Peterson and Tony Makrome  -- 11. From forte piano to modern piano: a case study of a performer-composer collaboration / Helena Marinho and Sara Carvalho -- Kung Fu fan turns master: Eagle Claw Wu Tsiao Chen Wins / Aiyun Huang and Sean Griffin.
Music
Musicology