Clementine Hunter : her life and art /
Shiver, Art,1946-
Hunter, ClementineCriticism and interpretation.
"Clementine Hunter (1887-1988) painted every day from the 1930s until several days before her death at age 101. As a cook and domestic servant at Louisiana's Melrose Plantation, she painted on hundreds of objects available around her: glass snuff bottles, discarded roofing shingles, ironing boards, as well as on canvas. She produced between five and ten thousand paintings, including her most ambitious work, the African House Murals. Her paintings of cotton planting and harvesting, washdays, weddings, baptisms, funerals, Saturday night revelry, and zinnias depict her experiences of everyday plantation life along the Cane River. More than a personal record of Hunter's life, her work also reflects the social, material, and cultural aspects of the area's larger African American community. Drawing on archival research, interviews, personal files, and a close relationship with the artist, Art Shiver and Tom Whitehead offer the first comprehensive biography of this self-taught regional painter, who attracted the attention of the world. Shiver and Whitehead trace Hunter's childhood, her encounters at Melrose with artists and writers, such as Alberta Kinsey and Lyle Saxon, and the role played by eccentric plantation historian Francois Mignon, who encouraged and promoted her art. The authors include rare paintings and photographs to illustrate Hunter's creative process and discuss the evolution of her style." -- From publisher's website.
Includes bibliographical references (pages 141-144) and index.
A moment of recognition : May 17, 1985 -- From the cotton fields to the Big House -- Memory and a sense of place -- The remarkable and enigmatic Mr. Mignon -- Mr. Pipes and the artist -- Becoming an artist -- The African House murals -- A lifetime told in art -- Friends, supporters, and patrons -- New Year's Day, 1988 -- Fakes, forgeries, and the FBI -- Appendix: The evolution of Hunter's signature.
"Clementine Hunter (1887-1988) painted every day from the 1930s until several days before her death at age 101. As a cook and domestic servant at Louisiana's Melrose Plantation, she painted on hundreds of objects available around her: glass snuff bottles, discarded roofing shingles, ironing boards, as well as on canvas. She produced between five and ten thousand paintings, including her most ambitious work, the African House Murals. Her paintings of cotton planting and harvesting, washdays, weddings, baptisms, funerals, Saturday night revelry, and zinnias depict her experiences of everyday plantation life along the Cane River. More than a personal record of Hunter's life, her work also reflects the social, material, and cultural aspects of the area's larger African American community. Drawing on archival research, interviews, personal files, and a close relationship with the artist, Art Shiver and Tom Whitehead offer the first comprehensive biography of this self-taught regional painter, who attracted the attention of the world. Shiver and Whitehead trace Hunter's childhood, her encounters at Melrose with artists and writers, such as Alberta Kinsey and Lyle Saxon, and the role played by eccentric plantation historian Francois Mignon, who encouraged and promoted her art. The authors include rare paintings and photographs to illustrate Hunter's creative process and discuss the evolution of her style." -- From publisher's website.
Painters
African American painters