The Global Sixties in Sound and Vision [electronic resource] : Media, Counterculture, Revolt /
Brown, T.editor.
Lison, A.editor.
Despite the explosion of interest in the "global 1968," the arts in this period - both popular and avant-garde forms - have too often been neglected. This interdisciplinary volume brings together scholars in history, cultural studies, musicology and other areas to explore the symbiosis of the sonic and the visual in the counterculture of the 1960s.
Cover; Title; Copyright; Contents; List of Illustrations; Introduction The Global Sixties in Sound and Vision: Media Counterculture, Revolt; Chapter 1 A Red Noise: Pop and Politics in Post-1968 France; Chapter 2 Mapping Tropicália; Chapter 3 Magical Mystery Tours: Godard and Antonioni in America; Chapter 4 Turning Inwards: The Politics of Privacy in the New American Cinema; Chapter 5 Utopia and Dystopia in Science Fiction Films around 1968; CHAPTER 6 "Musical & Magical Counterpoint": Language, Sound, and Image in Wallace Berman's Aleph, 1956-1966
CHAPTER 7 Guitar Smashing: Gustav Metzger, the Idea of Auto-destructive Works of Art, and Its Influence on Rock MusicCHAPTER 8 "The Revolution Is Over-and We Have Won!": Alfred Hilsberg, West German Punk, and the Sixties; CHAPTER 9 The Sun and Moon Have Come Together: The Fourth Way, the Counterculture, and Capitol Records; CHAPTER 10 "A Weapon in Our Struggle for Liberation": Black Arts, Black Power, and the 1969 Pan-African Cultural Festival; CHAPTER 11 The Revolution Will Not Be Televised, But It Will Be Recorded: Soul, Funk, and the Black Urban Experience, 1968-1
CHAPTER 12 Jukebox Modernism: The Transatlantic Sight and Sound of Peter Blake's Got a Girl (1960-1961)CHAPTER 13 Uninteresting Pictures: Art and Technocracy, 1968; CHAPTER 14 1968 and the Future of Information; Notes on Contributors; Index
Includes index.
Despite the explosion of interest in the "global 1968," the arts in this period - both popular and avant-garde forms - have too often been neglected. This interdisciplinary volume brings together scholars in history, cultural studies, musicology and other areas to explore the symbiosis of the sonic and the visual in the counterculture of the 1960s.
Civilization-History.
Music.
World history.
Social history.
Arts.
History, Modern.
Cultural History.
Music.
World History, Global and Transnational History.
Social History.
Arts.
Modern History.