Death and the moving image : ideology, iconography and I / [electronic resource]
Aaron, Michele,author.
Death and the Moving Image provides the first in-depth study of the representation of death and dying in mainstream Western cinema from its earliest to its latest renditions. It explores the impact of gender, race, nation and narration upon death's dramatics on-screen and isolates how mainstream cinema works to bestow value upon certain lives, and specific socio-cultural identities, in a hierarchical and partisan way. Dedicated to the popular, to the political and ethical implications of mass culture's themes and imperatives, this book takes mainstream cinema to task for its mortal economies: for its adoration and absolution of some characters and expendability of others. It also ultimately disinters the capacity for film, and film criticism, to engage with life and vulnerability differently. Aimed at the burgeoning field of death studies and explosion of interest in trauma and ethics within film studies, this book charts important new territory for the discipline whilst arguing for the centrality of this subject to the socio-political significance of cinema.
Part I Before - Flirting with Death -- 1. Self-endangerment and the  Subject of Film -- 2. Cinema and Suicide -- 3. Sacrifice and Spectatorship  in Context -- Part II During - Depicting Death -- 4. The Cinematic Language of Dying -- 5. Grammar Lessons:  Dying and Difference -- 6. Watching Others Die: Spectatorship, Vulnerability  and the Ethics of Being Moved -- Part III After - Responding to Death -- 7. At Last:  Towards a Cinema of No Return.
Includes bibliographical references, filmographies and index.
Title from publisher's bibliographic system (viewed on 02 Oct 2015).
Death and the Moving Image provides the first in-depth study of the representation of death and dying in mainstream Western cinema from its earliest to its latest renditions. It explores the impact of gender, race, nation and narration upon death's dramatics on-screen and isolates how mainstream cinema works to bestow value upon certain lives, and specific socio-cultural identities, in a hierarchical and partisan way. Dedicated to the popular, to the political and ethical implications of mass culture's themes and imperatives, this book takes mainstream cinema to task for its mortal economies: for its adoration and absolution of some characters and expendability of others. It also ultimately disinters the capacity for film, and film criticism, to engage with life and vulnerability differently. Aimed at the burgeoning field of death studies and explosion of interest in trauma and ethics within film studies, this book charts important new territory for the discipline whilst arguing for the centrality of this subject to the socio-political significance of cinema.
Death in motion pictures.
Motion pictures
Motion pictures