Don't look now : British cinema in the 1970s /
Newland, Paul,Dr.
Bristol : Intellect,
2010.
Includes bibliographical references and index.
Keynote lecture, Don't look now: British cinema in the 1970s conference, University of Exeter, July 2007 / Sue Harper -- Stanley Baker and British lion: a cautionary tale / Robert Shail -- Staccato and wrenchingly modern: reflections on the 1970s stardom of Glenda Jackson / Melanie Williams -- Alternative film exhibition in the English regions during the 1970s / Vincent Porter -- Multiple voices: The silent cry and artists' moving image in the 1970s / William Fowler -- On the margins: Anthony Simmons, The optimists of nine elms and Black joy / Josie Dolan and Andrew Spicer -- We know where we're going, we know where we're from: Babylon / Paul Newland -- The power to create catastrophe: the idea of apocalypse in 1970s British cinema / Peter Hutchings -- Hideous sexy: the eroticized body and deformity in 1970s British horror films / Peri Bradley -- Masculinity and deviance in British cinema of the 1970s: sex, drugs and rock 'n' roll in The wicker man, Tommy and The Rocky Horror picture show / E. Anna Claydon -- 'The "lack" and how to get it': reading male anxiety in A clockwork orange, Tommy and The man who fell to Earth / Justin Smith -- The last studio system: a case for British television films / Dave Rolinson -- 'Pre-sold to millions': the sitcom films of the 1970s / Adrian Garvey -- Class, nostalgia and Newcastle: contested space in The likely lads / Paul Williams -- Hovis, Ovaltine, Mackeson's and the Days of hope debate / Amy Sargeant -- 'What is there to smile at?' Lindsay Anderson's O lucky man! / John Izod ... [et al.] -- Dead ends and private roads: the 1970s films of Barney Platts-Mills / James Leggott -- Landscape gardens in The ruling class / Mark Broughton -- Beneath the surface: Nicolas Roeg's Don't look now / Andrew Patch.
Motion pictures