Style and the single girl : how modern women re-dressed the novel, 1922-1977 /
Hodgkins, Hope Howell,1960-author.
"Style and the Single Girl by Hope Howell Hodgkins reveals how four very different single-girl novelists employed modern modes to re-dress the traditional English marriage plot. In the first monograph to use fashion theory and history to trace the literary progress of British women in later modernity, Hodgkins argues that correspondences between a gendered sartorial style and a gendered literary style persisted throughout the modern era. She demonstrates how those correspondences did not fade but became fraught as women matured in the sharply gendered crucible of war. Hodgkins delineates how in the 1920s and 1930s, popular novels by Dorothy Sayers and high-art fiction by Jean Rhys used dress to comment wittily and bitterly on gender relations. During World War II, changes in British Vogue and compromises made by the literary journal Horizon signaled the death of modernist styles, as Elizabeth Bowen's gender-bent wartime stories show. Then demure and reserved postwar styles--Dior's curvy New Look, the Movement's understated literary irony--were intertwined in the fictions of Barbara Pym and Muriel Spark, who re-dressed the novel with a vengeance. Whether fashioning detective fiction, literary impressionism, or postwar comedy, these novelists used style in every sense to redefine that famous question, 'What do women want?'" -- Publisher's description
Includes bibliographical references (pages 261-275) and index.
Introducing modernism, à la mode -- The self-fashioned Dorothy L. Sayers -- Jean Rhys and modeling for men -- How Vogue changed clothes in war -- Literature in wartime -- Pym, Spark, and the postwar comedy of the object -- Spark, Pym, and the glamorous ends of style -- Coda: Lasting modes.
"Style and the Single Girl by Hope Howell Hodgkins reveals how four very different single-girl novelists employed modern modes to re-dress the traditional English marriage plot. In the first monograph to use fashion theory and history to trace the literary progress of British women in later modernity, Hodgkins argues that correspondences between a gendered sartorial style and a gendered literary style persisted throughout the modern era. She demonstrates how those correspondences did not fade but became fraught as women matured in the sharply gendered crucible of war. Hodgkins delineates how in the 1920s and 1930s, popular novels by Dorothy Sayers and high-art fiction by Jean Rhys used dress to comment wittily and bitterly on gender relations. During World War II, changes in British Vogue and compromises made by the literary journal Horizon signaled the death of modernist styles, as Elizabeth Bowen's gender-bent wartime stories show. Then demure and reserved postwar styles--Dior's curvy New Look, the Movement's understated literary irony--were intertwined in the fictions of Barbara Pym and Muriel Spark, who re-dressed the novel with a vengeance. Whether fashioning detective fiction, literary impressionism, or postwar comedy, these novelists used style in every sense to redefine that famous question, 'What do women want?'" -- Publisher's description
Clothing and dress in literature.
Fashion in literature.
Single women in literature.
English fiction
Fashion
Modernism (Literature)
Clothing and dress in literature.
English fiction.
Fashion in literature.
Fashion
Modernism (Literature)
Single women in literature.