From Cohen to Carson : the poet's novel in Canada /
Rae, Ian,1971-
Montreal ; London : McGill-Queen's University Press,
c2008.
"From Cohen to Carson provides the first book-length analysis of one of Canada's most distinctive fields of literary production. Ian Rogers argues that Canadian poets have turned to the novel because of the limitations of the lyric, but have used lyric methods - puns, symbolism, repetition, juxtaposition - to create a mode of narrative that contrasts sharply with the descriptive conventions of realist and plot-driven novels." "Detailed case studies of novels by Leonard Cohen, Michael Ondaatje, George Bowering, Daphne Marlatt, and Anne Carson, as well as sections on A. M. Klein and Anne Michaels, reveal how these authors framed their early novels according to formal precedents established in their poetry. In tracking the authors' shift from lyric to long poem to novel, Rae also investigates their experiments with non-literary art forms - photography, painting, and film. He argues convincingly that the authors discussed have combined disparate genres and media to alter notions of narrative coherence in the novel and engage the diverse but fragmented cultural histories of Canadian society."--BOOK JACKET.
Includes bibliographical references (p. [347]-372) and index.
(Un)framing genres -- Leonard Cohen:(Un)framing narrative -- Michael Ondaatje: (Un)framing the series -- George Bowering: (Un)framing the serial novel -- Daphne Marlatt: (Un)framing the quest narrative -- Anne Carson: (Un)framing myth -- The English Patient, Fugitive Pieces, and the poet's novel.
"From Cohen to Carson provides the first book-length analysis of one of Canada's most distinctive fields of literary production. Ian Rogers argues that Canadian poets have turned to the novel because of the limitations of the lyric, but have used lyric methods - puns, symbolism, repetition, juxtaposition - to create a mode of narrative that contrasts sharply with the descriptive conventions of realist and plot-driven novels." "Detailed case studies of novels by Leonard Cohen, Michael Ondaatje, George Bowering, Daphne Marlatt, and Anne Carson, as well as sections on A. M. Klein and Anne Michaels, reveal how these authors framed their early novels according to formal precedents established in their poetry. In tracking the authors' shift from lyric to long poem to novel, Rae also investigates their experiments with non-literary art forms - photography, painting, and film. He argues convincingly that the authors discussed have combined disparate genres and media to alter notions of narrative coherence in the novel and engage the diverse but fragmented cultural histories of Canadian society."--BOOK JACKET.
Canadian fiction
Poets, Canadian
Novelists, Canadian
Literary form.
Narration (Rhetoric)