Art since 1940 : strategies of being /
Fineberg, Jonathan David.
New York : H.N. Abrams,
2000.
Includes bibliographical references and index.
Introduction -- New York in the forties.  New York becomes the center -- The sense of a new movement in New York -- A dialog with Europe.  Alexander Calder -- Hans Hofmann -- Arshile Gorky -- Robert Motherwell -- Willem de Kooning -- Existentialism comes to the fore.  Jackson Pollock -- Barnett Newman -- Mark Rothko -- David Smith and the sculpture of the New York School -- The new Eruopean masters of the late forties.  Jean Dubuffet and postwar Paris -- The extentialist figuration of Alberto Giacometti -- Francis Bacon -- Some international tendencies of the fifties.  Purified abstraction -- "New images of man" in Europe and America -- The beat generation : the fifties in America.  "A Coney Island of the mind" : the Beats and John Cage -- Robert Rauschenberg -- Appropriating the real : junk sculpture and happenings -- Claes Oldenburg -- Jasper Johns -- The European vanguard of the later fifties.  Nouveau réalisme -- Joseph Beuys -- British pop : from the Independent Group to David Hockney --
The landscape of signs : American pop art 1960 to 1965.  The electronic consciousness and New York pop -- Andy Warhol -- Roy Lichtenstein -- James Rosenquist -- H.C. Westermann, Peter Saul, and the Hairy Who -- West Coast pop -- Robert Arneson -- In the nature of materials : the later sixties.  Back to first principles-- minimal art -- Eva Hesse and investigations of materials and process -- Bruce Nauman and Richard Serra -- Artists working in the landscape -- Arte povera, and a perserving rapport with nature in Europe -- Politics and postmodernism : the transition to the seventies.  Re-radicalizing the avant-garde -- Christo and Jeanne-Claude -- Postmodernism -- Surviving the corporate culture of America of the seventies.  A new pluralism -- Romare Bearden -- Alice Aycock -- Philip Guston's late style -- Painting at the end of the seventies.  New expressionist painting in Europe -- The peculiar case of the Russians -- New imagist painting and sculpture -- The eighties.  A fresh look at abstraction -- American neo-expressionism -- Post-modern installation -- Appropriation -- New tendencies of the nineties -- To say the things that are one's own.
Modernism (Art)
Postmodernism
Art, American.
Modernism (Art)
Postmodernism
Art, European.