Burning darkness : a half century of Spanish cinema /
Resina, Joan Ramon.
Lema-Hincapié, Andrés.
Albany : SUNY Press,
c2008.
Includes bibliographical references (p. 277-293) and index.
Rehearsing for modernity in!Bienvenido, Mister Marshall! (Luis García Berlanga, 1952) / Eva Woods Peiró -- Existential crossroads in Muerte de una ciclista (Juan Antonio Bardem, 1955) / Andrés Lema-Hincapié -- Viridiana Coca-Cola (Luis Buñel, 1961) / Tom Conley -- El espíritu de la colmena: memory, nostalgia, trauma (Victor Erice, 1973) / Chris Perriam -- A poetics of splitting: memory and identity in La prima Angélita (Carlos Saura, 1974) / Ángel Quintana -- Ambiguous disenchantment in El corazón del bosque (Manuel Gutiérrez Aragón, 1979) / Irení Depetris-Chauvin -- Los paraísos perdidos: cinema of return and repetition (Basilio Martín Patino, 1985) / Tatjana Pavlović -- (M)othering strategies in El pajaro de la felicidad (Pilar Miró, 1993) / Jaume Martí-Olivella -- Abjection, trauma, and the material image: la madre muerta (Juanma Bajo Ulloa, 1993) / Jo Labanyi -- The Catalan body politic as aired in La teta i la lluna (Bigas Luna, 1994) / Dominic Keown -- Genre and screen violence: revisiting Tesis (Alejandro Amenábar, 1995) / Barry Jordan -- Conceptualizing "the impact" in Los amantes del círculo polar (Julio Medem, 1998) / Robert A. Davidson -- Immortal/undead: the body and the transmission of tradition in Amic/Amat (Ventura Pons, 1998) / Josep-Anton Fernández -- Imitation of life: transsexuality and transtextuality in Todo sobre mi madre (Pedro Almodóvar, 1999) / Esteve Riambau -- The construction of the cinematic image: en construcción (José Luis Guerín, 2000) / Joan Ramon Resina.
Motion pictures