The Labour of Literature in Britain and France, 1830-1910 [electronic resource] : Authorial Work Ethics /
Waithe, Marcus.editor.
White, Claire.editor.
This volume examines the anxieties that caused many nineteenth-century writers to insist on literature as a laboured and labouring enterprise. Following Isaac D’Israeli’s gloss on Jean de La Bruyère, it asks, in particular, whether writing should be ‘called working’. Whereas previous studies have focused on national literatures in isolation, this volume demonstrates the two-way traffic between British and French conceptions of literary labour. It questions assumed areas of affinity and difference, beginning with the labour politics of the early nineteenth century and their common root in the French Revolution. It also scrutinises the received view of France as a source of a ‘leisure ethic’, and of British writers as either rejecting or self-consciously mimicking French models. Individual essays consider examples of how different writers approached their work, while also evoking a broader notion of ‘work ethics’, understood as a humane practice, whereby values, benefits, and responsibilities, are weighed up.
1. Introduction: Literature and Labour - Marcus Waithe and Claire White -- 2. ‘[A] common and not a divided interest’: Literature and the Labour of Representation - Jan-Melissa Schramm -- 3. Collective Biography and Working-Class Authorship, 1830-1859- Richard Salmon -- 4. George Sand, Digging - Claire White -- 5. Ruskin, Browning / Alpenstock, Hatchet - Ross Wilson -- 6. Flaubert’s Cailloux: Hard Labour and the Beauty of Stones - Patrick M. Bray -- 7. Marian Evans, George Eliot, and the Work of Sententiousness - Ruth Livesey -- 8. Baudelaire and the Dilettante Work Ethic - Richard Hibbitt -- 9. ‘Strenuous Minds’: Walter Pater and the Labour of Aestheticism - Marcus Waithe -- 10. The Work of Imitation: Decadent Writing as Mimetic Labour - Matthew Potolksy -- 11. Literary Machines: George Gissing’s Lost Illusions - Edmund Birch -- 12. Worlds of Work and the Work of Words: Zola: Susan Harrow -- 13. Gender Difference and Cultural Labour in French Fiction from Zola to Colette: Nicholas White -- 14. Immaterial Labour and the Modernist Work of Literature - Morag Shiach -- 15. Epilogue: Work Ethics, Past and Present - Marcus Waithe and Claire White.
This volume examines the anxieties that caused many nineteenth-century writers to insist on literature as a laboured and labouring enterprise. Following Isaac D’Israeli’s gloss on Jean de La Bruyère, it asks, in particular, whether writing should be ‘called working’. Whereas previous studies have focused on national literatures in isolation, this volume demonstrates the two-way traffic between British and French conceptions of literary labour. It questions assumed areas of affinity and difference, beginning with the labour politics of the early nineteenth century and their common root in the French Revolution. It also scrutinises the received view of France as a source of a ‘leisure ethic’, and of British writers as either rejecting or self-consciously mimicking French models. Individual essays consider examples of how different writers approached their work, while also evoking a broader notion of ‘work ethics’, understood as a humane practice, whereby values, benefits, and responsibilities, are weighed up.
Literature, Modern-19th century.
British literature.
European literature.
Fiction.
Literature-History and criticism.
Nineteenth-Century Literature.
British and Irish Literature.
European Literature.
Fiction.
Literary History.