Readings of Trauma, Madness, and the Body [electronic resource] /
Anderson, S.author.
In Readings of Trauma, Madness, and the Body, Anderson explores how Modernist fiction narratives by Hemingway, the Fitzgeralds, and H.D. represent trauma, specifically addressing the conflict between speaking about and repressing traumatic memories, while also considering how authors' understandings of gender influence their depictions.
Description based upon print version of record.
Cover; Title; Copyright; Dedication; Contents; Acknowledgments; Part I Introduction to Part I: Trauma Theory; 1 Readings of Resistance in Hemingway's Trauma Fiction; 2 Domestic Trauma in H.D.'s HERmione; Part II Introduction to Part II: Madness in Modern Literature; 3 Readings of Gender and Madness in Hemingway's Across the River and into the Trees and The Garden of Eden; 4 Infidelity and Madness in Fitzgerald's Tender is the Night; 5 Production of the Body and Omission of Madness in Zelda Fitzgerald's Save Me the Waltz; 6 Creating a Language of Rebellion: Madness in H.D.'s HERmione
ConclusionNotes; Bibliography; Index
Includes bibliographical references and index.
In Readings of Trauma, Madness, and the Body, Anderson explores how Modernist fiction narratives by Hemingway, the Fitzgeralds, and H.D. represent trauma, specifically addressing the conflict between speaking about and repressing traumatic memories, while also considering how authors' understandings of gender influence their depictions.
Literature—Philosophy.
Fiction.
America—Literatures.
Literature, Modern—20th century.
Literary Theory.
Fiction.
North American Literature.
Twentieth-Century Literature.