Recorded music : philosophical and critical reflections /
Doğantan, Mine.
London : Middlesex University Press,
2008.
"The companion CD includes excerpts from the original works discussed by the contributing practitioners of music, and an original studio performance by the editor"-- Back cover.
Includes bibliographical references and indexes.
Works, recordings, performances : classical, rock, jazz / Andrew Kania -- Subject to a trace : the virtuality of recorded music / William Echard -- Variations on a theme of Nelson Goodman as arranged by Glenn Gould for the piano phonograph / Colin Symes -- Documentation and transformation in musical recordings / Theodore Gracyk -- Performing after recording / Anthony Gritten -- Phonography and the invention of sound / Marc Battier -- Donner l'illusion de la chose écrite : reflections on recordings of organ improvisations / Michael Frith -- Stealing licks : recording and identity in jazz / Bruce Ellis Benson -- Acting on impulse! : recordings and the reification of jazz / Tony Whyton -- A sense of place : a sense of space / Tony Gibbs and John Dack -- Humanistic motivations in ethnomusicological recordings / Robert Reigle -- Faithful to his master's voice? : questions of fidelity and infidelity in music recording / Francis Rumsey -- Classical sound recordings and live performances : artistic and analytical perspectives / Dorottya Fabian -- DIstortions and masks : transmutation of the "performing breath" in the studio take / Simon Trezise -- Recording the performer's voice / Mine Doğantan-Dack -- Inventing memory : documentary and imagination in acousmatic music / John Young -- Deleuze and the sampler as an audio-microscope : on the music-historical and aesthetic foundations of digital micro-acoustic recording and EndoSonoScopy and the process of analysis and production / Sabine Schäfer and Joachim Krebs.
Sound recordings.
Music