Mamma Andersson : the lost paradise /
Knausgård, Karl Ove,1968-author.
Burkey, Ingvild,1967-translator.
Andersson, Karin Mamma,1962-Works.Selections.
David Zwirner (Gallery),host institution.
This volume celebrates the Swedish artist Mamma Andersson's new body of work--melancholic, evocatively colored paintings that explore femininity, fantasy, and memory. Andersson's works embody a new genre of landscape painting that recalls late nineteenth-century romanticism while also embracing a contemporary interest in layered, psychological compositions. Her panoramic scenes draw inspiration from a wide range of archival photographic source materials, filmic imagery, theater sets, and period interiors as well as the sparse topography of northern Sweden, where she grew up. The paintings utilize a selection of motifs from throughout her career: barren branches and thick-barked pine trees, domestic interiors, horses, and young women. Resembling still lifes, they further a tradition of quiet, dreamlike domestic scenes by Scandinavian artists such as Vilhelm Hammershøi (1864-1916) and Edvard Munch (1863-1944). Part of a self-conscious effort to capture an experience rather than a specific event, the compositions are freer and more abstract and mark a departure from her earlier work. Splendid color reproductions bring the artist's textured brushstrokes, loose washes, and stark graphic lines to life on the page. The book also features a new essay by critically acclaimed author Karl Ove Knausgaard. The Lost Paradise is published on the occasion of an eponymous exhibition presented at David Zwirner New York in 2020. --Publisher's description.
Translated from the Swedish.
Published to accompany the exhibition of the same name held at the David Zwirner, New York, March 4-July 31, 2020.
This volume celebrates the Swedish artist Mamma Andersson's new body of work--melancholic, evocatively colored paintings that explore femininity, fantasy, and memory. Andersson's works embody a new genre of landscape painting that recalls late nineteenth-century romanticism while also embracing a contemporary interest in layered, psychological compositions. Her panoramic scenes draw inspiration from a wide range of archival photographic source materials, filmic imagery, theater sets, and period interiors as well as the sparse topography of northern Sweden, where she grew up. The paintings utilize a selection of motifs from throughout her career: barren branches and thick-barked pine trees, domestic interiors, horses, and young women. Resembling still lifes, they further a tradition of quiet, dreamlike domestic scenes by Scandinavian artists such as Vilhelm Hammershøi (1864-1916) and Edvard Munch (1863-1944). Part of a self-conscious effort to capture an experience rather than a specific event, the compositions are freer and more abstract and mark a departure from her earlier work. Splendid color reproductions bring the artist's textured brushstrokes, loose washes, and stark graphic lines to life on the page. The book also features a new essay by critically acclaimed author Karl Ove Knausgaard. The Lost Paradise is published on the occasion of an eponymous exhibition presented at David Zwirner New York in 2020. --Publisher's description.
Andersson, Karin Mamma, 1962-
Andersson, Karin Mamma, 1962-
Painting, Swedish
ART / General.
Painting, Swedish.