The incorrigibles : perspectives on disability visual arts in the 20th and 21st centuries /
Raabe-Webber, Tanya,editor.
Plant, Adrian,editor.
mac (Arts centre),issuing body.
Birmingham : mac Birmingham,
2016.
The drive to produce this book grew out of issues raised within two of DASH's recent projects: 1: Awkward Bastards took place in March 2015, the first in a series of conferences bringing together an array of speakers – including historians, curators and artists – to discuss a wide range of 'diversity' issues. One recurring theme within the conference was around the decision, both historically and now, to self-identify (or not) as a 'Disabled' or 'black' or 'queer' artist. The positive and negative implications of doing so, and what these implications still tell us about the machinations and prejudices of mainstream cultural organisations, remains an ongoing important political debate as well as a deeply personal dilemma for artists. 2: Cultivate is a bespoke mentoring project for up and coming Disabled visual artists. As mentors within the project we became acutely aware that new and emerging Disabled artists were often unaware of the history and current context for potentially aligning their practice, aspirations and identity as artists within a wider 'Disability Arts movement'. They were also often unaware of the work and range of current Disability Arts organisations and the support and resources available to them through these channels. We hope that this book provides the reader – Disabled or non-disabled, arts professional or generalist, community or social care worker or disability activist – with greater insight and confidence to engage with these issues, and that new dialogues will emerge as a result. The stories and artwork in this book unite the artists and demonstrate the strong vibrant genre that is progressive and inspirational to an emerging Disability Arts landscape. We are indebted to all the artists who responded with such openness, honesty and generosity of spirit. This book is not just about Disability Arts and culture, it is a book about artists being artists, it is about a celebration of difference, it is about the will to survive as artists, it is about humanity, it is about the fact that art unites us all as human beings and that Disability Art is here and now! We hope that The Incorrigibles will provide a valuable contribution at this significant and fundamental point in the history of Disability Art and culture. Recognising and understanding the history of Disabled artists in the past and their position in the present will be the basis of generating new and more enlightened practices in the future.--http://dasharts.org.
Includes bibliographical references.
The drive to produce this book grew out of issues raised within two of DASH's recent projects: 1: Awkward Bastards took place in March 2015, the first in a series of conferences bringing together an array of speakers – including historians, curators and artists – to discuss a wide range of 'diversity' issues. One recurring theme within the conference was around the decision, both historically and now, to self-identify (or not) as a 'Disabled' or 'black' or 'queer' artist. The positive and negative implications of doing so, and what these implications still tell us about the machinations and prejudices of mainstream cultural organisations, remains an ongoing important political debate as well as a deeply personal dilemma for artists. 2: Cultivate is a bespoke mentoring project for up and coming Disabled visual artists. As mentors within the project we became acutely aware that new and emerging Disabled artists were often unaware of the history and current context for potentially aligning their practice, aspirations and identity as artists within a wider 'Disability Arts movement'. They were also often unaware of the work and range of current Disability Arts organisations and the support and resources available to them through these channels. We hope that this book provides the reader – Disabled or non-disabled, arts professional or generalist, community or social care worker or disability activist – with greater insight and confidence to engage with these issues, and that new dialogues will emerge as a result. The stories and artwork in this book unite the artists and demonstrate the strong vibrant genre that is progressive and inspirational to an emerging Disability Arts landscape. We are indebted to all the artists who responded with such openness, honesty and generosity of spirit. This book is not just about Disability Arts and culture, it is a book about artists being artists, it is about a celebration of difference, it is about the will to survive as artists, it is about humanity, it is about the fact that art unites us all as human beings and that Disability Art is here and now! We hope that The Incorrigibles will provide a valuable contribution at this significant and fundamental point in the history of Disability Art and culture. Recognising and understanding the history of Disabled artists in the past and their position in the present will be the basis of generating new and more enlightened practices in the future.--http://dasharts.org.
Art, Modern
Art, Modern
People with disabilities and the arts.