by jodrellblank | 2025-07-16 14:00:39+00:00
I think people today, in general, would be unwilling to hold the idea in their heads that a cloud might look like a shape in a way that goes over their heads, or that they just don't understand. Poor rubes, I'm just more insighftul in the field of nimbohermenutics. The internet has revealed to us normals that an awful lot of "trust me, I'm upper class, this really is superior" was the idle rich patting each other on the back, empty posturing, tax dodges, a game of words as a passtime and social in-group signalling. Twitter and ubiquitous videos of daily life have broken the illusion.

Am I willing to hold the idea that a movie might be good in a way that goes over my head? Yes - take books, I'm never going to read James Joyce, I won't study the historic texts it references, I won't learn the Dublin colloquialisms, I won't understand his wordplay, and I accept that the people who do will get a lot more satisfaction from reading it than I would get from the few scraps I might make sense of.

But if you tell me the painting of a blue rectangle is worth millions, and I just don't understand because I'm a simple pleb and you're a true art connoisseur, and that the art house movie just has more sophisticated culture that a low-brow wouldn't understand, I go back to saying that if you stare longer at the clouds you will see more patterns in the clouds. If you are sharper and more imaginative you will see more patterns in the clouds. If you enjoy finding patterns in clouds you will find more of them. That doesn't mean some clouds have more meaning in them.

And if it's you telling me I can join your club of exclusive film afficionados if I pay the member's fee and spend hours watching the film, or that I can read your educated critical thoughts on 2025's Cloud Patterns in your review column in Cinema Monthly magazine, well that's sounding more like a racket.

Two different people recommended Severence to me [it's a streaming series about people who have their brains severed so when they are at work they cannot remember the outside, and outside they cannot remember their workday]; I find it boring. Is that because I'm a simpleton who can't appreciate social commentary and can't follow unusual storylines, or is it because I've read a lot more SciFi and spiritual self-help mumbo-jumbo than either of those people have, so the ideas are less novel and exciting to me? Sure there are objective things like "this lighting and camera technique was pioneered in $FILM" which I can't see and you might get enjoyment and satisfaction from noticing, but is that really different to me commenting that they have CRT/desktop computers harking back to the IBM XT instead of going with a Star Trek LCARS style flat UX, or that the Data Reduction team shouldn't be able to work with encrypted data because good encryption would not give any information about the plaintext content, or that using the computers to show numbers-as-text is really broken because computers are a tool for turning numbers into human-friendly graphs, sounds, pictures, and by showing the computers as dull numbers machines the writers are revealing society's lack of deep computer understanding and we've all missed the point of Jobs' "computer as bicycle for the mind"?

And there are more subjective things to say about media e.g. "this is Plato's Cave" but is it really, or are you seeing Plato's Cave in the clouds because you were hunting for Classic Memes or because you have spent more time studying the Classics so the Baader–Meinhof phenomenon kicks in and you notice more of the things you know about?

Sure, sure, "all art is the same, nobody is any better" says the intellectually sterile internet commentor. Sure, sure, you're just a higher calibre of person and it's not that everything in life is a status game and you're positioning yourself as higher status by self-declaring that the things you spent more time on are the better things. Yes, people are smarter than me, people know more than me, people see more connections in films than me - but the medium through which I learn those things, the way that message gets to me, is very suspect; why am I reading a newspaper column where you take a broadcast position and get paid to tell me that you see more meaning in a film than me? Why are you, the sublime intellect, spending your life watching films and commenting about them on the grubby pig-mud internet while claiming deep meaning, instead of fixing the world or sitting ZaZen on a mountain top? Why am I hearing about this from a Film Professor whose income depends on people believing that film is deeply meaningful, or from a Film Studies graduate whose self-image is partly supported by the idea that their expensive degree is about more than just simple entertainment? The medium is the message, and the mediums are not truth-finding, they are marketing and entertainment.

It's not that people "are less willing to believe there is stuff they don't understand", it's "people are fed up of being marketed to by centuries of con-people trying to spin the idea that they understand something deep and insightful that we don't, and we need to turn to them for help with it".

And isn't nature wonderful, but is this art?

https://www.youtube.com/watch?v=yVmw3ZhdzEs - Steamed Hams, in the style of the banned Soviet film Glass Harmonica.

https://www.youtube.com/watch?v=Ynyv3oHDRg0 - Steamed Hams, but it's French New Wave cinema.

There's no curiosity that Steamed Hams might be more than what you saw it to be. Sad times.

https://featureassets.gocomics.com/assets/318702d0df96013172...