Input: Lead [Abbreviations] ld

Output: The act of directing the woman through a figure or a dance. It involves choosing appropriate steps to suit the music and leading by hand and body signals to complete the chosen steps smoothly and safely. If the dance is a choreographed routine, as in round dancing, the lead is still responsible for initiating each move, which ensures smooth coordination between the two dancers. Lead is normally the man's responsibility.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Lead Foot [Abbreviations] ld ft

Output: Man's left, woman's right

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Lead Hand [Abbreviations] ld hnd

Output: Man's left, woman's right

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Lead In

Output: The music that occurs before the dance introduction begins, usually one or two measures.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Left Face [Abbreviations] LF

Output: Turning to the left or counter-clockwise.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Left Open Facing Position [Abbreviations] LOP-FCG

Output: One of many possible dance positions. See Dance Position and Connection Between Partners.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Left Open Position [Abbreviations] LOP

Output: One of many possible dance positions. See Dance Position and Connection Between Partners.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Left Shadow [Abbreviations] L SHDW

Output: A dance position in which partners are facing the same direction, the woman to the left and a little in front of the man. As in shadow position, the man is "shadowing" the woman, but she is to his left. Right hands may be joined, and the man's left hand may be placed on the woman's back, to facilitate lead and follow.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Left Side Lead [Abbreviations] L sd ld

Output: Moving with the left side of the body ahead of the right. Sometimes referred to as a "slicing" movement.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Lift

Output: Rise slightly on the ball of the supporting foot. Done while you are stepping forward or side, but no weight change in itself. You might simultaneously stretch the body and raise the free leg. If you are stepping forward, you would raise the free leg forward. If you are stepping to the side, you would raise the free leg to the side, away from your direction of movement. Keep the free leg straight and the toe pointed. Also, when a dancer's feet (typically the woman's) are both off the floor at the same time. Lifts are not permitted in ballroom competition, except for cabaret and showdance events, and are rarely seen in round dance choreography.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Lilt

Output: Step heel to toe, giving a little rise to the body and earlier than usual.


Input: Limp

Output: Step side and then cross behind with slight bending of both knees.


Input: Lindy [Abbreviations] LN

Output: One of the Latin Rhythms — see the navigation bar at the upper left of each page.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Line of Dance [Abbreviations] LOD

Output: The line of dance is forward, counter-clockwise, around the dance floor. Generally, the man directs the progression of dance. The center of the hall will be to his left, and the walls of the room will be to his right. In both freestyle and rounds, go with the flow and avoid interfering with other dancers.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Line of Progression [Abbreviations] line of prog

Output: Direction the movement or flow of the dance is currently moving. May be line of dance or reverse line of dance. In general, if the couple is in closed position or semi-closed position facing the wall or LOD then the line of progression is counter-clockwise or LOD.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Lock [Abbreviations] lk

Output: Cross the free foot in front of or behind the supporting foot, place it close so that ankles touch or almost touch, and take weight. Progression is smoother if you rise on the ball of the supporting foot so that the locking foot can slip under the heel of the supporting foot.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Looking Circle

Output: Partners facing center of hall, the taller dancer standing behind and slightly to one side of his partner to observe while instruction is being given. In a big group, where there may be three concentric circles of dancers, it is important to follow convention: the outer circle moves in and the inner circle moves out to join the middle circle. That way, the instructors have some room to demonstrate but all can see. It is rude and disturbing for dancers to move to the wall, sit in chairs there, and then complain that they cannot see over the looking circle.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Loose Closed Position [Abbreviations] LCP

Output: One of many possible dance positions. See Dance Position and Connection Between Partners.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Lower Or Fall

Output: Lower body with weight centered over the ball and toes of the supporting foot. Involves whole body: lower onto heel, flex knee, and compress upper body.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Lunge [Abbreviations] lun

Output: Step forward or side, bending knee and checking the movement, maintaining an upward poise in the torso and head.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Mambo [Abbreviations] MB

Output: Originally a priestess of voodoo in Haiti. A dance of Cuban origin and one of the five dances of the American Rhythm competition. Mambo music was invented in Havana in the 1930s by Cachao and his contmporaries and made popular around the world. The music was heavily influenced by the jazz musicians brought to entertain American customers in Cuban casinos. It is similar to salsa, except that in mambo the dance pauses on the first step (pause, 2, 3, 4;) whereas in salsa, the pause is typically on the last step (1, 2, 3, pause;). As in other Latin rhythms, round dancers dance the pause at the end of the measure: QQS. — For more, see the navigation bar at the upper left of each page.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Man Under

Output: The man moves from a designated position, under joined hands, to a designated position.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Man's Left Shadow [Abbreviations] M's L SHDW

Output: A dance position in which partners are facing the same direction, the man to the left and a little in front of the woman. Here the woman is "shadowing" the man (is behind him), but he is to her left.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Man's Shadow [Abbreviations] M's SHDW

Output: A dance position in which partners are facing the same direction, the woman to the left and a little behind the man. Note that the man "has a shadow."

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Maneuver [Abbreviations] manuv

Output: Usually the man steps forward on his right foot and turns right-face to face the woman and reverse line of dance in closed position. The figure in Waltz and Foxtrot are considered to consist of three steps, but the "maneuver" action is only the one step. Therefore, the full figure is sometimes cued, "maneuver, side, close."

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Mark Time

Output: Step in place to the music for a designated number of beats.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Maxixe (Mah shee shee)

Output: A Brazilian dance of urban character, in 2/4 time and rapid tempo with slight syncopation. Also a jive or latin figure; see index.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Measure or Bar [Abbreviations] meas

Output: A short section of music in the regularly recurring rhythm, usually marked by an initial stronger accent and then one, two, three, or more lesser accents. For instance, a waltz measure consists of one strong downbeat and two lesser beats: 1, 2, 3; 1, 2, 3;

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Merengue [Abbreviations] MG

Output: One of the Latin Rhythms — see the navigation bar at the upper left of each page.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Milonga

Output: A style of tango characterized (among other things) by a quick rhythm, stepping on each beat (qqqq;). Also a place where the dancing is done.


Input: Mirror

Output: A specific type of following in which one partner, usually the lady, dances the mirror image of her partner's steps. So, if he steps back and the lady steps forward, she can be said literally to be "following" him. If he dances back and she dances back, too, if they step apart, then she is "mirroring" him. A vine is a mirrored figure; a twist vine is not. Jive involves more mirroring (the rock recover) and West Coast Swing more following (the man draws the lady forward).


Input: Mixed Rhythm Dance [Abbreviations] MX

Output: A Rhythm or Mixed Rhythm dance is one that includes two or more different rhythms. Some Rhythm dances are simply step-cued, with no reference to established dance figures. See the navigation bar at the upper left of each page.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Mixer

Output: A dance during which partners are exchanged. A dancer usually moves from one partner to the next, repeatedly.


Input: Modification [Abbreviations] mod

Output: A change to a standard figure or to a sequence.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Natural [Abbreviations] nat

Output: Turning right face, in a clockwise direction

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Number(s) [Abbreviations] #

Output: Numbers to the left of a description designate the measures being described. Numbers following cue terms designate the number of steps to be taken.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Open Head

Output: The woman looks right as in semi-closed position. The man leads her to "open her head" with a little left sway.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Open Out

Output: Change from a relatively "closed" or facing position to one that is more separated.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Open Position [Abbreviations] OP

Output: One of many possible dance positions. See Dance Position and Connection Between Partners.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Open Turn [Abbreviations] op trn

Output: A turn in which the third step is a passing step, instead of a closing step. Contributes to "flight," typical of foxtrot.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Opposite Footwork [Abbreviations] opp ftwk

Output: Stepping with opposite feet free, for instance the man's left and the woman's right: both step with the lead, then both with the trail.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Opposition Points [Abbreviations] opp pts

Output: In a facing position, lower on supporting foot, extend free foot to the side, point toe, and stretch supported side, swaying toward pointed foot. Partner points in opposite direction, thus man and woman are pointing the same foot, usually the left.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Out

Output: Used to direct a dancer to separate from or to turn away from partner; also, to refer to the direction toward the wall.


Input: Outside Foot [Abbreviations] outsd ft

Output: The foot farthest from the partner when not directly facing partner or directly facing away.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Outside Hand [Abbreviations] ousd hnd

Output: The hand farthest from the partner when not directly facing partner or directly facing away.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Outside Partner

Output: A step taken not between partner's feet but to partner's right (e.g., banjo) or left (e.g., sidecar).

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Oversway

Output: In semi, line, step side and forward on the lead foot, stretch lead side of body and so sway toward free foot but look down line. Turn a bit to the left.


Input: Overturn [Abbreviations] ovrtrn

Output: More than the normal amount of turn. If the spin turn takes you to the wall, an overturn might take you to reverse and wall.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Parallel or "Sixth" Foot Position

Output: The feet point straight forward instead of being turned out. The turned-out foot positions, first through fifth, go back to old time dancing and ballet. Today, we mostly step straight forward or back in a parallel or "sixth" foot position.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Pas-de-Basque (päd-bask or pah-deh-bahsk)

Output: A step in which the dancer swings one foot to the side, springs onto it, and swings the other foot against it. Or more precisely -- Slight CCW ronde movement with left foot and arched instep on "and" count and step side with slight hop, ball-flat. Close R to L with right heel to left toe on the second "and," soften both knees and lift left heel on an "a" count, and step L raising R slightly toe pointing down. Done over two beats of music. And finally a little more fancifully -- Jeté to Second Position with Demi-Rondé. Assemblé to Fifth Position Front. Slight Plié and Coupé in place, finishing in Fifth Position en l'air with toe pointed down. (such music!) (from Silvester & Whitman, 1967)

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Paso Doble [Abbreviations] PD

Output: An International Latin dance. It is the Latin rhythm most resembling the Ballroom style, in that forward steps are taken with the heel lead, the frame is wider and more strictly kept up, and there is significantly different and less hip movement. It actually originated in southern France but is modeled after the sound, drama, and movement of the Spanish bullfight. — For more, see the navigation bar at the upper left of each page.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Passing Step

Output: Move the free foot past the supporting foot and then step or take weight.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Phrase

Output: A passage of two or more measures of music. A phrase will be perceived as a specific tune or melody. Most pieces of dance music consist of two or more different phrases, each designated by a capital letter. Any phrase can repeat within the piece, so a whole piece might be designated: lead in, intro, A, A, B, A, C, end.


Input: Phrasing

Output: The fitting of the steps and figures of a dance to the recurring patterns of music. Each musical phrase is given its own specific choreography. Part A of the dance is performed to musical phrase A of the song. If phrase A recurs in the piece, then part A of the choreography repeats at that point. When phrase B occurs, part B of the choreography is performed, and so on.


Input: Pickup [Abbreviations] pu

Output: Usually the woman steps forward on her left foot and turns left-face to face the man and reverse line of dance in closed position. Both the figure (in Waltz) and the action consist of just the one step. But a Pickup seems so much like a "woman's maneuver" that the cue sometimes is used as short for "pickup, side, close."

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Picture Figure

Output: An action or movement where the majority of the activity centers around not the steps but the frame of the couples' dance position.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Pirouette

Output: A spinning turn of the body while balanced on one foot. The free foot may be held gracefully at the knee of the supporting leg.


Input: Pirouette en dedans

Output: Spin in the direction toward the supporting leg.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Pirouette en dehors

Output: Spin in the direction away from the supporting leg.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Pivot [Abbreviations] pvt

Output: Usually as a couple, step and rotate on the ball of the supporting foot by turning the upper body. Stepping forward R, one would turn right. Stepping back L, one would turn right. The free leg is extended forward or back. Amount of turn can be very little or 1/2 turn or more.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Point [Abbreviations] pt

Output: Extend foot forward side or back, toe to floor, ankle stretched and instep arched, but do not step or take weight. Do not tap. Usually, the inside or the outside edge of the ball of the foot will touch the floor.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Poise

Output: The correct (attractive, on balance) carriage of the body.


Input: Position [Abbreviations] pos

Output: A standard couple relationship, e.g., closed, banjo, sidecar.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Press

Output: Step forward on ball of foot, but take partial weight only. Usually a brief pause with supporting leg straight and pressed leg bent but pressure into the floor, forward poise to the body.


Input: Pretzel Wrap [Abbreviations] prtzl wrp

Output: With a double hand hold, wrap, unwrap, and/or rewrap one partner at a time using left and right turns. Details vary with the choreography.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Progressive [Abbreviations] prog

Output: Movement forward or backward along line of dance. A progressive dance moves; a spot dance is mostly danced in one place on the floor.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Promenade Position (=Semi-Closed Position) [Abbreviations] PP

Output: One of many possible dance positions. See Dance Position and Connection Between Partners.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Promenade Sway

Output: In Promenade position (semi-closed), step side and forward on the lead foot, stretch trail side of body and so sway toward supporting foot, lead arms up, looking out. With your lead wrist up, you might be looking at your watch to check the time.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Quick [Abbreviations] Q, q, qk

Output: A step taken on a single beat or on a fraction of a beat and followed by another step without pause. Also used to disignate a figure to be performed more rapidly, often with one more step than is standard, as in Quick Open Reverse in Waltz.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Quickstep [Abbreviations] QS

Output: An International Ballroom rhythm that follows a 4/4 time beat, at about 50 bars per minute in competition. From its early beginning as a faster foxtrot, the quickstep has become distinctive for its speed across the floor. It is danced to the fastest tempo of the Ballroom dances, which necessitates that partners stay in closed position throughout the dance. One of our Smooth Rhythms — see the navigation bar at the upper left of each page.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Recover [Abbreviations] rec

Output: With the feet apart after a previous step, return weight to the previous supporting foot. The foot may turn if required.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Releve

Output: A ballet term signifying a dramatic lifting of the heel and rising to the ball of the supporting foot; again, no weight change. In ballet, a woman's releve puts her onto the tips of her toes, and a man's releve puts him onto the ball of his foot, but of course, in round dancing, no one dances on pointe. The French school describes the releve as a steady rolling and rising from flat to ball. The Italian school recommends that the move be sharp and with a slight spring.


Input: Replace [Abbreviations] rplc

Output: Recover or return weight to previous supporting foot.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Returning the Lady To Her Seat

Output: After a dance is over, the gentleman accompanies the lady back to her chair or other place of origin, usually with easy exclamations of pleasure and gratitude. He does not end a dance with a quick "thanks," and then bound off toward the snack table, leaving her alone in the middle of the floor. Well, I may have done that at times, but I had to turn off my tape recorder. We should try not to desert or abandon our ladies.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Reverse [Abbreviations] rev

Output: Turning left face, in a counterclockwise direction

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Reverse Develope

Output: Swing either leg forward from the hip and then bring that foot to the supporting knee and slide the free foot down the supporting leg to touch the floor. Here the kick (really a swing) comes first and then the knee is bent.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Reverse Line of Dance [Abbreviations] RLOD

Output: The direction opposite to line of dance, in a direction clockwise around the dance floor.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Reverse Line of Progression [Abbreviations] rev line of prog

Output: The opposite direction the movement or flow of the dance is currently moving. May be line of dance or reverse line of dance. In general, if the couple is in closed position or semi-closed position facing the center of hall or reverse line of dance then the reverse line of progression is counter-clockwise or line of dance.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Reverse Semi-Closed Position [Abbreviations] RSCP

Output: One of many possible dance positions. See Dance Position and Connection Between Partners.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Rhythm

Output: The three dominant elements in music are melody, harmony, and rhythm. We primarily dance to the rhythm, the pattern of accented beats that recurs through the piece and that gives it its musical character, the pulsation or throb that is felt under the melody or tune. In waltz, the rhythm is 123; 123; with a strong downbeat on the "1."


Input: Rhythm or Mixed Rhythm Dance [Abbreviations] MX

Output: A Rhythm or Mixed Rhythm dance is one that includes two or more different rhythms. Some Rhythm dances are simply step-cued, with no reference to established dance figures. See the "browse" navigation bar at the upper left of each page.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Right Face [Abbreviations] RF

Output: Turning to the right or clockwise.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Right Side Lead [Abbreviations] R sd ld

Output: Moving with the right side of the body ahead of the left. Sometimes referred to as a "slicing" movement.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Ripple

Output: In its simplest form, a ripple is a tipping of the shoulders away from the direction of movement. In a ripple chasse, one might do the chasse down line of dance while briefly inclining the shoulders toward reverrse with left side stretch.


Input: Rise

Output: Elevate body with weight centered over the ball and toes of the supporting foot. Involves whole body: lifting heel off floor, staightening knees, and stretching upper body. Foot rise can be distinguished and separated from body rise.


Input: Rock [Abbreviations] rk

Output: Change weight to free foot with the intention of returning to the original supporting foot. In Latin dances (e.g., Rumba) the free leg is bent and straightens as weight is taken, and this action moves that hip to the side (see Cuban Action).

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Ronde

Output: Flex supporting knee, extend free foot and point toe, and move free foot forward or back in an arc above the floor. Usually a bigger, higher movement (an "aerial ronde") than a flare or fan, but one can do a "floor ronde," which is another name for a fan.


Input: Routine

Output: The specific choreography created for a piece of music.


Input: Rumba [Abbreviations] RB

Output: Danced in both International Latin and American Rhythm competition, it originated in Cuba based on rhythms brought over by slaves. The Latin version is slower than the Rhythm version. The rumba is considered the most romantic of the Latin dances and involves hip action over the standing leg. — For more, see the navigation bar at the upper left of each page.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Run

Output: Sometimes, a step taken on one beat of music; a quick.


Input: Running [Abbreviations] rung

Output: Often, used as an adjective to describe a figure executed with an extra step, with syncopated timing, such as 1, 2/&, 3; in waltz or S, -, Q/&, Q; in foxtrot.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Salsa [Abbreviations] SA

Output: One of the Latin Rhythms — see the navigation bar at the upper left of each page.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Samba [Abbreviations] SB

Output: A progressive Latin Rhythm of Brazilian origin in 2/4 time, although round-dance cue sheets are usually written as though the music were 4/4. There are two major streams of samba that differ considerably: the modern ballroom samba and the traditional samba of Brazil. Traditional Brazilian samba includes a partner dance but is danced solo at carnivals. — For more, see the navigation bar at the upper left of each page.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Same Footwork

Output: Both partners using the same feet, eg. both step with the left feet, then both right.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Second Foot Position

Output: Either foot is placed to the side of the other. The turned-out foot positions, first through fifth, go back to old time dancing and ballet. Today, we step straight forward or back (see "parallel foot position").

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Semi-Closed Position [Abbreviations] SCP

Output: One of many possible dance positions. See Dance Position and Connection Between Partners.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Semi-colon [Abbreviations] ;

Output: In abbreviated descriptions of dance steps (as opposed to complete sentences), a semi-colon represents the end of a measure of music. In a cue sheet, one often finds two or more semi-colons together. This is a concise way of saying that the previous figure took two or more measures to execute. For instance, in the sequence: "waltz away; pickup; left turning box;;;;" the first two figures took one measure apiece, and the third figure took four measures to complete.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Sequence [Abbreviations] seq

Output: The order in which steps, figures, or dance actions are to be performed.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Shadow [Abbreviations] SHDW

Output: A dance position in which partners are facing the same direction, one (usually the man) to the left and a little behind the woman. The man is "shadowing" or following the woman. Left hands may be joined, and the man's right hand may be placed on the woman's back, to facilitate lead and follow. See also left shadow and man's shadow.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Shake

Output: A body movement usually described in more detail by the choreographer.


Input: Shape

Output: The use of sway, side stretch, and/or body rotation to focus your body more toward or more away from your partner. It is usually a small change in the relative positioning of your partnership to enhance or to extend a picture figure or to flow more smoothly into the next figure. It is a way to continue to "dance" through a section of music where you are not taking steps. Again, it is a small action, a feature of styling. If you don't do it, that won't interfere with your continuing to dance.


Input: Shimmy

Output: A body movement; usually a quick, rotational, forward-and-back movement of the shoulders.


Input: Side (sideward) [Abbreviations] sd (swd)

Output: Step to the side (in the direction of the free foot) and shift weight to that foot.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Side and Back [Abbreviations] sd & bk

Output: A step on the diagonal between a side step and a back step. Sometimes a distinction is made between "side and back" (a little more side) and "back and side" (a little more back).

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Side and Forward [Abbreviations] sd & fwd

Output: A step on the diagonal between a side step and a forward step. Sometimes a distinction is made between "side and forward" (a little more side) and "forward and side" (a little more forward).

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Side by Side [Abbreviations] sd by sd

Output: Partners are beside each other and are usually facing the same direction.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Sidecar Position [Abbreviations] SCAR

Output: One of many possible dance positions. See Dance Position and Connection Between Partners.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Skate

Output: Move in a stylized manner by swiveling on the weighted foot toward the free, pushing off on that weighted foot, sliding forward and taking weight, and bringing the original weighted foot up to a touch position. With the left foot free, one would swivel left, "skate" diagonally or even side left, and touch. Then one would probably swivel 1/4 or more right and skate right. The Two Step figure consists of this step left and then right.


Input: Skaters Position [Abbreviations] SKTRS

Output: One of many possible dance positions. See Dance Position and Connection Between Partners.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Skip

Output: Step forward and with a soft knee, straighten leg, rise slightly off the floor, and return to the floor on the same foot. It is a step, hop.


Input: Slap

Output: Quickly and momentarily touch the palm(s) of the hand(s) to your thigh(s) or other body part to make a sharp sound.


Input: Slash [Abbreviations] /

Output: In abbreviated descriptions of dance steps (as opposed to complete sentences), a slash is used to indicate a split beat of music, two steps or actions occuring in a single beat, a kind of syncopation. For instance a cha half basic is "fwd, rec, sd/cl, sd;" In this 4-beat measure, two things are happening on beat 3 (the "side/close"). The "count" is 1, 2, 3/&, 4; The 3/&, 4; is your "cha-cha-cha."

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Slide

Output: Move the free foot in a given direction with light contact with the floor and take weight. Same as Glide.


Input: Slingshot

Output: In an L-position with the man maybe facing wall and the woman facing LOD, the man lunges to the side L and extends his arms to lead the woman to rock back R (this is pulling back the slingshot). Then both recover to their trail feet (releasing the slingshot). This move gives a little more propulsion or drama to the next figure—maybe a throwaway in jive or a throwout in west-coast—than a tamer entry, such as a walk two or rock recover.


Input: Slip [Abbreviations] slp

Output: On lead foot and slightly lowered, begin a small, left-face body rotation, rise, slide free foot back, and take weight so woman swivels LF and steps on her left foot just outside man's right foot, ending in closed position. You can imagine a cord connecting his right toe to her left toe. As he slips his foot across the surface of the floor, that motion draws her foot forward. So, it is important for the man to take a clear back step and so lead the lady's slip, but don't make it a lunge back such that you fall into a deep hole. If the man wants to turn the partnership more, say, 1/4 LF, then he will guide her to step L between his feet. This will allow him to turn LF and end in closed position. If she had slipped outside his feet, the turn would have put them in banjo, which we don't usually want.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Slot

Output: The rectangular area on the floor in which the couple dances. It is usually slightly wider than the woman's shoulders and several feet long. West Coast Swing is a rhythm that makes conspicuous use of a slot. Jive is a more circular rhythm and does not confine either dancer in a slot.


Input: Slow [Abbreviations] S, s, slo

Output: A step taken on two beats of music (in 4/4 timing, or one beat in 2/4); often danced as a step followed by a pause before the next step is taken. Also use conventionally to designate a figure performed over a longer time than is standard.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Slow Two Step [Abbreviations] ST or STS

Output: One of the Latin Rhythms — see the navigation bar at the upper left of each page.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Smile

Output: The raising of the corners of the mouth. NOTE: As the level of concentration increases, this action may become more difficult to perform. (a special thanks to RAL for this entry :-)


Input: Snap

Output: Slide your middle finger from the tip of that thumb to the base of the thumb in a way to make a sharp sound.


Input: Soft

Output: Holding or moving the body in a relaxed or non-rigid way. For instance, soft knees are slightly flexed and give a little in movement to absorb any jerks and smooth out the flow. Soft arms are toned, but they give and breathe, allowing each partner room to move. Soft movements are smooth, not jerky, and flow one into the next.


Input: Solo

Output: Dance the figure without contact with your partner.


Input: Sombrero

Output: A dance position in which partners face opposite directions with right hips adjacent, with right arms in front of partner at waist level, and with left arms curved up and inward, with left hands above the head (like a hat).


Input: Spin [Abbreviations] spn

Output: Rotate on the ball of the supporting foot. The free leg is usually held under the body. The amount of turn varies up to a full turn and sometimes more. One of the stumbling blocks to a good spin is the tendency for the man to pull his lady to him in a desperate attempt to get far enough around. In both pivots and spins, it feels as though you will be better off if you make yourselves as small as possible, but the truth is that you need to extend yourselves and seperate your top lines even more. Extra momentum will actually help you around. Also a solo action.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Spiral [Abbreviations] sprl

Output: A solo action. Turn in place on ball of supporting foot in direction opposite to supporting foot (on left foot, turn right). A full spiral is 7/8 turn; ends with the legs quite tightly twisted, ankles together. Usually, you will take a "step/spiral." Don't make the mistake of anticipating the turn. Step, get your body stably balanced over that supporting foot, and only then sharply turn on that spot.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Spot [Abbreviations] spt

Output: Dance the figure on one point on the floor, with no progression.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Spot Pivot [Abbreviations] spt pvt

Output: As a couple, pivot about one point; no progression. May involve any number of steps.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Spot Turn [Abbreviations] spt trn

Output: As an individual (solo), turn or pivot about one point; no progression.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Spotting

Output: During turning actions, holding the head steady, with gaze fixed on a single spot, until the last possible moment of the body's turn, when the head whips around and the gaze focuses again on the dancer's "spot." This snapping of the head not only prevents the dancer from getting dizzy but also gives multiple turns a pronounced rhythm .


Input: Spring

Output: Take a step by moving suddenly and rapidly.


Input: Staccato Action

Output: Sharp, rapid movement in the feet, body, or head.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Stamp

Output: Touch the flat of the foot to the floor sharply and then raise it, but don't take weight. The amount of noise can vary.


Input: Standard Introduction

Output: A two measure wait or lead in and two measures for (in the appropriate rhythm) a step apart, point; step together to designated dance position and facing direction, touch;

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Starting Position

Output: The position taken by a couple at the beginning of a dance or at the start of any figure in the dance.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Step

Output: Move the free foot in a given direction and change weight to this foot; the basic unit of each dance figure.


Input: Stomp

Output: Close the free foot sharply. The amount of sound made may vary.


Input: Stretch

Output: The elongation of the body, generally one side more than the other. Stretch is accomplished by raising one hip and rib cage without collapsing the other side. The shoulder on the stretched side rises, but only as a consequence of stretch. One does not "lift" the shoulder. Right stretch produces left sway.


Input: Stroll

Output: Walk in a stylized manner with upper body sway—fwd R with right-shoulder lead, fwd L with left-shoulder lead. Maybe a little more easy-going than Strut.


Input: Strut

Output: Step with a swaggering upper body sway, proud, marching feel. You might step fwd R with left-shoulder lead, fwd L with right-shoulder lead.


Input: Styling

Output: The manner in which figures are danced. The details of movement and position that accompany the actual steps and that make the dancing more comfortable and more attractive.


Input: Supporting Foot

Output: The foot that is bearing the body's weight. One of the challenges in dance is to keep all your weight balanced over that foot. If you don't, you will be pushing your partner off balance or asking him or her to support some of your weight—not good. Teachers talk about the body as a pile of boxes: the head, torso, hips, legs, and the need to keep the pile neatly aligned, or it will topple. Unexpectedly, the head is the heaviest box. Keep it up. Don't look around. Don't look down. You'll pull the pile over.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Sway

Output: Lean or tilt the body from the ankle upward in a direction to the side. The hips lead the movement, and then the upper body follows. Stretch the opposite side of the body. Commonly used during turns when one sways toward the center of the arc to counteract a falling away from the turn. Also used to create "pictures" -- during a right lunge we sway right; during a promenade sway we sway left. Broken Sway is sway from the hips up, rather than from the ankles up. Rather than a smooth arc to the body, there is a break or kink at the waist.


Input: Swing

Output: In general, swing, or body swing, is any free movement around a fixed point. We can distinguish between "pendular swing" when the fixed point is at the top of the movement and "metronomic swing" when the fixed point is at the bottom. A common example of swing (pendular) is movement of the free foot forward and up to a point about three inches above the floor, keeping the leg straight; no weight change. (Compare to kick.) Also a dance rhythm—see Jive or West Coast Swing in the navigation bar at the upper left of each page.


Input: Swivel [Abbreviations] swvl

Output: A change of direction and position made while the weight is on the ball of the foot. Involves no weight change. The rotation can be slight or up to 1/2 turn or more.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Swivel Walk [Abbreviations] swvl wlk

Output: Step forward on ball of foot and rotate on that point of contact.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Syllabus

Output: A collection of cue sheets and other educational material provided at a dance event.


Input: Syncopation [Abbreviations] sync

Output: Displacement of either the normal beat or the normal accent. "Normal" is the regularly recurring groups of 2 or 3 beats, the first of each group being emphasized, as in waltz (123; 123) or foxtrot (1234; 1234). If the listener or dancer feels any irregularity, that is syncopation -- e.g., use of eighth notes or rests, or emphasis on the 2-count, or a foxtrot measure danced QSQ. Most common, it is stepping or acting between two beats of music, on an & count, such as 1, 2/&, 3; (in waltz) or S, -, Q/&, Q; (in foxtrot). Syncopation is any kind of emphasis on a part of the measure not expected to be emphasized.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Tag

Output: The last steps, figure, or position taken at the end of a dance.


Input: Tandem Position [Abbreviations] TNDM

Output: One of many possible dance positions. See Dance Position and Connection Between Partners.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Tango (International) [Abbreviations] TG

Output: An International Ballroom dance that branched away from its original Argentine roots by allowing European, American, Hollywood, and competitive influences into the style and execution of the dance. Dance partners hold the classic dance position, with top line held away and legs and hips held close, unlike Argentine tango, in which heads and bodies may be close and legs held away. One of our Smooth rhythms — see the navigation bar at the upper left of each page.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Tap

Output: Touch the toe to the floor sharply, but do not step or take weight.


Input: Tempo

Output: The speed at which music is played; the number of measures or bars per minute. Sometimes given as beats per minute.


Input: Third Foot Position

Output: The heel of one foot is placed against the instep of the other. The turned-out foot positions, first through fifth, go back to old time dancing and ballet. Today, we step straight forward or back (see "parallel foot position").

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Third Foot Position Rear

Output: The instep of one foot is placed close to the heel of the other. This position represents a nice tango closing step, although we tend not to use this much turn-out.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Through [Abbreviations] thru

Output: With the free foot being the inner or the one nearer your partner, bring that free foot between you and your partner and take weight. If you are in semi-closed position, the man's right foot will precede the woman's left foot.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Tilt

Output: To lean or slant the body, usually sideways. Compare to sway.


Input: Time

Output: The number of beats per measure of music. Waltz music is 3/4 time or three quarter-notes per measure.


Input: Timing

Output: The number of beats of music devoted to a dance step. The first step of most foxtrot figures is given two beats and is designated as a "slow." The second step is usually given one beat and is designated as a "quick." The second step of a chasse is given 1/2 beat and is designated as an "&." The timing of this whole figure might be "sq&q."


Input: Tipple

Output: A tipple is a tipping of the shoulders toward the direction of movement. In a tipple chasse, one might do the chasse down line of dance while briefly inclining the shoulders toward line with right side stretch.


Input: Toe [Abbreviations] T

Output: The most forward part of the foot. A backward step might be taken, "toe-flat." Also, touch the toe to the floor; no weight change.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Toe Spin [Abbreviations] T spn

Output: Rise to toe of supporting foot, commence turn, bring free foot to supporting foot, continue turning on toes; one weight change. As in a heel turn, delay the weight change. Counting the beats, you will step heel to toe on beat 1, spin on the right toe/ continue to spin on 2, and close to left toe/ and finally step forward on right toe on 3;

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Together [Abbreviations] tog

Output: From a position in which your are some distance from your partner, step toward partner and shift weight to that foot. Also used to refer to multiple steps. In a Two Step, you might "circle away" from your partner a short distance (3 weight changes). The cue "together" would ask you to two-step back toward partner, completing the circle.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Top Line

Output: In a dance position, the line created by the head, neck, shoulders, arms, and hands.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Touch [Abbreviations] tch

Output: Bring free foot to the supporting foot, and touch the floor at the instep or ball of the supporting foot. Do not step or take weight.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Trail Foot [Abbreviations] trl ft

Output: Man's right, woman's left

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Trail Hand [Abbreviations] trl hnd

Output: Man's right, woman's left

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Transition [Abbreviations] trans

Output: In a figure, an extra step or one fewer steps by the man or woman. A couple transitions from opposite footwork to same footwork or from same to opposite.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Traveling [Abbreviations] trav

Output: Progressing or moving forward or in any direction. Sometimes used as an adjective to describe a figure executed with extra progression and/or with an extra step, or with syncopated timing, such as 1, 2/&, 3; in waltz or S, -, Q/&, Q; in foxtrot (see "running")

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Triple [Abbreviations] tripl

Output: The portion of the standard timing of a rhythm consisting of three steps taken over two beats of music (Q&Q or QaQ) as is characteristic of Jive, Cha Cha, and other rhythms. Notice that the timing of these three steps is not even. The "Q&" divides one beat evenly, leaving the second beat undivided for a time value of 1/8, 1/8, 1/4 (in 4/4 time). The "a" is a shorter interval, and the time value of a "QaQ" triple is 3/16, 1/16, 1/4. Syncopations, like the chasses in Waltz and Foxtrot, are not considered to be triples.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Triplet

Output: Three steps taken evenly over two beats of music. The time value of these three steps would be 2/3, 2/3, 2/3 (in 4/4 music). (See "triple" above.)


Input: Tumble

Output: From a strong "up" or toe position, slip small forward L (W bk R) turning LF to closed position with slight right sway. Lower dramatically and change to strong left sway, checking. One weight change only.


Input: Turn [Abbreviations] trn

Output: Step and change your facing direction, specifically the direction in which your feet are pointing.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Turn Away [Abbreviations] trn awy

Output: An individual movement involving a step and a turn away from partner.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Turn In [Abbreviations] trn in

Output: An individual movement involving a step and a turn to partner.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Turn Out [Abbreviations] trn out

Output: An individual movement involving a step and a turn away from partner.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Turn Toward [Abbreviations] trn twd

Output: An individual movement involving a step and a turn to partner.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Twinkle [Abbreviations] twkl

Output: Step in a given direction. Then close and step in another direction. A two-directional chasse and a 1/4 to 1/2 change of facing direction.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Twist [Abbreviations] twst

Output: Turn the upper body; no weight change. Or rotate the hips independently of the upper body—puts a "twist" in the torso—as in a "hip twist" or a "lunge and twist."

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Two Step [Abbreviations] TS

Output: One of the Smooth Rhythms — see the navigation bar at the upper left of each page.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Underturn [Abbreviations] undrtrn

Output: Less than the normal amount of turn.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Unwind

Output: An individual action. Beginning with legs crossed and weight on the heel of the forward foot and on the ball of the back foot, rotate the body to uncross the legs. The specified weight distribution causes the feet to end parallel and together. Generally, you will change weight to the foot that initially moved to the crossed position. Also a couple action. Usually, the man will be in the hooked position, in banjo or sidecar, and the woman will walk around him, "unwinding" him.


Input: Unwrap [Abbreviations] unwrp

Output: From wrapped position, woman in front, release lead hands, and the woman turns right face to a designated position.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Up beat

Output: An unaccented beat in a musical measure, especially the last beat of the measure.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Variation/ Modification [Abbreviations] mod

Output: A change to a standard figure or to a sequence.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Viennese Waltz [Abbreviations] VW

Output: The original form of the waltz, it was the first ballroom dance performed in the closed hold or "waltz" position. It is danced at about 60 measures per minute, much faster than the waltz, at only 30. One of our Smooth Rhythms — see the navigation bar at the upper left of each page.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Walk

Output: Sometimes, a step taken on two beats of music; a slow.


Input: Wall [Abbreviations] WALL

Output: The direction to the right, as one faces line of dance; toward the near wall of the room.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Waltz [Abbreviations] WZ

Output: One of the Smooth Rhythms — see the navigation bar at the upper left of each page.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Weight [Abbreviations] wgt

Output: To change weight or to take weight is to transfer the weight of the body from one foot to the other. The alternative is to "touch," to place the foot or a part of the foot but not transfer weight to that foot. One can also take partial weight, usually on one beat, preparatory to taking full weight on the next beat.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: West Coast Swing [Abbreviations] WC or WCS

Output: Derived from the Lindy Hop, it is characterized by a distinctive elastic look that results from its basic extension-compression technique of partner connection, and it is danced primarily in a slotted area on the dance floor. At clubs, the dance allows for both partners to improvise steps while dancing together. Typically the follower walks into new patterns, traveling forward on counts 1 and 2 of each basic pattern, rather than rocking back, as in East Coast Swing and Jive. One of the Latin Rhythms — see the navigation bar at the upper left of each page.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: Wiggle

Output: Move the hips rapidly side to side or in a figure-eight movement.


Input: Wrap [Abbreviations] wrp

Output: In an open or butterfly position, the lady turns left face to face the same direction as the man. Hold trail hands, so the man's right arm is wrapped around her back, and the woman's left arm is wrapped in front of her body. Join the free lead hands in front about chest height. This is Wrapped Position.

Description Glossary of Terms and Abbreviations from BallroomDancers.com Dance Dictionary from Webref


Input: [Excerpt] A slit lamp mounted imaging device for viewing wide-field and/or magnified views of the retina or the anterior segment through an undiluted or dilated pupil... [Details] 7854510_Apparatus_and_method_for_imaging.pdf [Date] 21/12/2010 [Tags]

Output: medical equipment

Patent Law, Provisional Patents, Intellectual Property Attorney, Patent Application


Input: [Excerpt] Disclosed is a pet toy made of stretchable fabric The toy includes a loop a body portion attached to the loop and a bottom with a plutality of cords called nubbies... [Details] 7823542_Pet_toy.pdf [Date] 02/11/2010 [Tags]

Output: personal

Patent Law, Provisional Patents, Intellectual Property Attorney, Patent Application


Input: [Excerpt] Invention is a graphical user interface for comprehensive user-friendly internet based multi-media dual-paned virtual tour presentations system having an image navigation section... [Details] 7823068_Internet_based_dual_paned_virtua.pdf [Date] 26/10/2010 [Tags]

Output: engineering internet

Patent Law, Provisional Patents, Intellectual Property Attorney, Patent Application


Input: [Excerpt] Invention provides a novel low cost spin stabilized lander architecture capable (with appropriate system scaling tailored to the attributes of the target) of performing a soft-landing on a solar system body such as... [Details] 12_359_303_SPIN_STABILIZED_LANDER.pdf [Date] 20/08/2009 [Tags]

Output: engineering mechanical controls electronic

Patent Law, Provisional Patents, Intellectual Property Attorney, Patent Application


Input: [Excerpt] Present invention is a solid state relay with improved high-speed switching and lower heat dissipation of the power transistor. It uses voltage conversion and... [Details] 7535127_Solid_state_relay_driver.pdf [Date] 19/05/2009 [Tags]

Output: engineering controls electronic

Patent Law, Provisional Patents, Intellectual Property Attorney, Patent Application


Input: [Excerpt] An ornamental design for a potty stool as shown and described... [Details] D568974_Potty_stool.pdf [Date] 13/05/2008 [Tags]

Output: personal health and beauty children

Patent Law, Provisional Patents, Intellectual Property Attorney, Patent Application


Input: [Excerpt] Present invention related to a direct digital wireless marketing system and method. Businesses can contract for advertisements to be transmitted from a radio data link covering the area surrounding the business... [Details] 11_490_801_Digital_wireless_advertising.pdf [Date] 07/03/2008 [Tags]

Output: electronic radio advertising business

Patent Law, Provisional Patents, Intellectual Property Attorney, Patent Application


Input: [Excerpt] Pair of conveyors having a pair of launch conveyors and at least one pair of drive conveyors using modulear flat blets: have zero motion when vehicle is driven: vehicle is then moved with drive conveyors on the modular belts... [Details] 7278533_Vehicle_modular_belt_conveyor.pdf [Date] 09/10/2007 [Tags]

Output: mechanical phsical plant business

Patent Law, Provisional Patents, Intellectual Property Attorney, Patent Application


Input: [Excerpt] A system and method for administering, designing and distributing content to a device having systems for transferring content from a content owner to a storage system; for interacting with a user; for selecting a type of device; for selecting desired content for the device... [Details] 11_607_147_Urtone.pdf [Date] 30/05/2007 [Tags]

Output: controls personal electronic internet

Patent Law, Provisional Patents, Intellectual Property Attorney, Patent Application


Input: [Excerpt] Present invention relates to the field of check valves: specifically it is a design that creates little sound when closing.... [Details] 7331360_Check_valve_with_low_shut_off_so.pdf [Date] 10/08/2005 [Tags]

Output: engineering mechanical controls phsical plant

Patent Law, Provisional Patents, Intellectual Property Attorney, Patent Application


Input: [Dyes] Silk [Mix] olive-green [Red] pale orange-red [Blue] blue [Yellow]

Output: orangey

Dyeing - three colours from the same dye-bath | Nuffield Foundation


Input: [Dyes] Wool [Mix] olive-green [Red] pale orange-red [Blue] blue [Yellow]

Output: orangey

Dyeing - three colours from the same dye-bath | Nuffield Foundation


Input: [Dyes] Nylon [Mix] olive-green [Red] pale orange-red [Blue] blue [Yellow]

Output: orangey

Dyeing - three colours from the same dye-bath | Nuffield Foundation


Input: [Dyes] Cotton [Mix] red [Red] red [Blue] very pale blue [Yellow]

Output: pale yellow

Dyeing - three colours from the same dye-bath | Nuffield Foundation


Input: [Dyes] Acetate [Mix] yellow [Red] almost white [Blue] white [Yellow]

Output: bright yellow

Dyeing - three colours from the same dye-bath | Nuffield Foundation


Input: [Dyes] Polyester [Mix] yellow [Red] pink [Blue] white [Yellow]

Output: bright yellow

Dyeing - three colours from the same dye-bath | Nuffield Foundation


Input: [Dyes] Polycotton [Mix] orange [Red] pink [Blue] almost white [Yellow]

Output: bright yellow

Dyeing - three colours from the same dye-bath | Nuffield Foundation


Input: [Question] Will I have to pass a test or competition to get work? [Freelance] probably [Staff]

Output: yes

Advice to Students Wishing to Become Conference Interpreters


Input: [Question] Will I have to develop my own competitive professional profile? [Freelance] essential [Staff]

Output: no

Advice to Students Wishing to Become Conference Interpreters


Input: [Question] Will I be responsible for finding my own work? [Freelance] yes [Staff]

Output: no

Advice to Students Wishing to Become Conference Interpreters


Input: [Question] Will I usually work for the same institution/s? [Freelance] your choice [Staff]

Output: yes

Advice to Students Wishing to Become Conference Interpreters


Input: [Question] Can I work with agencies or a range of employers? [Freelance] yes [Staff]

Output: unlikely

Advice to Students Wishing to Become Conference Interpreters


Input: [Question] Will my employer schedule my workdays? [Freelance] no [Staff]

Output: yes

Advice to Students Wishing to Become Conference Interpreters


Input: [Question] May I decline assignments? [Freelance] yes [Staff]

Output: not usually

Advice to Students Wishing to Become Conference Interpreters


Input: [Question] Will I get a regular pay check? [Freelance] no [Staff]

Output: yes

Advice to Students Wishing to Become Conference Interpreters


Input: [Question] Will I get benefits? [Freelance] it depends [Staff]

Output: yes

Advice to Students Wishing to Become Conference Interpreters


Input: [Question] Will I have to assess my own tax liability? [Freelance] yes [Staff]

Output: no

Advice to Students Wishing to Become Conference Interpreters


Input: [Question] Can I live where I wish? [Freelance] yes [Staff]

Output: doubtful

Advice to Students Wishing to Become Conference Interpreters


Input: [Question] Will I have to travel extensively for work? [Freelance] more likely [Staff]

Output: not necessarily

Advice to Students Wishing to Become Conference Interpreters


Input: [Question] Will I have to travel for language enhancement? [Freelance] maybe [Staff]

Output: maybe

Advice to Students Wishing to Become Conference Interpreters


Input: [Question] Will I have in-house opportunities for career development and training? [Freelance] less likely [Staff]

Output: often

Advice to Students Wishing to Become Conference Interpreters


Input: [Question] Will I need to belong to a professional network or association? [Freelance] important [Staff]

Output: preferable

Advice to Students Wishing to Become Conference Interpreters


Input: [The Knowledge Dimension] Facts [Remember] list [Apply] classify [Analyze] outline [Evaluate] rank [Create] categorize [Understand]

Output: paraphrase


Input: [The Knowledge Dimension] Concepts [Remember] recall [Apply] demonstrate [Analyze] contrast [Evaluate] criticize [Create] modify [Understand]

Output: explains


Input: [The Knowledge Dimension] Processes [Remember] outline [Apply] produce [Analyze] diagram [Evaluate] defend [Create] design [Understand]

Output: estimate


Input: [The Knowledge Dimension] Procedures [Remember] reproduce [Apply] relate [Analyze] identify [Evaluate] critique [Create] plan [Understand]

Output: give an example


Input: [The Knowledge Dimension] Principles [Remember] state [Apply] solve [Analyze] differentiates [Evaluate] conclude [Create] revise [Understand]

Output: converts


Input: [The Knowledge Dimension] Metacognitive [Remember] proper use [Apply] discover [Analyze] infer [Evaluate] predict [Create] actualize [Understand]

Output: interpret


Input: [Search Operator] tag: [Application] Look for videos about a certain topic [Example] tag:keyword [Description]

Output: Searches for videos with your keyword as a tag

Advanced Search Operators: SEO Experts' Web Searching Tips


Input: [Search Operator] ## [Application] Look for videos about a certain topic [Example] ##:keyword [Description]

Output: Another version of the tag based search

Advanced Search Operators: SEO Experts' Web Searching Tips


Input: [Search Operator] before: after: [Application] Find videos released before or after an event [Example] before: YYYY-MM-DD after: YYYY-MM-DD [Description]

Output: Searches for videos based on when they were uploaded

Advanced Search Operators: SEO Experts' Web Searching Tips


Input: [Search Operator] title: [Application] Find videos based on a particular topic [Example] title: keyword [Description]

Output: Searches for videos with your keyword in the title

Advanced Search Operators: SEO Experts' Web Searching Tips


Input: [Search Operator] description: [Application] Find videos based on a particular topic [Example] description: keyword [Description]

Output: Searches for videos with your keyword in the description

Advanced Search Operators: SEO Experts' Web Searching Tips


Input: [Search Operator] ( ) [Application] Find videos relevant to multiple topics [Example] description: (keyword keyword) [Description]

Output: Search for multiple keywords by grouping them in parentheses

Advanced Search Operators: SEO Experts' Web Searching Tips


Input: [What This Means] We are a mobile advertising company that analyzes location data to serve more relevant ads. We respect user privacy and intend to openly share how we collect and use data. [Sense Networks Privacy Policy]

Output: Sense Networks (“Sense Networks, ” “we” or “us”) turns raw location data into anonymous behavioral information, which we use to increase the relevance of mobile offers and advertisements users may receive on their mobile phones. Sense Networks is committed to protecting consumer privacy by informing you what information we collect, how we use it, and with whom we may share it. The following sets forth our privacy practices and policies (“Privacy Policy”) related to the business we operate and the use of sensenetworks.com (“website”).


Input: [What This Means] We serve ads to mobile devices. As part of this business we may collect and process information about the last location of your mobile device. Any profile we build is anonymous. [Sense Networks Privacy Policy]

Output: Our Ad Services We build anonymous profiles of mobile device users based on location and other data, and serve mobile advertisements (collectively “Ad Services”) on behalf of our customers, who are advertisers and mobile publishers. In operating these services we may collect and process information about the last known location of your mobile device, or receive such information on your device from 3rd parties.


Input: [What This Means] We use 3rd party data to support serving ads. The data will contain information about your phone in order to serve the ad, but will not include personally identifiable information. We turn all data into abstract, anonymous profiles in order to serve the most relevant ads. These profiles do NOT identify you personally (e.g., name, address, financial data, etc) and cannot be reverse-engineered. We look at things like the context of where your phone has traveled (type of neighborhood, nearby stores) to predict your interest in certain types of deals or offers. We also build anonymous profiles for 3rd party mobile publishers based on location data they provide us. [Sense Networks Privacy Policy]

Output: Data Collected by Ad Services In the course of serving mobile ads, we receive data from 3rd party mobile applications; this data includes but is not limited to browser identifier, device type, wireless carrier, IP address, a unique device identifier, location data, and ad click information. This data may be associated with your mobile device, but does not personally identify you. We process this data into abstract anonymous profiles that we use to deliver relevant ads to you. This processing includes comparing location data against databases of commercial stores and census demographics to understand the types of stores and the demographic character of neighborhoods a device has been proximate to or visited. We may also use the data to define potential consumer travel characteristics, to analyze consumer preferences and trends and may use the data to make anonymous predictions about potential consumers such as where they are likely to move and congregate in order to improve the quality and design of our product and to create new features, promotions, functionality, and services. For example, we may use the data to build models that predict potential consumers’ likelihood to click on an ad or take a specific offer. We may also collect anonymous self-reported data through surveys. We use this data to improve our models that predict demographic, predict behavioral segments and recommend offers. In addition, we build anonymous profiles for 3rd party mobile publishers, where publishers provide us with location data and possible other data such as application usage and demographic information. This data may be tied to an anonymous identifier. Following the same process as described above, we build anonymous profiles tied to an anonymous identifier and deliver the profiles back to the publisher.


Input: [What This Means] We offer multiple options for you to opt out. [Sense Networks Privacy Policy]

Output: Opting Out and Viewing Your Data Our goal is to be clear about what information we collect, so that you can make meaningful choices about how it is used. There are three options to opt out. First, if you have an Apple device, you can opt-out through the privacy options on the device (Go to Settings > General > About > Advertising). Second, you can opt out through our web site here. Third, you can opt out through banner ads you receive from us on your phone by clicking on the TRUSTe Ad Choices icon. Once you have opt-out, we will delete and no longer maintain a profile associated with your device.


Input: [What This Means] We use the data we collect to improve our services and offer the most relevant content in our ads. As part of this we may share the anonymous profiles we develop with 3rd parties for advertising only. We do not otherwise share data with 3rd parties unless required by legal process or to address a technical or security issue. If we sell or transition the business then data may be disclosed as part of that transaction. If we share data with other entities we can not guarantee that they will comply with this privacy policy. [Sense Networks Privacy Policy]

Output: Sharing and Disclosing Your Information We use the information we collect from all of our services to provide, maintain, protect and improve them, to develop new ones, and to protect Sense Networks and our publisher partners. We also use this information to offer you tailored content – like delivering more relevant ads to you. We may share anonymous profiles with established 3rd parties strictly for serving advertisements. Unless required by law, we never share any raw data we collect with 3rd parties. We will share personal information with companies, organizations or individuals outside of Sense Networks if we have a good-faith belief that access, use, preservation or disclosure of the information is reasonably necessary to: meet any applicable law, regulation, legal process or enforceable governmental request. enforce applicable Terms of Service, including investigation of potential violations. detect, prevent, or otherwise address fraud, security or technical issues. protect against harm to the rights, property or safety of Sense Networks, our users or the public as required or permitted by law. Information about you in our possession may also be disclosed as part of any merger, acquisition, sale of company assets or transition of service to another provider, as well as in the unlikely event of insolvency, bankruptcy, or receivership in which your personal information would be transferred as one of the business assets of the company. Sense Networks does not guarantee that any entity receiving such information in connection with one of these transactions will comply with all terms of this Privacy Policy, but if Sense Networks is involved in a merger, acquisition, sale of company assets or transition to another provider, we will take reasonable steps to ensure the confidentiality of any personal information and give affected users notice before personal information is transferred or becomes subject to a different privacy policy.


Input: [What This Means] We keep your data secure. [Sense Networks Privacy Policy]

Output: Data Security Sense Networks takes reasonable measure to protect the information we collect and store. All data is stored in a secure facility and we strictly control access to the data.


Input: [What This Means] We do not collect information on children under the age of 13. [Sense Networks Privacy Policy]

Output: Childrens Privacy If you are under the age of 13, please do not use or access this website in any way. We will not knowingly collect or use any personal information from such children under the age of 13. If we become aware that we have collected any personal information from children under 13, we will promptly delete such information from our databases.


Input: [What This Means] In order to conduct our business, we collect information about you when you visit our website or send us email. We may share this data with 3rd parties in order to deliver services to you. Otherwise, we do not share this data with others. If we link to other websites then their privacy policy applies, not ours. [Sense Networks Privacy Policy]

Output: Website Data Collection Sense Networks collects information about you when you transmit information via our website or by email or when you otherwise use our website. In general, you may visit our Site and access information while not revealing any individual user information other than technology related information. We may ask for your personal information in order to conduct business with you. We may share this data with 3rd parties in the course of delivering our service to you, but we do not rent or sell information collected via the website. Other Websites Through our website or our Ad Services, we may link to other website operated by other companies. This Privacy Policy does not apply to these linked websites. Each website should be checked for its own privacy policy.


Input: [What This Means] If we change this policy we will post a notice on the website. Feel free to contact us at privacy@sensenetworks.com with questions. [Sense Networks Privacy Policy]

Output: Changes to This Policy Sense Networks may update this Privacy Policy from time to time. Whenever a change to this Privacy Policy is significant, we will place a prominent notice on this website. Questions or Comments If you have questions or comments about our Privacy Policy, please contact us at privacy@sensenetworks.com.


Input: [2] 805 [1]

Output: Clock Hours:

Required Courses


Input: [0] SKHCC130 [2] 45 [1]

Output: Fundamentals in Healthcare Delivery

Required Courses


Input: [0] SKHCC145 [2] 99 [1]

Output: Medical Terminology for Healthcare Workers

Required Courses


Input: [0] SKHIM105 [2] 30 [1]

Output: Computers in Healthcare and Health Record Systems

Required Courses


Input: [0] SKHIM180 [2] 50 [1]

Output: Introduction to Medical Billing & Reimbursement

Required Courses


Input: [0] SKHIM181 [2] 60 [1]

Output: Medical Claims Processing

Required Courses


Input: [0] SKHCC204 [2] 140 [1]

Output: Clinical Pathophysiology

Required Courses


Input: [0] SKHCC164 [2] 40 [1]

Output: Pharmacology for Allied Health

Required Courses


Input: [0] SKHIM208 [2] 90 [1]

Output: ICD-10-CM Diagnostic Coding

Required Courses


Input: [0] SKHIM212 [2] 100 [1]

Output: CPT Coding I

Required Courses


Input: [0] SKHIM214 [2] 106 [1]

Output: CPT Coding II

Required Courses


Input: [0] BCR100 [2] 45 [1]

Output: Examination Review

Required Courses


Input: [Flag] wx.DragError [Description]

Output: Error prevented the d&d operation from completing

wx.DropTarget — wxPython v2.8.9.1 documentation


Input: [Flag] wx.DragNone [Description]

Output: Drag target didn’t accept the data

wx.DropTarget — wxPython v2.8.9.1 documentation


Input: [Flag] wx.DragCopy [Description]

Output: The data was successfully copied

wx.DropTarget — wxPython v2.8.9.1 documentation


Input: [Flag] wx.DragMove [Description]

Output: The data was successfully moved (MSW only)

wx.DropTarget — wxPython v2.8.9.1 documentation


Input: [Flag] wx.DragLink [Description]

Output: Operation is a drag-link

wx.DropTarget — wxPython v2.8.9.1 documentation


Input: [Flag] wx.DragCancel [Description]

Output: The operation was cancelled by user (not an error)

wx.DropTarget — wxPython v2.8.9.1 documentation


Input: [  ]  kilt [jacket]

Output: kilt

Black Tie Guide | Supplemental: Scottish Formal Attire


Input: [  ]   matching waistcoat, low cut and fastened with three Celtic buttons Wikipedia also states that the waistcoat can be tartan (as shown in the Lowland Dress photo below) but that option seems to apply only to the Argyll jacket or Sheriffmuir doublet [jacket]

Output: waist covering

Black Tie Guide | Supplemental: Scottish Formal Attire


Input: [  ]  white shirt with shirt studs, French or barrel cuffs, and a turndown collar (wing collars are reserved for white tie in most locales) [jacket]

Output: shirt

Black Tie Guide | Supplemental: Scottish Formal Attire


Input: [  ]  black bow tie [jacket]

Output: neckwear

Black Tie Guide | Supplemental: Scottish Formal Attire


Input: [  ]   evening dress brogues: · buckle brogues (tongue-less brogues closed with a strap and decorated with a buckle on the toe of the shoe) are most formal · ghillie brogues (tongue-less brogues with long laces that wrap around the lower leg and tie above the ankle) are less formal dress kilt hose (knee-length wool socks): · diced pattern (broad criss-crossing diagonal stripes of two different colors) or tartan patterns (to match kilt) are most formal; note that red diced patterns are for members of the military · solid-color hose are less formal; note that white and off-white hose are often seen but are deplored by some [jacket]

Output: footwear

Black Tie Guide | Supplemental: Scottish Formal Attire


Input: [  ]     silk flashes (a pair of decorative pointed vertical strips of fabric attached to elastic sock garters) or silk garter ties (traditional sock garters made from fabric that ties around the calf) dress sporran (decorative pouch worn at the front of the kilt) with silver chain black, silver-mounted sgian dubh (a small ornamental knife tucked into the kilt hose) optional dirk (an ornamental cut-down sword) [jacket]

Output: accessories

Black Tie Guide | Supplemental: Scottish Formal Attire


Input: [  ]  Highland bonnet with crest badge (only suitable out of doors) [jacket]

Output: outerwear

Black Tie Guide | Supplemental: Scottish Formal Attire


Input: [スキル名] 耐久値アップ [コース名] 最初から所持 [入手]

Output: OFF

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] 射撃・ビーム防御力アップ [No.] 41 [難易度] HARD [コース名] BEYOND [入手]

Output: OFF

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] 射撃・実弾防御力アップ [No.] 27 [難易度] NORMAL [コース名] マフティー動乱 [入手]

Output: OFF

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] 射撃・全防御力アップ [No.] 43 [難易度] NORMAL [コース名] アーマーの真価 [入手]

Output: OFF

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] 耐久値回復【プレイヤー】 [No.] 36 [難易度] EXTREME [コース名] 砂塵の果て [入手]

Output: OFF

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] 耐久値回復【タッグ】 [No.] 3 [難易度] EXTREME [コース名] ロンド・ベル防衛部隊 [入手]

Output: ONLINE

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] 射撃・ビーム攻撃力アップ [コース名] 最初から所持 [入手]

Output: OFF

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] 射撃・実弾攻撃力アップ [No.] 14 [難易度] EXTREME [コース名] 震える山 [入手]

Output: OFF

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] 射撃・全攻撃力アップ [No.] 44 [難易度] HARD [コース名] 死神の宴 [入手]

Output: OFF

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] 格闘攻撃力アップ【プレイヤー】 [コース名] 最初から所持 [入手]

Output: OFF

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] 格闘攻撃力アップ【タッグ】 [No.] 6 [難易度] EXTREME [コース名] ガンダムファイト!!! [入手]

Output: ONLINE

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] 射撃＆格闘攻撃力アップ [No.] 33 [難易度] EASY [コース名] 月下のカルテット [入手]

Output: OFF

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] 底力で攻撃力アップ [No.] 17 [難易度] EXTREME [コース名] ポケットの中の戦争 [入手]

Output: OFF

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] ブーストゲージ増加 [No.] 38 [難易度] EASY [コース名] パイロット・ダンス [入手]

Output: OFF

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] ブーストキャンセル消費量減少 [No.] 11 [難易度] HARD [コース名] トリプルイエロー [入手]

Output: ONLINE

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] ステップキャンセル消費量減少 [No.] 20 [難易度] NORMAL [コース名] 俺がガンダムだ [入手]

Output: ONLINE

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] ブースト消費量減少 [No.] 14 [難易度] EASY [コース名] 震える山 [入手]

Output: OFF

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] EXゲージ性能強化【プレイヤー】 [コース名] 最初から所持 [入手]

Output: OFF

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] EXゲージ性能強化【タッグ】 [No.] 4 [難易度] EXTREME [コース名] 海の亡霊 [入手]

Output: ONLINE

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] EXゲージ＋【プレイヤー】 [No.] 23 [難易度] HARD [コース名] ジオンの遺児 [入手]

Output: OFF

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] EXゲージ＋【タッグ】 [No.] 31 [難易度] HARD [コース名] マスター・アジア、暁に死す [入手]

Output: OFF

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] アサルトバースト時間延長 [No.] 32 [難易度] HARD [コース名] ホワイトファング [入手]

Output: OFF

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] ブラストバースト時間延長 [No.] 16 [難易度] EXTREME [コース名] EXAMシステム発動 [入手]

Output: OFF

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] EXバースト時間延長【タッグ】 [No.] 5 [難易度] HARD [コース名] 野獣の如く [入手]

Output: ONLINE

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] EXバースト＋ [No.] 17 [難易度] HARD [コース名] ニュータイプの風 [入手]

Output: ONLINE

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] 戦力補充 [No.] 17 [難易度] EXTREME [コース名] ニュータイプの風 [入手]

Output: ONLINE

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] 機体コストダウン [No.] 19 [難易度] HARD [コース名] 絶望の矢 [入手]

Output: ONLINE

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] 味方間ダメージ軽減 [No.] 13 [難易度] EASY [コース名] 演習・格闘機 [入手]

Output: OFF

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] バリア強化 [No.] 43 [難易度] EXTREME [コース名] アーマーの真価 [入手]

Output: OFF

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [スキル名] 獲得SP増加 [No.] 40 [難易度] HARD [コース名] 命の華 [入手]

Output: OFF

機動戦士ガンダム EXTREME VS. FULL BOOST wiki - フルブーストミッション


Input: [Component] Processor [Notes] See the “Operating system” section later in this topic for supported operating systems. [Requirement]

Output: x64 architecture-based computer with Intel processor that supports Intel 64 architecture (formerly known as Intel EM64T) AMD processor that supports the AMD64 platform Intel Itanium IA64 processors not supported

Exchange 2013 Configuration details | Repository of my experience on Windows and Exchange Server


Input: [Component] Memory [Notes] Detailed guidance is currently not available for Exchange 2013 Preview. [Requirement]

Output: Varies depending on Exchange features that are installed

Exchange 2013 Configuration details | Repository of my experience on Windows and Exchange Server


Input: [Component] Paging file size [Notes] The recommended page file size also accounts for the memory that’s needed to collect information if the operating system stops unexpectedly. On 64-bit operating systems, memory can be written as a dump file to the paging file. This file must reside on the boot volume of the server. For more information about the configuration options that are available for memory dump data, see Knowledge Base article 254649, Overview of memory dump file options for Windows Vista, Windows Server 2008 R2, Windows Server 2008, Windows Server 2003, Windows XP, and Windows 2000. [Requirement]

Output: The page file size minimum and maximum must be set to physical RAM plus 10 MB

Exchange 2013 Configuration details | Repository of my experience on Windows and Exchange Server


Input: [Component] Disk space [Notes] The minimum space requirements detailed here don’t account for disk subsystem requirements for adequate performance. [Requirement]

Output: At least 1.2 GB on the drive on which you install Exchange An additional 500 MB of available disk space for each Unified Messaging (UM) language pack that you plan to install 200 MB of available disk space on the system drive A hard disk that stores the message queue database on an Edge Transport server or Hub Transport server with at least 500 MB of free space

Exchange 2013 Configuration details | Repository of my experience on Windows and Exchange Server


Input: [Component] Drive [Notes] None. [Requirement]

Output: DVD-ROM drive, local or network accessible

Exchange 2013 Configuration details | Repository of my experience on Windows and Exchange Server


Input: [Component] Screen resolution [Notes] None. [Requirement]

Output: 800 x 600 pixels or higher

Exchange 2013 Configuration details | Repository of my experience on Windows and Exchange Server


Input: [Component] File format [Notes] None. [Requirement]

Output: Disk partitions formatted as NTFS file systems, which applies to the following partitions: System partition Partitions that store Exchange binary files Partitions containing transaction log files Partitions containing database files Partitions containing other Exchange files

Exchange 2013 Configuration details | Repository of my experience on Windows and Exchange Server


Input: [Description of risk] Unrecognised plane sighted in no-fly zone above Olympic Park [Probability] Likely [Mitigation/Contingency] Locate clusters of anti-aircraft guns on Blackheath and Shooters Hill [Impact]

Output: Disastrous


Input: [Description of risk] Concealed nuclear device triggered by lighting of Olympic flame [Probability] Possible [Mitigation/Contingency] Replace gaspipe apparatus with flickering holographic projection [Impact]

Output: Catastrophic


Input: [Description of risk] Mayor of London grabs flag and waves it in front of global audience of three billion [Probability] Certain [Mitigation/Contingency] Attempt to elect non-embarrassing mayor on May 3rd [Impact]

Output: Embarrassing


Input: [Description of risk] Persistent rain in London for a fortnight [Probability] Probable [Mitigation/Contingency] Switch sailing to Stratford, and athletics to Weymouth [Impact]

Output: Disappointing


Input: [Description of risk] Queen dies on first day of Olympics [Probability] Feasible [Mitigation/Contingency] That's the entire Games wrecked, then [Impact]

Output: Unspeakable


Input: [Description of risk] Prince Philip dies on first day of Paralympics [Probability] Possible [Mitigation/Contingency] Yeah, who cares? [Impact]

Output: Mild


Input: [Description of risk] Actor who plays mascot Mandeville accused of child molestation [Probability] Unlikely [Mitigation/Contingency] Initiate Olympic Mitigation Strategy 3056/003 (Synchronised News Diversion Protocol) [Impact]

Output: Appalling


Input: [Description of risk] Explosive device hidden in narrowboat detonates on River Lea [Probability] Minor [Mitigation/Contingency] Block off river traffic for three months, just to be on the safe side [Impact]

Output: Tragic


Input: [Description of risk] Rogue vuvuzela slips through scanners at beach volleyball event [Probability] Plausible [Mitigation/Contingency] Locate trigger-happy Met Police marksmen amongst crowd [Impact]

Output: Ear-splitting


Input: [Description of risk] Indian athletes refuse to attend Games in hissy fit over Dow wrap sponsorship [Probability] Moderate [Mitigation/Contingency] Plaster the stadium wrap with McDonalds slogans instead to avoid controversy [Impact]

Output: Awkward


Input: [Description of risk] Power cut during 100m final plunges stadium into darkness [Probability] Minor [Mitigation/Contingency] Use Olympic flame to light Olympic torches and distribute amongst crowd [Impact]

Output: Typical


Input: [Description of risk] Athlete seen in TV close-up swigging from can of Pepsi [Probability] Possible [Mitigation/Contingency] Attempt to offload all shares before world economy collapses [Impact]

Output: Cataclysmic


Input: [Description of risk] Entire Moldovian gymnastics team tests positive for drugs [Probability] Rare [Mitigation/Contingency] Use as smokescreen to deflect press attention from Tom Daley's alleged coke habit [Impact]

Output: Miraculous


Input: [Description of risk] Boris Bike pile-up blocks Olympic Route Network at Tower Hill [Probability] Slight [Mitigation/Contingency] Walk the Olympic Family to Hyde Park and make them watch the Games on a big screen with the plebs [Impact]

Output: Calamitous


Input: [Description of risk] Simultaneous suspension of Jubilee and Central lines on busiest evening of Games [Probability] Anticipated [Mitigation/Contingency] Sigh deeply, and wish Crossrail had been built to its original deadline [Impact]

Output: Nightmarish


Input: [Description of risk] Plucky British teenage athlete fails to qualify in first race [Probability] Nigh certain [Mitigation/Contingency] Switch tabloid focus to pre-teen hopes for Rio 2016 [Impact]

Output: Regrettable


Input: [Description of risk] Radicalised schoolgirl detonates home-made explosives on platform 2 at Stratford station [Probability] Realistic [Mitigation/Contingency] Impose curfew to force entire population of London to stay indoors during the Games, for the sake of national security [Impact]

Output: Shocking


Input: [Description of risk] Al Qaeda deploy nerve gas at East Midlands shopping centre [Probability] Unexpected [Mitigation/Contingency] Alas, it is truly impossible to mitigate against everything [Impact]

Output: Total Fail


Input: [Description of risk] Space octopus descends during Opening Ceremony and consumes crowd [Probability] Remote [Mitigation/Contingency] Point TV cameras the other way and hope nobody notices [Impact]

Output: PR disaster


Input: [Description of risk] Everything goes just fine [Probability] Probable [Mitigation/Contingency] You mean we spent all those billions on security for nothing? [Impact]

Output: Relief


Input: [1] 2 [Gurgaon] D-619, Kendriya Vihar, Sector-56, Gurgaon

Output: Name & Details of property Housing lands and other buildings

Name of District Sub-Division, Taluk & Village or City in which property is situated(full location & Postal address)


Input: [1] 3 [Gurgaon] Purchase cost of flat Rs.15,51,824/- present value not assessed

Output: Present value*

Name of District Sub-Division, Taluk & Village or City in which property is situated(full location & Postal address)


Input: [1] 4 [Gurgaon] Self

Output: If not in own name, state in whose name held & his/her relationship to the Government Servant

Name of District Sub-Division, Taluk & Village or City in which property is situated(full location & Postal address)


Input: [1] 5 [Gurgaon] From CGEWHO central Govt. employees welfare housing Organisation (CGEWHO) by Bank loan, saving, loan relatives in 2000

Output: How acquired, whether by purchase, lease**, mortgage, inheritance, gift or otherwise with date of acquisition & name with details of person(s) from whom acquired

Name of District Sub-Division, Taluk & Village or City in which property is situated(full location & Postal address)


Input: [1] 6 [Gurgaon] --

Output: Annual income from the property

Name of District Sub-Division, Taluk & Village or City in which property is situated(full location & Postal address)


Input: [1] 7 [Gurgaon] --

Output: Remarks

Name of District Sub-Division, Taluk & Village or City in which property is situated(full location & Postal address)


Input: [0] intend [1] become [2]

Output: targeted

Hillenbrand Completes Coperion Acquisition and Announces FY2013 Guidance | SYS-CON CANADA


Input: [0] believe [1] pursue [2]

Output: encourage

Hillenbrand Completes Coperion Acquisition and Announces FY2013 Guidance | SYS-CON CANADA


Input: [0] plan [1] estimate [2]

Output: promise

Hillenbrand Completes Coperion Acquisition and Announces FY2013 Guidance | SYS-CON CANADA


Input: [0] expect [1] will [2]

Output: improve

Hillenbrand Completes Coperion Acquisition and Announces FY2013 Guidance | SYS-CON CANADA


Input: [0] may [1] forecast [2]

Output: progress

Hillenbrand Completes Coperion Acquisition and Announces FY2013 Guidance | SYS-CON CANADA


Input: [0] goal [1] continue [2]

Output: potential

Hillenbrand Completes Coperion Acquisition and Announces FY2013 Guidance | SYS-CON CANADA


Input: [0] would [1] could [2]

Output: should

Hillenbrand Completes Coperion Acquisition and Announces FY2013 Guidance | SYS-CON CANADA


Input: [Description] The role of the Department of Assessors is to value all Real and Personal property subject to tax in the town of Hudson. The goal of the department is to value all property at its full, fair, cash value. WHAT'S ON THE WEB! Abatement forms, Exemption information, Tax Rates, Real Estate Tax, Assessment Information, Glossary of Assessment Terms, Geographical Information Systems (GIS) maps. [Name]

Output: Assessing


Input: [Description] The mission of the Hudson BOH is to promote the health of the people through the prevention and control of disease and injury. We are assuring the quality of our food, checking the safety of homes and protecting the environment from damage and pollution. [Name]

Output: Board of Health


Input: [Description] The mission of the Building Department is to ensure the safe minimum levels of building construction through administration and enforcement of the various State Codes. An equally important role is the enforcement of our zoning and conservation by-laws which serve as a means of planned orderly development and maintenancece of the character of the community. [Name]

Output: Building Inspections


Input: [Description] The Department of Community Development concerns itself with four "core" planning elements: Housing, Economic Development, Transportation and related infrastructure needs, and Open Space / Natural Resource Protection. [Name]

Output: Community Development


Input: [Description] The Executive Assistant is the Chief Fiscal Officer and Chief Administrative Officer for the Town and as such is responsible for the management and coordination of most town departments, officials, boards and commissions. [Name]

Output: Executive Assistant


Input: [Description] The Finance Department is comprised of the offices of Accounting, Assessing, Treasurer and Tax Collector. [Name]

Output: Finance