Disney's bravest and most relevant film

Rating: 8/10 (13 June 2016)

Cute, talking animals are, of course, nothing new when it comes to Disney. Whether they are an anthropomorphic swash-buckler or a wide- eyed human's sidekick, I couldn't name one of Disney's animated output that didn't feature a cuddly creature. Their latest, Zootopia, may seem much more of the same then, with it's richly- imaged world of upright rabbits, polar bears, hippos and the like, all living together in harmony in the titular metropolis. You can put away your preconceptions however, as Zootopia is without doubt the corporate giants bravest and most relevant picture to date, and one with a strong message for its young audience that will hopefully rub off on at least a few viewers.
Young, determined bunny Judy Hopps (Ginnifer Goodwin) grows up in the rural Bunnyburrow, a small town in a larger world where predators and prey have evolved to live together peacefully. Her parents hope she'll grow up to appreciate the quiet life of selling carrots and raising a family, but she has other ideas, and hopes to one day travel to the big city of Zootopia to become a police officer. Despite facing prejudice due to her gender and her size, she eventually graduates from Police Academy top of her class, and is soon in Zootopia fulfilling her dream. But when she arrives, her colleagues instantly doubt her ability as the precinct is traditionally made up of more formidable animals, and is quickly assigned to parking duty by Chief Bogo (Idris Elba).
Frustrated at the clear-cut discrimination, Judy decides to be the best parking attendant there ever was. It is while she is stamping every vehicle with a ticket the second they're in violation that she learns that prejudice goes both ways, meeting the seemingly down- and-out fox Nick Wilde (Jason Bateman), the exact kind of prey Judy suffered physical harm from as a child. Her suspicions turn out to be true, and Nick is indeed a 'sly' fox, but comes to learn that he acts like a fox because society treats him and expects him to be like one. Begging for a chance at something more challenging, Bogo gives Judy the task of tracking down missing person Mr. Otterton with an ultimatum that she must resign if she fails. Suspecting his street-smarts may be of an asset to her investigation, Judy blackmails Nick into helping her, and uncover a series of bizarre incidents where predators are returning to their primal state.
While it may sound like a heavy-handed educational piece on the folly of racism and pre-judgement, it actually isn't, as Zootopia is also an explosion of imagination for the vast majority of its 110- minute running time. Judy's arrival at Zootopia, as she is whisked through an array of eco-systems, designed to sustain the many different kinds of inhabitants, is a complete joy. While some jokes fail to hit the mark, like the Godfather gag that may have been funny thirty years ago, others are ingenious. It may seem obvious to employs sloths at the DMV, but the scene is still laugh-out-loud even though they played it in it's entirety in the trailer. But Zootopia isn't memorable for its comedy value, but the way it delivers its message. Without being preachy or overly-sentimental, the film actually feel frustrated at society. We have surely evolved past pretty prejudice and stereotyping, so what drives the hate? The film hints at fear induced, which is a bold statement on its own.