Careless, scattershot and insulting to its fans

Rating: 4/10 (27 May 2014)

Back in 2006, it seemed like Brett Ratner's third instalment of the X- Men saga was a textbook way to kill a lucrative franchise. The Last Stand kept the satirical undertones of the previous two, and even introduced some new, interesting ones. It also had the biggest set- pieces yet, climaxing in a mutant brawl on Alcatraz that pits the saga's big bad Magneto (Ian McKellen) and his army of cronies against an earnest and inexperienced X-Men led by Wolverine (Hugh Jackman) and Storm (Halle Berry). However, gone was the love injected into the franchise by Bryan Singer, and gone was any form of coherency and care. But it seems that The Last Stand was not the franchise-killer many envisioned, and, now that Days of Future Past (2014) has apparently eradicated it from the time-line, it is little but a dark blip in an overall successful series of movies.
Horrified by the announcement of a new mutant 'cure', developed from a power-draining mutant child named Jimmy (Cameron Bright), Magneto reforms his Brotherhood of Mutants and sets out kill the boy. Sensing trouble brewing, Professor Charles Xavier (Patrick Stewart) enlists the help of former student and current Secretary of Mutant Affairs for the U.S. Cabinet Dr. Hank McCoy (Kelsey Grammar), also known as Beast. After disappearing at the end of the previous film, Jean Grey (Famke Janssen) resurfaces but re-born as the Phoenix, a mutant fuelled by rage and unbelievable power. When Xavier fails to subdue her mind, Jean allies herself with Magneto, whose army is growing steadily stronger.
The X-Men movies have always succeeded in channelling larger issues such as segregation and racism through the eternal battle between mutants and humans, and if The Last Stand is successful at anything at all, it's in bringing to mind the many differences people are born with, and how these 'afflictions' damage their ability to fit into regular society. Naturally, the issue will divide those affected into those who have fully accepted and embrace how they were born, and those who are eager to slot nicely into the mainstream. The cure offered in the movie also comes with a choice. Magneto sees this as an affront to mutants, who he feels are the next natural step in evolution. Yet Rogue (Anna Paquin), cursed with being unable to come into human contact with anyone, sees it as a way to finally end her pain.
But this is not enough to save The Last Stand from being a complete mess. The two previous movies managed to keep enough of a hold on it's massive ensemble to still tell a decent story. The Last Stand introduces a ridiculous amount of new mutants, from the impressive but little-seen Angel (Ben Foster), whose screen-time betrays his position on the poster, to the ridiculous abomination that is Juggernaut (Vinnie Jones), a wafer-thin villain whose induces cringing every time he opens his mouth. The plot is little more than a way to get the goodies fighting the baddies, and lazy plot-holes and inexplicable tactics on both sides riddle what is an incredibly dull and simplistic climax.
The development of Jean Grey into Phoenix, one of the key X-Men plot threads beloved to fans, admittedly allows for the odd visually spectacular set-piece, but on the whole is a massive let-down. Janssen is perfectly fine in the role, convincing as a seductive yet extremely dangerous mutant capable of God-like powers, but is seriously underwritten. And it's this aspect that really sums up The Last Stand - careless, scattershot, and insulting to its loyal fans. It seems to care far more about how much money the movie can put into it's wallet than creating anything of artistic merit. As said before, the film is such a mess that Bryan Singer had to find a way to quite rightly delete it from the X-Men timeline, and that sums up this pap better than I could ever dream of.
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