Rushed and unspectacular, saved by Michael Fassbender

Rating: 6/10 (12 June 2011)

Things were looking good for the X-Men back in 2003. The first film was a box-office success and was a pretty solid blockbuster. Then X2 came and the bar was raised not only for X-Men films, but for superhero movies in general. Bryan Singer had made an exciting action film that had interesting, fully-developed and endearing characters. Then Singer dropped out in order to make Superman Returns, and for some reason left the job to Hollywood s**t-stain Brett Ratner. X-Men: The Last Stand was an over-populated, lazily directed mess, and Ratner had thought it would be a good idea to cast Vinnie Jones. It seemed to be the closure of the X- Men series, until X-Men Origins: Wolverine came along and gave a backstory to fan-favourite Wolverine. Even though it was directed by the Oscar-winning Gavin Hood (who directed the excellent Tsotsi), it was the worst of the lot. Studio interference has made it a bumbling, boring mess of a movie. But still the X-train carries on, and still had the ability to attract rising director Matthew Vaughn.
Set in 1962, it follows a young Charles Xavier (James McAvoy) who is graduating from University and living with his best friend Raven (Jennifer Lawrence). Xavier is seemingly fascinated with genetic mutation that has given him the gift of reading minds, and given Raven the ability to morph into anyone. Meanwhile, vengeful concentration camp survivor Erik Lensherr (Michael Fassbender) is on a mission to find the fled Nazis that led to the death of his parents, and, ultimately, to find Sebastian Shaw (Kevin Bacon), who first discovered his gift for magnetism. Shaw is now on a quest to strike a deal with the U.S.S.R. that will lead to the destruction of America. Lensherr realises he must join forces with Xavier and recruit new mutants in order to fight this threat, and eventually being accepted into a discriminative world.
One of the underlying themes of the X-Men films is the idea of discrimination against the mutants. It is the key thing that eventually lead to Xavier and Lensherr (later to become Professor X and Magneto) ultimately becoming enemies. Xavier feels that the best way to show the human population that the mutants do not pose a threat is to rise above the 'racial' hatred. Magneto takes it as a way to feel superior, and therefore hell-bent on teaching the humans a lesson. Magneto feels deeply about this due to his childhood in Auschwitz, and the death of his parents. This deep-rooted hatred is explored early on in First Class as Lensherr scours Europe killing people on his Nazi list.
This is one of the problems with First Class, as the film is bound to the fate that we as the audience already know. Xavier must lose the use of his legs. Magneto and Raven (later to become Mystique) must become evil. Hank McCoy (Nicholas Hoult) must turn into Beast. The Cerebro must be built. Often the film becomes so insistent in developing these ideas that it loses focus on its own storyline and characters. As a result, the plot can often feel muddled, and the new mutant additions are thinly-conveyed and uninteresting.
The one true masterstoke in the film is the casting of Michael Fassbender. I've long been an admirer after seeing him as Bobby Sands in Hunger, and then go on to make Fish Tank and Inglourious Basterds. He portrays Magneto torn both by anger and helplessness devised from his childhood, and plays it with utter conviction. His early scenes travelling across Europe are the best moments in the film, and makes me wish they had gone ahead with their earlier plans in giving Magneto his own origin movie. McAvoy, however, although possessing a lot of charm, suffers from having Patrick Stewart's shoes to fill. His friendship with Raven is just not convincing.
There's a definite feeling that the film has been rushed. Vaughn's earlier efforts in the fantasy field - Kick-Ass and Stardust - flowed, and never lacked in the special effects department. Here, the film seems to frantically pacing for the climax, with no real moments of character development, and some of the special effects don't come near to the standards of other films these days. It is, though, undoubtedly enjoyable. The action scenes don't exactly blow anything out of the water, and don't even surpass the original two, but they are at least fun. I hope if they do make another film, they concentrate on the story rather than looking at the future, and set the foundations for what could become a solid franchise in it's own right.
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