As good as it was at the end of X2

Rating: 7/10 (18 October 2014)

After Matthew Vaughn's X-Men: First Class (2011) injected a bit of life back into the X-Men franchise, any further instalments faced the headache of what to do with a bunch of fantastic actors playing the same characters decades apart. Inspired by the 1981 Uncanny X- Men comic of the same name, Days of Future Past switches between a nightmarish, dystopian future overrun by giant sentinels, and the boogie nights of the 1970's. We get the best of both worlds, and thankfully, in his seventh appearance over the course of 14 years as his most recognisable character, Hugh Jackman's Wolverine inhabits them both.
After narrowly escaping a sentinel attack in the near-future, a band of mutants including the returning Iceman (Shawn Ashmore) and Kitty Pride (Ellen Page) meet up with Wolverine, Professor X (Patrick Stewart), Magento (Ian McKellen), Storm (Halle Berry) et al to hatch a plan before the next inevitable attack. Kitty transfers the mind of Wolverine back to 1973, where a young Mystique (Jennifer Lawrence) is soon to assassinate Dr. Bolivar Trask (Peter Dinklage), setting off a chain of events that could result in the apocalypse. The only problem is, the young Charles Xavier (James McAvoy) is depressed and mansion-bound, still struggling to deal with his powers and the loss of the use of his legs. They also need to help of Magneto (Michael Fassbender), who is imprisoned in a plastic cell for allegedly assassinating John F. Kennedy.
For all it's time-travelling gobbledegook, Days of Future Past doesn't spend too much time trying to explain the mechanics behind it. Like Rian Johnson's mind-bending Looper (2012), it recognises the folly in attempting to spell it out for you. When you look at it under a microscope, time-travel makes little sense in movies as it is, so it's best to accept what you're seeing and move on. McAvoy's Xavier even dismisses Wolverine's ramblings as 'future-s***e'. This frees up more time in an already packed movie to concentrate on the damaged Xavier, brought to life by another fantastic performance from McAvoy. If First Class was Magneto's origins, this is Professor X's, showing a scared, conflicted and broken man and how he became the father to mutants he is when embodied by Patrick Stewart.
Of all the many mutants on show, some are not given as much time as their name would suggest. Storm, Anna Paquin's Rogue, and most notably, Ian McKellen's Magneto are somewhat left out to dry, while Nicholas Hoult's Beast, Kitty Pride, and a first appearance for Evan Peters' Quicksilver, are more prominent, and thrive in their larger roles. Trask, a rather fascinating villain thanks to the performance of Dinklage, is left undeveloped. We glimpse into his mind and ambitions, but there's little clarity given to his motivation. But with a film this packed with characters, it would take four hours or more to explore them all, and some inspired set-pieces pepper the film at the points where you start to think the plot will make your head explode. The (possibly) plot-hole laden climax aside, it seems like the franchise is as good as it was at the end of X2 (2003), seemingly serving to delete all the poor decisions made in returning director Bryan Singer's absence. Now, the wait for X-Men: Apocalypse.
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