As a disaster movie, it works. Irwin Allen couldn't have made it better.

Rating: Null/10 (20 June 2013)

If the potential exists for a thinking-man's zombie movie, then "World War Z" is probably about as close as you are likely to get. Here is a movie that tries to one-up the zombie genre by bringing it to an epic scale. It doesn't entirely succeed, but what it does, it does very well. Somewhere between grand special effects are characters smarter than the plot probably allows them to be. But this isn't a character study, it's a well-made disaster movie. Irwin Allen couldn't have made it better.
"World War Z" is lean on plot, heavy on action and lays out an apocalyptic scenario with the grandest of production values - every single dollar of the film's $170 million budget is there on the screen. The scenario is known by anyone following the trailers, the TV ads or who might have dug into Max Brooks' epic 2005 novel. If you're still blind to this plot, stop reading now.
Where the book was a narrative, told in personal logs, the movie is a straight-forward action picture. It opens brilliantly with ominous news footage over the opening credits, saddled with a theme that reminds us of Tubular Bells, that scary music from "The Exorcist." Somewhere in the flurry of news footage are some snatches of information about an epidemic, but you have to listen to catch it. Something is happening, the world is going topsy-turvy and what lies on the horizon will cause nothing less than an extinction level event. News of the threat doesn't seem to have affected the household of The Lane Family where everyone is happy and smiling in their sun-splashed kitchen. Dad is Gerry Lane (Brad Pitt), a former U.N. investigator; his wife is Karin (Mireille Enos) and they have two precious daughters.
No sooner do we meet the Lane family then the world goes completely to Hell. If you've seen "28 Days Later" or "Zombieland" or "The Walking Dead," then you pretty much know what is happening here. People are being bitten by the undead – their bodies contort into a pretzel before they jump up and run at a clip that doesn't seem quite human. Whatever is effecting the undead has collapsed their capacity to become winded. When they scream they sound like a raptor with strep throat.
Gerry seems to have a keen eye for details, noticing things in the midst of the ravaging cannibal invasion that others seem to miss. As the undead hoards pour over the population, he stays one step ahead, trying to get somewhere, anywhere that can give him some answers on how to stop the thing. In that, "World War Z" becomes one of those Gotta-Get-There movies in which a character must get from one location to another without getting killed. That means the every location that Gerry visits becomes infected by the ravages of zombie attacks – up to and including an airborne jetliner, Philadelphia and even Israel. No place is safe.
Where "World War Z" succeeds is in the production values. There's something the feels very real about the situation and the movie is paced at a level that doesn't feel like a special effects show – there are moments when we feel as if we are there. This is a movie that has been crafted on the technical level with loving care so that, subconsciously, we don't feel at a distance from what is happening. Giving the movie a realistic feel is a smart idea because when the zombies begin their attack it makes things just a little more plausible, even if you believe that they can scale a 200 foot wall like an ant colony.
The movie isn't as sharp on the screenplay level. "World War Z" is a movie that, for all its grand production and ominous tones, turns out to be, in the end, just an exceedingly well-made disaster movie. It doesn't break any new ground but it looks good, it moves at a good pace, and it gets the job done.
*** (of four)