How 'The Man in Black' learned to 'Walk the Line'

Rating: 8/10 (19 February 2006)

While most of us have heard of Johnny Cash, I'm sure only the true aficionados are aware of the background to the 'Man in Black'. I came to 'Walk The Line' in the former category; like those Amazonian tribes who have no radio etc but still know Johnny Cash.
James Mangold's film charts Cash's life from a tough Arkansas upbringing to his career defining Folsom prison concert in 1968. A story that could have been clichéd and sentimental is stronger thanks to an understated script and strong performances. There are no earth shattering epiphanies for example which signpost his recovery from personal and musical abyss. Credit to Mangold for underplaying such moments like when Cash reads his fan mail from convicts and understands what he means to his fellow tortured souls.
The performances also bring this story to life. It's well documented that Joaquin Phoenix as Cash and Reece Witherspoon as already established country star, June Carter, stuck their necks out and performed live for the concert footage. The film is all the better for their courage even though most of the time I felt Phoenix did'not quite reach Cash's distinctive growl. Physically as well, only on occasions did I believe Phoenix as 'The Man in Black; with his own dark broodiness you never forget you're watching Joaqin Phoenix. While those gripes may seem crucial for portraying such an iconic singer,Phoenix is still very commanding as this troubled soul. I have to own up and say I was not that familiar with June Carter but Reece Witherspoon ignites the film with both her sassy, warm hearted 'Country Gal' on stage and her own chaotic private life. Robert Patrick also excels as Cash's father Ray who is another source of torment for Johnny especially where both grieve for Johnny's brother Jack, tragically killed at a young age. Both Cash and Cash Sr carry the burden that "God took the wrong son".
We can't forget the music of course and Cash's window on life comes through after some sage advice from Sun Records' Sam Phillips. Cash's connection with the audience also really comes to the fore at the Folsom Prison show which bookends the movie.
I'm always sceptical about saying movie of the year or how many awards a film should receive as how can we really compare these matters. I just ask myself if I'm thinking about a movie a day or so afterwards then it's hit some mark. While not a bullseye,'Walk The Line' certainly hits Johnny Cash's 'Ring of Fire'.