Frat boy humor in a high-concept package

Rating: 5/10 (21 February 2018)

Some interesting decisions here from Judd Apatow and company. They start with just the essential choice to parody a modestly well-know music biography - "Walk the Line" which had come out only 2 years prior. Unlike "Spaceballs", the Mel Brooks parody of perhaps the most famous films of all time and one rife for satire likely the vast majority of film-goers won't even catch most of the allusions to Johnny Cash's story such as the death of his brother who haunted him his whole life. Also, Cash's name continues to carry artistic cache unlike a John Denver or even Elvis Presley so some viewers may have found themselves offended by the send-up of Cash's life story. Another interesting choice involves using a script made up of only jokes until the final 10-15 minutes of run-time when the film becomes very sentimental finishing on an incongrously uplifting final performance of a legitimate tune. The strategy seemed to be to launch one joke after another with the idea that enough will land to make the overall experience funny. While there is some sophisticated humor (Dewey's first wife played by Kristen Wiig promises to support his muscial career no matter what before nearly instantly trying to get a legitimate job for him in a slaughterhouse even after he has become wildly sucessful), for the most part - including the actual name of the film - it is a long series of racial, scatalogical, and genital jokes. There are many Python-esque absurdist moments as well particularly focused on fourth-wall breaking (much is made of John C. Reily playing Dewey at 14, 19, and 21). In short, probrably more of a party movie for groups enjoying some inerbriates.