UP IN THE AIR Soars High

Rating: 10/10 (5 March 2010)

Up in the Air is a timely story about the frontline, corporate downsizers who terminate workers across the country. It's an unpleasant job with emotional backlash, and George Clooney's performance as a top gun terminator is exemplary. Abetted by assured direction by Jason Reitman (Juno), this is a film for our times.
Ryan Bingham (Clooney) is very good at what he does, and he has the mileage to prove it. You see, corporations hire him to fly across the country to fire their employees. So good is Bingham that he has a perfect response for every possible reaction or objection. It is an art, and he has honed his skills over the years while living an insulated life of perks and frequent flier miles without any emotional attachments or long term plans for the future. He is even distant from his family. He has his routine down and lectures as a motivational speaker. Ah, what a life.
During a layover, he meets another frequent flyer, Alex (Vera Farmiga), who, like him, jets cross country and lives on her corporate credit cards and comps. So begins their jet setting affair and multi-city rendezvous. When Ryan's employer decides to streamline expenses, a new hired gun, Natalie (Anna Kendrick), brings big changes including cutting down travel expenses and relying more on a telemarketer setup to conduct the corporate firings. This is a direct threat to Ryan's lifestyle and he proposes to show her the ropes and what it is like to personally fire someone. It is a sobering, learning experience for Natalie as Ryan mentors her and espouses his words of wisdom and his hands on approach compared to her more empirical, scientific methods. It becomes apparent that they have differing values and philosophies on life. When Natalie tries to do a firing, it becomes a game changing event with severe ramifications for all. She is the young, wide eyed idealist, who learns about life the hard way.
At the same time, Ryan's sister calls about a wedding that he is reluctant to attend. While most people go home for the holidays, he feels the opposite. He grudgingly takes pictures of cardboard replicas of his sister and fiancé in his travels since they can't afford the trips. He even uses his powers of persuasion on his sister's fiancé who has second thoughts about marriage. It is in this moment that Ryan has an epiphany and learns about himself and what's important in life. As Ryan begins to have feelings for Alex and sets about to make his future, he discovers some startling, harsh truths that will alter his outlook on life forever.
Based on the novel by Walter Kirn, Reitman has created a smart, engaging film whose subject of corporate firings amid an economic downturn is quite timely. It is those scenes that are fascinating as they are heartbreaking, and Clooney's Ryan is a master at finessing verbal interplay. This film puts faces and souls on the nameless whose lives are destroyed. A scene where a fired employee (J. K. Simmons is excellent) is inspired by Ryan to try something else is masterfully written.
Clooney's Ryan is a distant cousin of sorts to his recent standout job in Michael Clayton. Rarely has he been more charming! His character lives in airport terminals and judges his success by his independence and frequent flyer miles. When Natalie, Alex and his own family converge on his life, we see him change, and that is what makes the film so special. To see someone whose outlook on life is changed forever is a rewarding, enriching feeling. When Ryan and Alex talk about life from their experiences, it is in stark contrast to the neophyte Natalie. What is refreshing is to see how Ryan becomes genuinely affected and how in the end he does the right things to correct an injustice.
Farmiga (The Departed) registers strongly as the mysterious lover, and Kendrick (Twilight) shines as the naïve Natalie. Jason Bateman (Juno) re-ups with Reitman and scores as a corporate manager. A note of interest is that many of the fired workers are played by actual, laid off employees so that their scenes do take on a sense of immediacy and realism.
This is one of those films that makes all the best lists of the year because it's smartly written, well acted, and leaves you with that aftertaste of time well spent.