It doesn't have to be politically correct to be sensible

Rating: 10/10 (2 February 2018)

There is something about this film that I really love but I can't point out.
The acting? Frances McDormand is a wonderful and a compelling actress and man I got won over by Sam Rockwell's convincing acting which got me love-hate him. And poor me, I didn't even know who they were before this one.
Perhaps the senseless direction of the plot and the underdeveloped characters? If you really think about it, the story was going nowhere. All you got a bunch of characters who never seem to get what they want. We got characters that fight their own battles. A mother who seeks justice for her child, a cop who still lives with his domineering mother, a chief who is pressured to finish an unresolved case knowing that he is dying, and bunch of other ideas of a character that seem to show up and disappear.
Maybe everything about this film fit perfectly for me. The screenplay, the direction and cinematography, the overall production.
Should I get mad that the film failed to highlight the struggles of minorities? That there are misogynistic and racist characters? Am I stupid if I say no?
Reality is, people are racist, the justice system is flawed, grief makes people do crazy things, hate is everywhere, love always gives and doesn't demand, some families are dysfunctional, forgiveness is not everything, and answers aren't always available no matter how we demand it. This movie is a reflection of these things. People are flawed and we all go through hard times and we fight different battles and despite this, there is a glimmer of goodness within us.
Not everything has to be politically correct to be sensible. At the very least, shoving political correctness up on everybody's asses is preposterous at a time like this in my honest opinion.