Is it because we do n't have God, so it does n't matter how we hurt each other?

Rating: 9/10 (4 April 2020)

If I really want to say this genre, I think it is not a drama or a tragedy or a comedy. It is more like a warm farce combining the three. What must be said should be the main drama, although it has a tragic comedy color, but the theme connotation it has to express is always upward. It is very different from the rules of Chinese film, and its ending is not determined to solve the case, but to the determination to resist sexual assault. This movie is actually a cloak of revenge, and the theme is salvation. The first is the salvation of personality. Director Willoughby 's three letters reveal the true face of each character. Dixon escapes from the fire and truly understands Director Willoughby 's expectation of himself when he knows about alien sexual assault When the author could not enforce the law, he put down the lost badge. The second is self-redemption. Dixon met Reed in the hospital. Reid still put the orange juice beside the bed; he and his mother became allies and went to Iowa, but said "not really". They did not find the murderer in the end, but they achieved their liberation. The third is personal salvation. Every character is torn and distorted. Mildred, whose marriage is unfortunately incompatible with children, is extremely stubborn; the only thought in the family is still Dickson, who wants to eliminate the old mother of color He misunderstood what the director thought "help" and threw Red downstairs. He was unruly and discriminated against black people. Willoughby director he could not find the truth and could not bear the pain of illness, and chose to commit suicide to avoid everything; but Mildred is persistent It was the nationals who valued sexual assault. At the end of the restaurant, he dropped the wine bottle that he was going to smash to his husband; Dixon went to Iowa with Mildred in order to get the criminal DNA and endure the beatings; Director Willoughby and Mildred talked about "baby" after hematemesis; they were all marginal characters in the play, each representing their own injustice, representing the injustice of the United States against people of color; the arrogance of law enforcers and the distortion of personal character, but in the end they Have achieved self-salvation. The characters they are in are tragic, but they hide the tenderness of tenderness everywhere. They did not find the murderer but gained self-liberation. So it is more like a warm farce.
The first impressive segment was that the black director appeared to be expelled. The suppression of people of color in the southern United States has had many metaphorical ironies in shaping Dixon. In the former case, he suppressed Mildred by suppressing people of color, so he did n't want to solve the case. After the death of the chief, he threw Reid out of the window in order to "revenge" the chief. He roared at the black man at the door of the police station. The chief appeared the first step to dismiss Dixon, and he also received a letter from the chief after expelling Dixon. At the same time, because of the black chief's relationship, he had to enter the police station late at night to see that the letter was just attacked by Mildred's fire. . These are no coincidences, but the deliberate design of the screenwriter, which suppresses the black people to appear from the black people to change characters, and finally puts the police badge in front of the black people.
The second episode is Mildred 's accidental payment of no money to pay rent. Reed actually compromised here. He gradually began to fear the intimidation of the law enforcers. At this time, the occasional amount of money made Reid unable to refuse. Who knows that this money was also sent by the law enforcers After renewing the rent, the Commissioner passed away, and the billboard was burned. Combining a high degree of contradiction, and finally cracking one by one absurdly, the billboard was actually burned by her ex-husband, and it was the victim of the billboard who continued the money. Tossing and turning, unexpectedly, breaking the audience's imagination, meaning.