A Worthy End

Rating: 7/10 (12 June 2013)

Seth Rogen has been accused of always playing himself and now he's doing it for real. Wouldn't you know he's not much different from his fictional characters, but here's a much better movie than usual...
Meeting with buddy/actor Jay Baruchel, who's reluctantly flown to Los Angeles, the two hang out at Seth's pad, smoke pot and have intentionally banal conversations. This suits Jay just fine, but there's a big party being thrown by actor James Franco in his brand new super duper sized mansion.
The beginning of THIS IS THE END isn't very funny. With forced jokes and real life actors partying hard, the only true investment is the moping Jay, wanting nothing to do with anything Hollywood. His wish comes true but surely not in this fashion: When Jay and Seth go for cigarettes and munchies at the local liquor store, a formidable earthquake opens up the ground: people are either sucked inside fiery sinkholes or vacuumed into the heavens by bright blue laser beams.
Eventually the only worthwhile (yet literally God forsaken) humans left behind are as follows: Seth, Jay and their actor buddies Jonah Hill, Craig Robinson and James Franco, whose mansion has become a survival compound from outside elements including an unseen creature dwelling amongst the ravenous netherworld. Meanwhile, behind boarded up doors, the guys are still just as shallow yet their narcissistic diatribes are a little funnier now that there's something or everything to lose.
Danny McBride, who happened to crash out in Franco's bathroom the night before, turns up the next morning and becomes the party animal/loon our boys didn't need, but the audience will appreciate. From wasting rations of food and water to pleasuring himself at will, Danny's the kind of raunchy comic relief that this already raunchy comedy yearns for. Through his unpredictable behavior he even brings the gang closer together. Even HARRY POTTER ingénue Emma Watson turns up sporadically, and she's not to be messed with.
While the abundantly overboard humor is hit and miss, soul-searching dialogue tends to drone on, and several classic homages are wasted on younger audiences (like ROSEMARY'S BABY), the best aspects are the stuff we don't see at first What exactly is that roaring creature outside? Is this a biblical or zombie apocalypse, or both? And which actor will buy the farm?
In a nutshell, THIS IS THE END succeeds in what's gonna happen next And be prepared since just about everything does... and then some.