The Wizard of Oz puts a glorious technicolor spell on younger audiences.

Rating: 7/10 (23 February 2019)

Let's get this out of the way first. I had never seen The Wizard of Oz until now. Obviously its legendary status had allowed certain scenes and songs to enter the American pop culture stream, but yes I had never seen the entire film. So, here I am, bravely going to attempt to convey my overall disappointment with this revolutionary classic. Stay with me though, as it's not as bad as the Wicked Witch of the West. A tornado rips through a Kansas farm to which a young Dorothy is knocked out and transported to the magical world of Oz. She must follow the yellow brick road, with her new pantomime pals and loveable dog, to meet the wizard of Oz and find a way home.
To say that this fantasy musical was revolutionary is an understatement. It is quite possibly the most influential, important and irresistibly fantastical feature to ever grace our screens. Despite the troubled production, Fleming pulls everything together to create a technical masterclass in film-making. The production design is out of this world. From the thick foliage enveloping the yellow brick road to the colossal spires of Emerald City. Every aspect looked gorgeous and will transport any viewer to its vivid fantasy world. Of course it goes without saying that the use of technicolor was extraordinary, paving the way for the future of cinema. Starting Dorothy's lofty adventure in Kansas with a maroon tint, only to then inject every colour of the rainbow when transported to Oz. I can only imagine how revolutionary that was back in 1939, and that's without mentioning the finely aged visual effects. The costumes, particularly the Scarecrow and the Wicked Witch of the West, enhanced the magical world they resided in. Rarely did they look cheap, giving much personality to the characters. The musical numbers, although simplistic due to mostly comprising of lyrics that are frequently repeated, were certainly memorable. "Somewhere Over The Rainbow" being one of the greatest musical songs to have ever been conceived.
The film started off so well! My eyes were hypnotised, with Garland's commanding central performance (and beautiful singing voice) taking control. And then it dawned on me. I was rapidly becoming exhausted. Fleming couldn't maintain a suitable pace and unfortunately lost so much steam that it became stiffer than the Tin Man. The story was far too simplistic, conceding to repetition as Dorothy one-by-one meets a new individual whilst on her quest. Not enough happened in the plot to keep me entertained and I found myself succumbing to boredom on many occasions. The third act nearly picks up the pace, but builds up a formidable confrontation that ultimately felt underwhelming. Ironically melting into a multi-coloured puddle. Some of the editing felt messy, especially a scene where the Scarecrow talks but does not show him audibly moving his mouth. A few of the illusory tricks were incredibly noticeable, such as the Wicked Witch being lowered by a platform pretending to teleport thorough red smoke, which could've been concealed more efficiently.
The whimsical themes and warm message of its story will resonate with younger audiences. The legendary acclaim that this film has garnered has been passed down generations, with many watching this as a child. Had I watched this when I was younger, I may have had a different viewpoint. Alas, watching this for the first time in my mid-20s has highlighted the noticeable weaknesses that unfortunately let the film down.