Haneke's masterwork.

Rating: 9/10 (2 September 2013)

Michael Haneke relishes in the ambiguous and the uncomfortable yet the conflict is always clear, it's just the intention that is up for interpretation. In The White Ribbon, it's almost as if the film is self-aware of the impact of its drama. It's a vast ensemble which leads to many scenes feeling like vignettes featuring inciting incidents to spark further interesting stories. They're heartbreaking yet subtle and utterly human and often end, in true Haneke fashion, in brutal violence. In each story, there's a common theme of overreaction to change, insisting that "the world won't collapse." The smallest irregularity in a routine leads to an overcompensation of punishment or paranoia. The irony is that the effort to try and stop the change effects the routine severely. It's a town that is scared of death and how that impact ripples through society.
It's revealed later in the film that the 'white ribbon' is a symbol of innocence, naivety and a protection from evil so the film is a study of the consequences of that protection. But it's all for nothing when by the end, the first spark of war has begun and everything changes. It's a film about the inevitability of change, despite the force of resistance. Its a fascinating place to study in the realm of storytelling and The White Ribbon is a truly exquisite piece. It's enhanced by theatrical and measured performances by the entire cast, especially the compelling actor playing the Doctor and particularly impressive performances from all the children. Haneke usually relishes in the grain and dirt of his photography but here it's slick and stark. It absolutely deserved its Oscar nomination for the terrific cinematography. The White Ribbon is easily Haneke finest work and immediately enters the canon of great films.
9/10