Kubrick Mastered Horror

Rating: 10/10 (8 February 2019)

I finished reading Stephen King's classic last night, so it only seemed right to re-watch my favorite horror movie of all-time: Stanley Kubrick's blood pulping adaptation of, The Shining.
I unreservedly understand why King detests this movie now. I mean, if my work was tampered like this, I would assuredly be pissed. But I'm not the author, so I have the potential to relish this malicious braintwister. The book is beyond any doubt, better in terms of its story components and character developments. Having said that, I think Kubrick's revamp handles its horror ingrediants more psychologically, and arguably, more dexterously.
The main reason I personally think that, The Shining, towers over any other horror movie in existence, is because of the methods the film employs while incorporating the soundtrack into the sequences. The vital timing, the detail to tension, and the evolution of the music is key to exhibiting such an excruciating feeling of angst.
Here are a couple other noteworthy techniques that make, The Shining, stand from the crowd: The impulsive snap-zooms, the one-take stalking shots, Jack's topsy-turvey facial expressions/mannerisms, Danny's interactions with "Tony", Jack's unexplained link to the Overlook Hotel, the interlacing cuts of multiple scenes, the drawn-out, gripping, one-on-one dialogue segments, and the spontaneous imageries.
Like I divulged before in my recent review of Luca Guadagnino's, Suspiria, the modules that make horror movies scary are the ones that fiddle with normality. Tinkering with what is morally ethical or what is bearable is what makes a film frightening. The Shining deviates from convention more flawlessly than any other thriller out there.
Kubrick may have butchered King's vision but, in doing so, generated the most effective horror movie to date due to his atypical perception. The Shining is the definitive sugar-daddy of the entourage of cinematic fear factors that came after it. (Verdict: A+)