Kudos to Campion

Rating: 9/10 (12 May 2018)

In the mid-nineteenth century, in a community in a New Zealand forest, a mute pianist from Scotland (Holly Hunter) and her young daughter (Anna Paquin) live with a settler (Sam Neill) as per an arranged marriage. A nearby neighbour (Harvey Keitel) has his sights on the pianist.
Director Jane Campion (also the screenwriter) has created a movie experience that is sensual from beginning to end. She gets to the heart of nature in every scene even making the viewer experience rare feelings. The opening scene of an arrival at a beach is beautiful and provocative; the sight of the giant waves is stunning but also a dangerous and uncontrollable part of nature that acts as a preview of what's to happen with the characters of the story. The sex scenes are also very unique in that they express a passion and warmth that is rare in films of its era as well as those that have followed; particularly in moments where a facial expression shows genuine pleasure from the sense of being touched.
Campion gets great work from her actors. Keitel and Neill show a sensuous side that might only be encouraged by a director with a feminine perspective. Paquin gives one of the best child performances in cinema. And Hunter's performance is truly amazing. Her facial and body language say so much. In a shocking, climactic scene, her quiet breakdown rips the heart out. Her character is someone who might seem demanding and annoying at first but it is clear later on that Ada is one of those souls who seems more attuned to the spirit world than to the mundane details of the physical world.
The story may have flaws (as others have pointed out) but it is how it is expressed that makes it stand out. Here, Campion is greatly aided by cinematorgrapher Stuart Dryburgh and the music by Michael Nyman. A treasure for the senses.
OUTSTANDING ACHIEVEMENT: Directing by Jane Campion