A beautifully blossomed wallflower

Rating: 9/10 (18 September 2017)

Stephen Chbosky's 1990s-set very young adult-oriented book is brilliant, being funny, touching, insightful, thought-provoking and relatable. Hearing that Chbosky also directed and screenplay-adapted, as well as being attracted by the involvement of Paul Rudd and Joan Cusack, expectations were high...and although the book has more depth to the characters and situations those expectations were met.
'The Perks of Being a Wallflower' may not break new ground and it may be clichéd, which may be reasons enough for people to hate it, but considering the main target audience and being based around coming-of-age, teenage angst and high school life these were inevitable. Nonetheless, 'The Perks of Being a Wallflower' did a great job making an emotionally varied film that will resonate with most people of all ages and gender.
It is much more than just another high school/teenage angst film, and is a believable depiction of coming-of-age, friendship and hidden torment that makes one nostalgic and remember the fun and difficulties of school life. It's not flawless, some scenes and transitions like the blackouts end rather abruptly, it occasionally descends into schmaltz like with the past flashbacks and the Charlie and Mary Elizabeth relationship while charming is rushed and makes Mary Elizabeth less likable compared to the rest of the film.
However, 'The Perks of Being a Wallflower' is beautifully shot and clearly loves the scenery. The music is suitably melancholic and the choice of songs infectious and nostalgia-inducing especially David Bowie and an excerpt of 'The Rocky Horror Picture Show' in one of 'The Perks of Being a Wallflower's' most entertaining scenes, that made me love that film all over again and captured the immense fun, wildness and danger of seeing it in theatres with an audience.
Chbosky adapts his book admirably, not everything is included which is not unexpected due to it being an adaptation and not every detail can translate to a just over an hour and a half film. The spirit however is there, there are funny moments, thoughtful moments, insightful moments, inspirational moments and poignant moments balanced beautifully. For a film director debut, he also does a more than competent job, actually very impressive and puts directors who did it for years to wildly variable success to shame.
When it comes to the story, it is not perfect in execution but made me care for the characters and their situations and made me laugh, smile, cry and inspired in equal measure. The daring ending is shocking and brought tears to my eyes and credit is due tackling such mature themes with sensitivity and never preaching. The characters are compelling.
Logan Lerman has never been better and being a fellow shy introvert in school it was easy for me to relate to him, while Emma Watson (even with the variable accent) gives one of her better non-Hermione Granger performances and overall. Mae Whitman shows strong comedic chops and Ezra Miller is a real standout on a flamboyant and hilarious role.
Not that the adults are less good. A long way from that, even with less screen time. Paul Rudd is particularly great as the teacher that inspires Charlie the most, again having had an inspirational teacher in school and an even more inspirational head of department at music college that also resonated with me. Joan Cusack only appears at the end but she is very good at being sympathetic yet firm. Again Melanie Lynskey has very short screen time, but she also excels at making us hate her for being the catalyst for Charlie's torment. Kate Walsh and Dylan McDermott have very little to do but fare well too.
Overall, an excellent film that blossoms beautifully despite its faults. 9/10 Bethany Cox