L.A. Confidential if Done by Blake Edwards

Rating: 8/10 (27 May 2016)

The titular "Nice Guys" are two formerly functioning members of the boys in blue who now scrounge up a living working on the fringes of the law. Holland March (Gosling) is a private dick who largely keeps his clients on a leash just long enough to get paid extra for little work. Jackson Healy (Crowe) on the other-hand barely scrapes by as an enforcer of sorts; beating people up on behalf of anyone with the right money. The two cross paths when the secretive and frightened Amelia (Qualley) hires Healy to keep March off her back, but after an escalating set of circumstances, the two boys team up to find out who Amelia really is and why she's on the run.
On the face of it, The Nice Guys has all the outward themes and calling cards that make director Shane Black's oeuvre so appealing. The story twists and turns with the erudition of a Peter Cheyney pulp novel only played up for belly laughs. There's the obligatory precocious child who's often too clever for his/her own good, this time played by Angourie Rice. Then there's the crackling dialogue whose machine-gun wit and irascible one-liners impresses even in his lesser efforts. Here, the script is a perfect blend of Lethal Weapon (1987) pacing and Kiss Kiss Bang Bang (2005) sardonic witticism, with a touch of seventies style to add ironic snark.
If one were to find fault in the film's finely tuned, well-oiled machine it'd be the obviousness of the villain. With tons of effort made to establish the film's tone and groove into the plot twists and reveals, you'd think they wouldn't tip their hand so much. No matter; less time thinking about the intricacies of the plot leaves more time to revel in Gosling and Crowe's deft, pitch-perfect acting, the gleeful, uproarious laughter and the gaudy seventies swag.
The Nice Guys is L.A. Confidential (1997) as done by Blake Edwards. It's smart, funny, effortlessly assembled and easily accessible. The story is tight and clever which more than makes up for any far- fetched tomfoolery and the themes are similar to those of Shane Black's other efforts though it never feels like he's resting on his laurels. Give The Nice Guys their due in theaters lest you wind up on the wrong end of a loaded cookie jar.