something worth fighting for

Rating: 10/10 (27 December 2014)

Peter Jackson has done what could not be done. Deemed unfilmable for decades (with the terrible cartoons as an example of why), "The Lord of the Rings" took the audiences by storm when "Fellowship of the Ring" premiered in 2001. In 2002, anticipation was even higher, dread was lower -- and "Two Towers" is an outstanding continuation of the epic fantasy tale. The movie picks up where "Fellowship" left off: Merry and Pippin have been captured by Uruk-hai, and Aragorn, Legolas and Gimli are pursuing them. But they are sidetracked by an old friend: Gandalf, returned in a new form and with new powers, as Gandalf the White. He takes them to the kingdom of Rohan, whose king is bewitched by the evil Saruman. They barricade the people of Rohan in the fortress of Helm's Deep, for a final defiant stand against an army of Uruk-hai. Sam and Frodo have left, to venture into Mordor alone so that Frodo can destroy the Ring in Mordor's Mount Doom. When the two hobbits become lost in Emyn Muil, Frodo realizes that someone is following them: Gollum, the tormented, twisted former owner of the Ring. They capture Gollum, who swears to serve "the master of the Precious." But even Gollum's shaky allegiance isn't enough for them to succeed, because the Ring has started to bend Frodo to its will. While the first movie revolved around Frodo, the Ring and the Fellowship, here the focus widens. We get a better sense of the epic quality of the story and how it affects the whole world, not just our heroes. Gondor is crumbling, Rohan is beaten down by orcs, and even the forces of nature -- the tree-like ents -- are being attacked by Sauron and Saruman. It's nature versus the destructive machines, and the wild wrecking of Saruman's forges by these ancient tree shepherds is something to cheer for. Elijah Wood blossoms in this film as Frodo Baggins, the little hobbit who could. In the first movie Wood played Frodo as an innocent who loses his innocence; here he takes it a step further, showing the darkness and violence that are swallowing Frodo up. Because we saw what a bright, sweet person Frodo was before, it's all the more horrible to see him starting to slide down (even attacking his best friend -- the look on Frodo's face as he comes to his senses is stunning). Sean Astin perfectly embodies Sam Gamgee -- increasingly desperate, trying to keep Frodo from going under. He serves as a reminder of what Frodo is fighting for, and Astin has perhaps the most powerful lines of the film, near the end: "But in the end, it's only a passing thing, this shadow. Even darkness must pass. A new day will come. And when the sun shines it will shine out the clearer." These simply-worded lines will bring tears to your eyes. But if Frodo is just starting to be addicted, Gollum is a junkie. Even if Andy Serkis doesn't appear in one frame in the entire movie, his motions and voice are heard and seen behind an exquisitely detailed CGI puppet. This is no Jar Jar or Dobby -- Gollum is detailed down to the last hair and wrinkle, believable in his appearance (I actually forgot he was animated for most of the movie), and has a multifaceted personality that reflects his own inner struggle -- Smeagol and Gollum, good and evil. The scene where Gollum's two halves argue is too amazing for words. The other supporting actors shine almost as brightly. Viggo Mortensen turns his reluctant hero Aragorn into a leader and a warrior. Ian McKellen manages to make Gandalf more stately and majestic, yet keeps that little grandfatherly twinkle. John Rhys-Davies provides a bit of comedy as Gimli, mostly related to Gimli's stature, but never loses his dignity; Orlando Bloom is outstanding as ethereal elf archer Legolas once again. Liv Tyler captures Arwen's fear of mortality and loneliness. Billy Boyd's Pippin and Dominic Monaghan's Merry, the well-meaning goofballs of "Fellowship," are now forced to make their own decisions. And new cast members Miranda Otto and Bernard Hill also shine as the strong-willed Eowyn and tough old king Theoden, in roles that will bloom further in the third film. Peter Jackson (who makes a few cameos) once again outdoes himself with camera-work and direction. His cameras as like living things: they swoop, dive, pull back for outstanding combat shots and then zoom in for exquisite close-ups. The battle scenes are dark, bloody, explosive, and full of chaos; only near the finale does any hint of glory shine through. He adds little human touches (the family split up by the war) that give a glimpse of what the non-heroic, ordinary people are suffering. Of course "Two Towers" isn't as good as the book. Few movies are. But taken purely as a cinematic experience, and an adaptation, "Two Towers" is virtually without peer. Epic, majestic, action-packed and brimming with pathos, this is a treasure.