While it is well made and acted, the disconnect & incompleteness of the primary premise didn't allow me indulge into its absurdity

Rating: 6/10 (20 August 2016)

Sometimes the premise can just be weird, but nothing that I have ever seen is so lack of sense, purpose or necessity. Having said that, the clarity, vision, ambition for this non-sensical concept has to be appreciated along with a committed performance from its top stars.
In a future world where single people are taken to the 'Hotel' and given 45 days to find a suitable partner failing which they will be converted into an animal of their choice and sent off to the 'Woods'. David (Colin Farrell) has lost his wife recently after which he was moved to the 'Hotel'. Customary to the on-boarding process, the Guest has to decide which animal they would like to transform to in case they couldn't find a partner and David choose a 'Lobster'.
Colin Farrell was on the path to become an action superstar when he started his career with back to back box office hits until it got derailed spectacularly with Alexander. He is a terrifically talented actor and the duds allowed him to associate with movies of different genres without the necessity to alter scripts for mass appeal. 'The Lobster' is one such movie which is so offbeat, independent and full of experimentation.
The entire movie making process was structured, well edited, smartly produced and aptly cast. However the constant voice over to explain the proceedings shows a weak screenplay and the lack of purpose or necessity of the primary premise left me disconnected occasionally. There is also a rebellious group who fight to stay single (again without a purpose or a backstory) which again leaves you wondering about the motivation for any of their actions. The rebel leader's actions and why anyone would follow her also leaves you with more questions. Most of the unanswered questions doesn't feel like a meta narrative that lets the audience decide for themselves but as just incomplete.
While it is well made and acted, the disconnect & incompleteness of the primary premise didn't allow me indulge into its absurdity.