Profound tale of morality.

Rating: 9/10 (29 November 2011)

This is an absolutely fantastic film, with a very suitable soundtrack and great performances from the whole cast, which performs perfectly.
Little things, like facial expressions, reactions, etc. are so important on the big screen, and are so difficult to get right. It says a lot for the talent on set that this film was an absolute joy to watch, especially as all these 'little things' were executed to perfection. As Wiesler grows to love his subjects, it is, of course, a gradual change, and Ulrich Muehe, with the help of a tender and fantastic script, pulls his character off so convincingly.
What is very interesting about this film is the way in which it portrays West Germany. Von Donnersmarck has not directed a love-letter to the West; he portrays its faults just as he portrays those of the East, and of the Ministerium fuer Staatssicherheit (Stasi), and there are some very thought-provoking issues and ideas within the film.
Ultimately, whether the right thing is done or not, a transformation occurs within the film, one for a more fulfilling existence. I'll leave you to decide whether or not it is for the better, but I truly believe that this film is an enriching experience for all who watch it. You really get the sense that the actors cared for the themes and issues that the film raised, and this can only ever make a film better.
The film is not without tension, which is expertly tackled by fast editing and music, and not without sadness, loss, and pain. Characters are more deeply explored than you first realize, and, often, they are not so different. They are, after all, all socialists.
Not often does one come across a classic film, one with just the right amount of classiness, messages, and imagery, amongst other things, and it is a genuine pleasure when one falls into your lap. Watch this film. I promise that you will not be disappointed.