The Lonely Genius

Rating: 6/10 (24 May 2016)

A cursory read of Alan Turing's biography proves that the basic points of this film are factual. That some details have been tinkered with for cinematic appeal is possible. Turing was historically significant because he built a computer that broke the Nazi code, which helped win WWII. The script blends these events with Turing's personal life.
Despite his genius brain, Turing nevertheless suffered as a gay man in a homophobic era, which brought loneliness and run-ins with the cops. With acquaintances he could be socially awkward, eccentric, arrogant, and humorously quirky.
The script's non-linear structure makes for difficult viewing at times. Constant flashbacks to, and returns from, three different eras in Turing's life render unnecessary confusion. The first half is a bit boring, but drama picks up in the second half. The script conveys a realistic view of Turing (Benedict Cumberbatch) and Joan Clarke (Keira Knightley). Most of the supporting characters come across as a bit nebulous.
Appropriate for the historical era, the film uses 35mm format wherein grain structure is obvious. In Turing's later years, desaturated colors dominate, to convey a gray, sad tone; brighter colors and more contrast highlight his younger years. B&W archival clips show actual WWII scenes. Editing and production design compliment the cinematography. The nondescript piano score is okay but too loud in some scenes. Overall casting and acting are acceptable; Cumberbatch gives a credible performance.
Significant historical content and release dates suggest that the producers intended for "The Imitation Game" to be Oscar bait. The film is a recent addition to a list of culturally relevant films meant to confer on Hollywood a sense of legitimacy. Fine film aside, Hollywood's motives here reek of self-congratulatory prestige.