Well crafted but mostly fictitious film about Turings involvement at Bletchley Park

Rating: 5/10 (11 November 2018)

This is well-made and well-acted film, with an important message. However, the danger with films like this is that the masses think they are getting a history lesson, but in this case they are most definitely not.
The film takes enormous creative liberties all the way through, by adding conflicts where there none; by portraying Turing as if he were autistic when he was not; and by inserting a number of fictions about Turing's character and achievements.
Perhaps the most glaring fictionalised part of the movie, which will no doubt upset many historians as well as the descendents of those actually involved at Bletchley, is the lie that Turing singelhandledly invented and built the machine that could break Enigma's code. The machine was actually invented by Polish crytanalysts before Turing even started working at Bletchley! Turing's involvement came later, when he helped mathematician Gordon Welchman (who is not even mentioned in the movie) designed a newer model that looked for likely letter combinations.
I also want to mention that the conflict between Turing and Denniston (played by Charles Dance) is completely fictional, and Denniston's family have taken issue with the film's negative portrayal of him. Denniston picked out Turing based on his work at Cambridge, and Turing never went to Winston Churchill to complain, and Denniston never tried to fire him!
Contrary to what the film depicts, Turing was an approachable person with a keen sense of humour, and was well liked at Bletchley. There are many more inaccuracies, such as his lack of knowledge of German, his dislike of sandwiches and the scenes about his compulsions regarding carrots and peas. All of this is fiction. I could go on... but I've pointed out the main issues I wanted to raise.
So once again, as with so many bio-pics (recent examples being Churchill and Dunkirk) an opportunity is missed and we are presented with a mixture of fact and fiction - fiction that goes well beyond what we generally call artistic licence, to the point that people living today connected to those war-time efforts are deeply offended.