THE HURT LOCKER and the Human Essence of War

Rating: 8/10 (5 March 2010)

Blessed with an insightful script by journalist Mark Boal, director Kathryn Bigelow (Point Break) has finally found superior material to apply her talents, and the result is a seminal war film set in Iraq. This is not the spectacle of war in broad strokes but rather an intimate point of view. As such, it provides a very personal, visceral experience.
In the middle of the Iraq War, Sgt. J T Sanborn (Anthony Mackie) welcomes a replacement for a fallen comrade. The new soldier, Sgt. William James (Jeremy Renner), is a quirky soul whose specialty is disarming bombs. 38 days are left for Bravo Company as the group sets out to diffuse a bomb. While an automated robot might be appropriate, James insists on doing the job himself and finds a booby trap in the city streets. After a tense period and an unexpected surprise, he is successful but not before spooking Sanborn and the other soldiers nearby. His boldness and gambling has serious consequences for his comrades.
James is a loose cannon, but does he have a death wish? He has the emotional and physical scars from war, and he lives and breathes bombs to the point of keeping bomb parts as souvenirs. He is addicted to the job, and war gives his life meaning. He is the perfect war junkie. It's a high stress existence and the only person a soldier can rely on is his fellow soldier. These men bond amid difficult life and death situations while there is barely a shot fired. This is most definitely not Audie Murphy's kind of war.
The risks escalate when a car loaded with explosives is set afire and as James tries to disarm the device, the soldiers attract a lot of attention from the locals who may or may not be innocent observers. It becomes a precarious situation by the minute as James' expertise is tested to the limit. We witness the risks of guerilla warfare as threats come from around any street corner.
As days melt down to hours, the tension becomes almost unbearable, and you can feel the anxiety and fear in these men. There is an arduous sequence as the group gets pinned down by deadly sniper fire amid an oppressive sun. Later, a heartbreaking scene has James attempting to defuse a bomb strapped to an innocent civilian pleading for his life. It's a desperate task as the seconds tick away. The emotions and the impossibility of the situation make for a compelling moment.
James has a wife and son back home where he discovers some truths about himself. Finding civilian life difficult to adjust to, he realizes the one thing makes him feel alive, and that is a tour of duty.
Some notable actors like Ralph Feinnes, Guy Pierce, and Evangeline Lilly appear in what are essentially throwaway cameos. Mackie is good as a soldier whose priorities in life change dramatically through his deployment, and Brian Geraghty registers as a young soldier who cannot wait to return safely to the states. But it is Renner who excels in the difficult role of a gifted, but troubled soldier.
Bigelow has always been adept at films (Point Break, Blue Steel) with lead characters under extreme duress, and she milks each bomb sequence with measured, tightly edited cuts to agonizingly prolong and heighten the suspense. She is schooling the public with pure cinematic technique. We feel a bit detached from these men not because they are not well drawn but because the film tries to show events in a semi-documentary way especially in its generous use of hand-held cameras that give the feel of news footage.
This is not a perfect film. It feels episodic at times, and perhaps that is the point: that war can be a series of moments of danger and uncertainty. Also, we never fully realize or understand what makes James tick. We know he is drawn to his job and is very good at what he does. But we never see into his psyche's attraction to this profession beyond the adrenaline rush.
While the film may not accurately portray military tactics or protocal, it does capture the human emotions of impossibly difficult tasks amid a hostile environment. Credit the filmmakers for exploring a fascinating aspect of warfare. In terms of driving home the fear and effects of war on the common soldier, few films have ever been better.