Tension abounds in Kathryn Bigelow's The Hurt Locker...

Rating: 9/10 (5 February 2010)

Gut-wrenching, pulse-pounding, out of this world tension, just mere exterior descriptions of what Kathryn Bigelow's new film, The Hurt Locker is. Written by Mark Boal, The Hurt Locker overflows with intensity, passion, and reverence. In the wake of 9/11, filmmakers have struggled to create a piece that is socially accepted and respected. Only two films have succeeded in this task over the past eight years; Paul Greengrass' beautiful United 93, depicting an open interpretation of the final moments of the doomed plane and now, Bigelow's film will join the short, elite list.
This character-driven tale tells the stories of three army soldiers who are a part of the most dangerous of jobs to offer in the military, Explosive Ordnance Disposal (EOD), in plainer terms, they disarm bombs. Staff Sergeant William James played ferociously by Jeremy Renner heads up this story as a soldier facing death every moment of the day. With his wife and child at home and often displaying unorthodox behavior, James seems fit for a war soldier. Sergeant JT Sanborn, played by Anthony Mackie is a by-the-book man, living his days at war while incurring losses along the way. Specialist Owen Eldridge played by Brian Geraghty is young, bewildered, and thrust into a situation unknowing of the impact it would have. What these three men bring to their respective roles educates the viewer of the horrors of war. Forget what you think you know on CNN and your local news, Bigelow is running the show with Boal out on assignment and Renner, Mackie, and Geraghty as our anchors.
The crews of the picture are the tools in building this powerful vessel. Cinematographer Barry Ackroyd uses his four camera use to keep us feeling like a first-person account of the events of the film. The mesh of Marco Beltrami & Buck Sanders score and the sound effects team makes for a more suspenseful experience. Filming in Jordan was the choice of Bigelow to give it a more authentic feel. "If you're going to make a film about the Middle East, make it in the Middle East." Bigelow said to me after the film. It paid off big time because I always felt like I was there in the battle zone, enduring pain, torment, and dehydration.
With a NY & LA release set for Friday, June 26th, The Hurt Locker's deserves all the praise its been receiving and should be experienced by any movie lover. The Oscar Prospects might look a little grim based on the summer release but with no real first-half of 2009 contenders, Bigelow and her film have strong chances of taking a spot amongst the final five come end of the year. Renner and Mackie will also be strong contenders in their respective categories. The strongest possibility for an Oscar has to be for writer Mark Boal. The research he did for the film alone will keep Boal in the minds of voters. The Hurt Locker's striking cinematography, crisp editing that keeps it at a heart palpating pace, strong performances, directing, and writing is enough to take this film in consideration for your viewing. Brilliant, simply brilliant.