Predictable but Dark. Starts Terrifically.

Rating: 7/10 (31 July 2019)

An unfortunate catalyst that propelled the trend of teenage protagonist led book adaptations, of dystopian futures. Divergent and Maze Runner followed, both failing to complete their respective stories. Perhaps that has tainted the memory of a satisfactory film, undefinable by genre.
It's easy to forget that way back in 2012 this was fresh and new, tonally dark cinema, aiming for the teenage demographic. Perhaps that's a large reason for the success of the franchise, it was new and interesting, everything since has just been a rehash, located in a different world.
Refreshingly dark and mature, visually graphic, The Hunger Games has a lot going for it, as a visual spectacle, not so much as an immersive and compelling story. Narratively it meanders, without intent, there's a station to arrive at but not the train track to get there. Tonally gloomy at times, balance is hard to find. Switches in mood make the texture of the atmosphere uneven, because changes are jarring and misplaced. The edit failed to maximise the potential seeping throughout. Scenes are drawn out and end on odd notes, something that could've been tightened up in post-production. Additionally more cuts to and through between the Games and the world at present would've helped to increase tension while the story pondered, the scale and public reaction isn't documented anywhere near enough, if at all. Personally I feel the editing really trips this film up, it's quite easily 10-15 minutes too long, feeling even longer due to the fact of how much sitting around there is.
Stretched so far it's see through, the ending is blatant from the get go, meaning there's not much to keep you interested after the half hour mark.
Gary Ross shows wonderful craft and delicacy when concerning the dark themes of oppressed society, life without choice and just how bleak living in a dictatorship is. In the first act he manages to craft a tone and atmosphere that reeks of desperation, fear, the empty void of hopelessness and life without control. Yet he lifts the mood with the slightest and smallest of scenes between Kat and Gale, serving as a reminder of humanity's ability to dream and aspire for a better world. Each shot set in District 12 is delightful, sombre chills run through every vein as you are enraptured in fear and anxiety. The build up to and throughout the reaping is tense and nauseating, interactions with Kat and her sister are filmed so preciously. Sound is well utilised through the overdrawn run-time, music is allowed to overrun and dominate, drowning out the world perfectly and symbolically. An example that comes to mind concerning the sound is when Kat offers herself up, her screaming juxtaposed against the silence sets her out from the rest, nailing her on as the protagonist we will all route for. Selfless.
This was Jennifer Lawrence's big break in the public eye, she left a good impression. Portrayed with care, Katniss is delicately played when is necessary but can easily surge with passion when needed. Reminiscent of an indie film portrayal, Jennifer showcases her range and hits all the marks, and you, in all the right places.
Hunger Games starts off brilliantly, it's exhilarating and tense, filled with subtlety. Has a terrific lead performance that powers you through. It's weighed down by an underwhelming narrative, that's evened out with an enjoyable character arc. Sadly it gets wrapped up in it itself, losing its awareness of how sick a situation this is, and rather than point it out, chooses to accept the societal issues, it so cleverly addressed in the beginning. We then drift and chunder toward the inevitable ending.
Nevertheless I'd quite happily re-watch the first act, but would have no qualms with skipping the rest.
It's a solid piece of film-making.