"No One Comes Up Here Without A Damn Good Reason"

Rating: 10/10 (29 January 2016)

" The Hateful Eight" fulfills the promise, making his 8th film a real QT project ".
Every human being has the ability to dictate a good or bad verdict regarding a film seen, everyone have the opportunity, 'Star Wars' has its bad and good side but Tarantino films it is impossible to find the negative side. With 52 years of life, " a film by Quentin Tarantino " tag is the main reason attend a theater, regardless of history, cast, or none of these, is only Quentin. Relatively this director ever have a bad project, so "T. H. E." is one of his best weapons to be dazzled.
Quentin has broken the tradition of 2015 (remakes and a interesting thing) creating a new epic world, but occasionally introducing small variations of "Reservoir Dogs". One of the characters most hated, in a cabin, having to wait two sweet hours while a storm passes, What bad could happen? No one there is who appears to be. Like any Tarantino film is remote strictly to the experiences of the odious eight. This man is a master that all can do, and I think more than difficult, unnecessary to create a theatrical piece (possibility) of this beautiful and unique work, serious as adapted Mad Max.
Tarantino is a guy who has been steeped in the world of the cinema since childhood, absorbing every good material that looked to translate it into their own and original projects (directing and writing) so this guy knows what it does.
Beyond a beautiful costume, the details of the time, production design or any of all the perfect items, the established location is the best way to start, a western in the snow.It is very bold picking a desolate place to lock up for some reason a group of strangers.
From the moment in which the film opens, show majestic landscapes, a strong snowfall and a muddy Jesus Christ of snow, we knew that was going to be quite an adventure. It's funny to think that a film's lasting 3 hours and 7 minutes did not come to feel tense and boring, instead of this, its suspicion and intrigue going on the rise, generating in the spectator an enjoyable experience.
Anyone who is seen the 8 films of director, could tell that own merit and as it is logical the first lines are for his most repetitive actor, Samuel L. Jackson who has collaborated with the director for the sixth time. When this black man opens his mouth, already is deserved a nomination for the Award Academy. Throughout history, the film is told in a way that personally I had never seen, making his film a proposal different to all evidenced today in day. As you might imagine, this film has continuity thanks to many matches, that the way in which Quentin implanted it everything looks the way more natural.
One of the most frequent clichés among viewers and modern dramas is to point at first sight a hero implemented as the main character, However, who could be the hero here, where no one is good? He renews this constant with a smart and fresh variation on the rotation of each of the members, being impossible to point to the protagonist. But I feel very subjectively, Jennifer Jason Leigh and Samuel L. Jackson will steal the limelight. Come to a stop (Minnie) really when everything feels strange, creating in the audience, What could happen?
A true lover of the films of this guy can say that one of the primary aspects of atmosphere to empathize more in history are the intractable and typical scores for his films where in this case chose to Ennio Morricone to form tension, achieving very well.
The storm is long and continuous, creating an atmosphere breathtakingly stressful. More of one we share the view to see Jennifer Jason Leigh in this film and "Anomalisa" is a complete pleasure. The title is accurate, and not to be the eighth Tarantino film is called "Eight" if not for call "Hateful". The Quentin formulas can be a little confusing, but it does explain at the end each parameter that seemed difficult to understand at the beginning. There are several scenes of duo for highlighted, one of them is the individualistic ability of Samuel and Dern generate one battle of a sentence against another, a total feast.
Undoubtedly, Quentin latest invention has become my favorite, the film more Tarantino. Beautifully photographed and directed 'The Eight' hides too much of some characters through shots and hits. Tarantino is one of my best directors capturing all explicitly as it imagines, not afraid to show a nudity, fellatio, and too much blood, just by caring for the rating and not the chance to fill his pockets of money not to allow the entry of young people. Violence in this work is essential and fun, even to look like a gore. This project does not disappoint being shooting in the 70mm majestic. It's outrageous and insolent lack of participation in the 2016 awards season, taking a film gem in their hands. For Tarantino fans, "The Hateful Eight" will be the best Christmas gift, because it is one of the best films of the decade, Tarantino and the general film world,
¡Thanks Quentin!