"Well, I guess I should be plumb scared right now, huh?"

Rating: 9/10 (29 April 2016)

There was an interesting observation made by the character Mobray (Tim Roth) in the story when he began to speak about justice. He stated that justice delivered without dispassion is always in danger of not being justice. Which was somewhat ironic considering Tarantino's ragging on policemen about the time this movie came out; not too much dispassion in his ranting when it comes to singling out a profession made impossibly difficult by politicizing their every move. With that, one would expect that my attitude about the film would be negative, but I actually get a kick out of Tarantino's pictures and this was no exception. I liked the set up, the story, the cinematography and the principal players, well cast for their roles and for the dynamic each one of them brings to the picture. I also go for the quirky unexpected stuff, like the nailing of Minnie's door shut to keep out the blizzard, the revelation that Minnie herself was a black woman (didn't see that coming at all), and the hell's bell's reaction of Walton Goggins' character in the story's resolution. I must be getting used to Tarantino's pictures by now because except for a handful of times, I didn't really even hear the 'n' word that so many reviewers here say surpassed it's use in "Django Unchained". But for all of that, I think Quentin needs to develop some new ideas because they're becoming decidedly repetitious in his pictures. There's the racist thing, the buckets of blood, the severed body parts, the repeated casting of various players (Jackson, Madsen, etc.) and the sexual depravity meant to intentionally shock. You know, maybe offer up a look at a topic while remaining dispassionate.