An Adult Looney Tunes Cartoon that paces like a hyper flipbook, Grand Budapest Hotel is dazzling, unique, and pure absurd entertainment

Rating: 9/10 (8 September 2014)

You know you've made your mark in the cinematic world when just a few visual images from a trailer reveals that you are behind the movie. Whether it's the rapid-fire editing of Tony Scott (or his successor, Edgar Wright), pulp house content of Robert Rodriguez (who just isn't the same anymore), or the long-sweeping shots of Steven Spielberg, if you can immediately figure out who made the movie with just an image or a scene alone, it's a very, very good sign.
And now we have Wes Anderson and his whimsical, colorful, adult Dr. Seuss style of storytelling that has potentially reached its peak with the enduring, zany, and unpredictable Grand Budapest Hotel. This cinematic ball of energy looks like a Pollock painting if it ever got organized, runs like a Looney Tunes cartoon, and delivers an adult story in a most unique, childlike wondrous way. Similar to how Woody Allen's career took a second wind as he went overseas, Wes Anderson's movie-making trip to Europe elevates his skills and abilities as a director to brand new heights.
The story is surprisingly dark, as it spans multiple World Wars and covers a mystery involving a woman that may or may not have been murdered. The plot however moves so swiftly, so quickly, and contains so many humorous twists and turns you don't have time to dwell on the grimness. It does help that we have an excellent cast playfully tagging along for the ride, including Ralph Fieness in an Oscar-worthy performance, William Dafoe, and Tony Revolori---while also giving points to Jude Law, F. Murray Abraham, Adrian Brody, and Jeff Goldblum for their small but memorable roles.
Cast is important (Wes always has great casts, Hollywood should take notes), but this is Anderson's work first and foremost, and it's his writing and meticulous attention to detail that has allowed for him to emerge as one of the top directors in the game. Too bad that his light indie style doesn't exactly fit with the norm that usually gets Oscar attention (Similar to Spike Jonze). Don't let the lack of Oscar bait bum you though, the movie is dazzling eye candy with gorgeous shots and even more gorgeous cinematography that warrants multiple viewings to appreciate the backgrounds and foregrounds that blend with the cast and the story being told. The unconventionalism (not a word, I know) of Anderson separates him from not only Hollywood but from the Indie movement as well.
Grand Budapest Hotel is a Wes film plain and simple: great plot, colorful cast of characters, detailed settings, bite-sized dark humor, quirky swirl of comedy and drama, and an energy that you just don't get in many works nowadays. Grand Budapest Hotel is a visual treat from start to finish, so if you can handle his unique flavor and brand, then there is no reason why you would skip this movie. Easily one of the best you'll see this year.