Swedish thrillers don't get much better than this

Rating: 9/10 (27 September 2016)

Although this Swedish version of 'The Girl with the Dragon Tattoo' was followed by two sequels and an English language film a couple of years ago directed by David Fincher, it is very much the best of the four films.
It is a very loyal adaptation of the book (generally one of the most faithful book-to-film adaptations around), which is a fantastic read and has become of my favourite books recently, adhering closely to many of the book's events and such and also perfectly maintaining the bleak and murky atmosphere the book effortlessly creates. However, 'The Girl with the Dragon Tattoo' works even better on its own terms. The central relationship between Mikail and Lisbeth is ever so slightly rushed, however it still resonates while wisely not taking over the story too much (doing a much better job in this aspect than Fincher's.
Fincher's version may be more audacious visually, though this film is a long way from a hack job, and the script here does occasionally lack polish and flow. However, the atmosphere is much more effective here and there is generally more tension and chills, and personally prefer the performances here too (though Rooney Mara in Fincher's film is certainly no slouch).
Enough with the comparisons. 'The Girl with the Dragon Tattoo' (2009) does look great, the bleakness of the setting adds so well to the atmosphere and it's tightly edited and very nicely shot. The haunting and doom-laden score fills one with dread and creates a lot of rich tension. Neil Arden Oplev's directing is masterful, building on the tension and suspense to frightening heights while also directing with a lot of class.
'The Girl with the Dragon Tattoo's' story is incredibly gripping, there is a lot of subplots and characterisation and the film remarkably makes everything intriguing, layered and complete. The long running time allows this to happen admittedly, but with a good deal going on and with deliberate pacing the film easily could have rushed through things or neglected aspects but very rarely does those things. The subplots are superbly chilling with constant and effortless delivery of shock after shock. The bleak and murky atmosphere is present throughout, as is the dark and at times brutal (but not gratuitously so) tone, with plenty of twists and turns that shock and surprise better than a lot of thrillers from the US.
All the acting is very good indeed, but it's the two leads that really impress. Michael Nyqvist makes his vulnerable and flawed character a fascinating character that could have been less complex in lesser hands, but the film does belong to Noomi Rapace, whose seamlessly enigmatic performance is positively screen-burning.
Overall, a great film and one of not many book-to-film adaptations that treats its source material with respect. Swedish thrillers don't get much better than this. 9/10 Bethany Cox