OK, I Get It.

Rating: 1/10 (1 November 2013)

Life, love, death, birth and the universe are mysterious and can only be explained with heavy drawn out scenes containing plenty of amber lighting and intense close-ups including downy hairs backlit on tender skin and moderate perspiration, but not too much or it looks sweaty. It is helpful to include thousands of tiny lights at every opportunity to imply the infinite nature of these ponderous and foreboding concepts that we, as mortal humans, can only understand with comparisons to unknown civilizations such as the Mayans and powerful Western cultures such as 16th century Spain during the inquisition and the exploration of the new world, which allow for injections of senseless violence thus ensuring adequate box office appeal to please the producers. Overhead shots and symmetrical architectural statements reinforce the strength and meaning of the subject matter, especially when bathed in golden light with a slow zoom treatment, which once again aid to covey the operose seriousness of these monumental concepts we all have in common and absolutely must share with one another through artistic achievement.