Though obscure in its ways, "The Fountain" is rich and beautiful

Rating: 8/10 (23 January 2008)

"The Fountain" often feels like an interlocking puzzle of eras, characters and symbolism, yet there is a distinct overall thematic tone to the film, almost a decoder that once utilized brings out the best in the film.
It's the kind of movie that for most people will necessitate a second viewing. Once the viewer can set aside thoughts of the plot direction, the film opens up a lot more in its discussion of life and death and the idea of eternal life. Darren Aronofsky (Requiem for a Dream, Pi) has brought to life an art film that wraps itself in the genres of science-fiction and mythical history.
At its core, "The Fountain" is about the relationship between Tommy and Izzy (Jackman and Weisz), the names of their characters in the contemporary storyline. This is the easiest access point for the viewer and consequently the most important, we see a very relatable example in that Izzy is dying and Tommy, a doctor researching tumor cures, would do anything to save her. Arronofsky uses this as a spring board into the more obscure ways of telling the story (inquisition era Spain and conquering the Mayans and the distant future). To keep them connected, he imposes images of the characters from one storyline to another and uses consistent symbols. Also, his brilliant use of lighting gives the film a distinct look and an overall mystical feel.
It's tough to give up on making the plot fit and make sense neatly like a normal film, but this is not a normal film. It is a story about themes that are exemplified by the relationship between the main characters. It is a film about emotions and ideas and discussing them in very abstract ways. It is difficult and tough to access, but very ripe for deep thinking or discussion.