Great remake  horror with a typically Cronenbergian twist

Rating: Null/10 (13 June 2002)

Scientist Seth Brundle has created a matter transporter to create a sort of teleporting system. During tests he finds it turns his monkeys inside out and kills them, until he gets it to work. He immediately tests it on himself and everything appears to work well. However he soon finds himself going through a series of changes, much to the concern of his girlfriend Ronnie, that see him becoming fitter and stronger. However it isn't long the changes become more concerning and it is clear that he is changing beyond his control and beyond recognition.
Cronenberg is famous for his body horror and here is no exception. The remake of The Fly loses a lot of his usual social comment etc but still leaves him open to do a great horror that has some intelligent touches. The story is very much a horror  but Cronenberg has got rid of the concept of swapping a fly head for a human head and replaced it with the horror coming from within. This allows him to feel more comfortable with his subject matter rather than it being silly. The transformation gets more intense towards the end as his whole body begins to become a fly but the early parts allow tension to be built up.
When the gore comes it is typical Cronenberg. It isn't gore for comedy's sake it is quite shocking and very gory. The real gore is kept for 2 or 3 key moments and is all the more shocking for the restrained nature of it's use up till then. The end itself shows that it isn't just an out and out horror and that it does have a heart and a head to match it's strong stomach.
Goldblum is good. Unfortunately he has come to be type cast as the excitable, Jewish scientist with a distinct speaking manner (try Jurassic Park 1 & 2, Cats and Dogs etc). However here it doesn't annoy too much. Davis is also very good and was going into a good run of hits (unlike now!) at the time. She plays the horror of her situation very well.
Overall The Fly is a very good remake. It is a horror film that is actually chilling as well as gory  Cronenberg's fascination with body horror and the nature of ourselves is toned down but is still enough in evidence to add something.